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Neo-Expressionist More Prints

NEO-EXPRESSIONIST STYLE

A resurgence of interest in Expressionism, Pop art, Surrealism, Abstract Expressionism and other movements gained steam among artists of the 1970s and ’80s, in part as a reaction to the austerity of the prevailing minimalism and Conceptual art of the era. A decadent, bold and brash art style called Neo-Expressionism saw painters returning to figural representation, creating highly textured works that were imbued with intensely personal narratives.

Neo-Expressionist paintings are sensuous in nature and highly subjective in meaning. Expressive brushwork, highly pigmented colors and layered forms and materials lent sculptural attributes to the work and were used to depict symbolic narratives from history, mythology and the artist’s personal experience. 

Prominent figures such as Jean-Michel Basquiat led the Neo-Expressionist movement in the United States with paintings and prints that were raw, emotional and often violent in nature. In Germany, Die Neuen Wilden (the “New Fauves”) was the name given to a group of postwar artists that included the likes of sculptor Georg Baselitz and Gerhard Richter, a painter and photographer who explored the possibilities of both abstraction and realism, sometimes in a single piece. The work of the New Fauves — labeled as such for its return to Fauvism’s textured brushwork and use of vibrant colors — shares commonalities with Neo-Expressionism, and Baselitz was a pioneer of the movement in Europe. In addition, Willem de Kooning’s pulsating action paintings and Julian Schnabel’s experimentation with the materiality of paintings also took shape during this period.

“I was trying to make paintings different from the paintings that I saw a lot of at the time, which were mostly minimal, and they were highbrow and alienating, and I wanted to make very direct paintings that most people would feel the emotion behind when they saw them,” said Basquiat. 

Neo-Expressionism generated some polarizing opinions, with some celebrating the revival of personal subjectivity in art while others criticizing the movement for being too commercially driven and nostalgic. But most experts agree that Neo-Expressionism was a huge commercial success and culturally impactful, paving the way for the postmodern work of artists like Richter and Sigmar Polke

Find original Neo-Expressionist paintings, prints, mixed-media works and other art on 1stDibs.

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Style: Neo-Expressionist
Large Archival Pigment Print Judaica Lithograph Mark Podwal Jewish Hebrew Art
Located in Surfside, FL
Mark Podwal (American, New York, born 1945) "All This Has Come Upon Us" Archival pigment print Dimensions: 22 X 30 inches From a 2014 portfolio of archival pigment prints of acryl...
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Large Archival Pigment Print Judaica Lithograph Mark Podwal Jewish Hebrew Art
Located in Surfside, FL
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Large Archival Pigment Print Judaica Lithograph Mark Podwal Jewish Hebrew Art
Located in Surfside, FL
Mark Podwal (American, New York, born 1945) "All This Has Come Upon Us" Archival pigment print Dimensions: 22 X 30 inches With a Torah and Menorah From a 2014 portfolio of archi...
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Large Archival Pigment Print Judaica Lithograph Mark Podwal Jewish Hebrew Art
Located in Surfside, FL
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Large Archival Pigment Print Judaica Lithograph Mark Podwal Jewish Hebrew Art
Located in Surfside, FL
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Large Archival Pigment Print Judaica Lithograph Mark Podwal Jewish Hebrew Art
Located in Surfside, FL
Mark Podwal (American, New York, born 1945) "All This Has Come Upon Us" Archival pigment print Dimensions: 22 X 30 inches Temple Mount, Jerusalem, Israel From a 2014 portfolio of...
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Lithograph, Archival Pigment

Large Archival Pigment Print Judaica Lithograph Mark Podwal Jewish Hebrew Art
Located in Surfside, FL
Mark Podwal (American, New York, born 1945) "All This Has Come Upon Us" Archival pigment print Dimensions: 22 X 30 inches Temple Menora and Hanukkah Chanukah Menorah From a 2014 ...
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Large Archival Pigment Print Judaica Lithograph Mark Podwal Jewish Hebrew Art
Located in Surfside, FL
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Large Archival Pigment Print Judaica Lithograph Mark Podwal Jewish Hebrew Art
Located in Surfside, FL
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Large Archival Pigment Print Judaica Lithograph Mark Podwal Jewish Hebrew Art
Located in Surfside, FL
Mark Podwal (American, New York, born 1945) "All This Has Come Upon Us" Archival pigment print Dimensions: 22 X 30 inches Egyptian Orientalist image with Snake From a 2014 portfol...
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Jean-Michel Basquiat, Mecca, 1982 (Framed)
Located in Manchester, GB
Jean-Michel Basquiat, Mecca, 1982 (Framed) Monte Carlo 300gsm watercolour paper. This premium paper is made on a traditional cylinder mould machine by St Cuthbert's Mill in Somerset where they have been making fine papers on the same site since the 1700's. They are the only commercial paper mill in England to still use this paper-making process Paper size: 99 x 100cm Framed size: 103 x 104cm During the 1980s, New York was a central hub for underground artists, hence Jean-Michel Basquiat's depiction of the Empire State Building in his version of 'Mecca'. Basquiat also situated his personal motif, the three point crown, directly above the word 'Empire', representing his sudden rise to fame as his artwork was propelled from the streets of downtown New York to high end art...
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1980s Neo-Expressionist More Prints

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Modernist British Israeli Lithograph Expressionist Figures
By Michael Druks
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Whirlwind 1979, paper, lithography, 59x46 cm
Located in Riga, LV
Whirlwind 1979, paper, lithography, 59x46 cm Ivars Poikans 1952. Riga Ivars Poikāns works in painting, graphics, book illustration, cinema art. Born on O...
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1980s Neo-Expressionist More Prints

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Paper, Lithograph

The nature explode * 1986. Aquatint, etching on paper 9/13. 41x58 cm
Located in Riga, LV
The nature explode * 1986. Aquatint, etching on paper 9/13. 41x58 cm Ivars Poikans 1952. Riga Ivars Poikāns works in painting, graphics, book illustration, cinema art. Born on Oct...
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La Blusa Rosa II
Located in New York, NY
La Blusa Rosa II, 1995 "Sexual Spring-like Winter" is a large painterly work, created with layers of pink and resin by the art and film world's favorite enfant terrible, Julian Schn...
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Untitled 1, from 12 Etchings
Located in Santa Fe, NM
Untitled 1 is a 2007 etching by Anish Kapoor. Untitled 1 is from a portfolio of 12 color etchings by Anish Kapoor. Untitled 1 is from an edition of 40 plus artist and printers proofs...
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Untitled by Enzio Wenk, 2017 - Acrylic Paint on Masonite, Neo-Expressionism
Located in Bresso, IT
Acrylic paint on masonite.
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Grün VI (Green VI) - 21st Century, Georg Baselitz, Green, Portrait
Located in Köln, DE
"Grün VI" is a motif from a range of woodcuts showing similar motifs in the same green colour. Baselitz is digesting his memories of the time shortly after the end of World War II in...
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Aus der Anatomie (From anatomy) - 21st Century, Georg Baselitz, Horse, Animal
Located in Köln, DE
This aquatint etching in strict black and white bears witness of Baselitz' deep engagement with the characteristic appearance of his motifs. 84,5 x 65,2 cm. Edition of 20, signed and...
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Marc Chagall - Original Lithograph
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Marc Chagall Original Lithograph 1963 Dimensions: 32 x 24 cm Reference: Chagall Lithographe 1957-1962. VOLUME II. Condition : Excellent Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. 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After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. 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In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater...
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Marc Chagall Original Lithograph 1963 Dimensions: 32 x 24 cm Reference: Chagall Lithographe 1957-1962. VOLUME II. Unsigned edition of over 5,000 Condition : Excellent Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. 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After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. 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Neo-expressionist more prints for sale on 1stDibs.

Find a wide variety of authentic Neo-Expressionist more prints available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add more prints created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of orange, pink and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Georg Baselitz, Michael Druks, Enzio Wenk, and Julian Schnabel. Frequently made by artists working with Etching, and Aquatint and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Neo-Expressionist more prints, so small editions measuring 18.12 inches across are also available. Prices for more prints made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $750 and tops out at $10,000, while the average work sells for $2,761.

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