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Salvador Dalí­
A Pear for Thirst - Original etching - Plate signed - 1967

1967

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  • Dreamy Nude, Original etching, Handsigned
    By Hans Bellmer
    Located in Paris, FR
    Hans BELLMER Dreamy Nude Original etching Handsigned in pencil Numbered by Artist, limited to 70 copies On Japanese paper 67.5 x 51.5 cm (26.5 x 20") Excellent condition
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  • Woman riding a man - Original signed etching - 1969
    By Salvador Dalí­
    Located in Paris, FR
    Salvador DALI Woman riding a man, 1969 Original etching Signed bottom right with the blind stamp signature of the artist Rare proof in green On Japan paper 38 x 28 cm (c. 15 x 11 i...
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  • Maldoror : Dreaming Nude - Original etching, HANDSIGNED, 1975 (Field #34-2)
    By Salvador Dalí­
    Located in Paris, FR
    Salvador Dali Dreaming Nude, 1975 Original etching Signed in pencil Limited to 100 copies (Here numbered 52) On Arches vellum 32.5 x 25 cm (c. 12.7 x 9.8 in) REFERENCES : - Catal...
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    1970s Surrealist Nude Prints

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  • Dreaming Nude and Blue Bird - Original handsigned lithograph
    By Corneille
    Located in Paris, FR
    Corneille Dreaming Nude and Blue Bird, 1998 Original lithograph Handsigned in pencil Numbered EA / 20 On vellum 52 x 66 cm (c. 21 x 26 inch) Excellent condition
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  • Tribute to Degas : Three Nudes - Original signed Etching - Limited to 50 copies
    By Pablo Picasso
    Located in Paris, FR
    Pablo PICASSO Tribute to Degas : Three Nudes Original etching and aquatint Signed with the artist stamp bottom right Numbered in pencil 4/50 On vellum 36 x 45 cm (c. 14.5 x 18 inch)...
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  • Vibration - Original handsigned etching / 90ex
    By Mikio Watanabe
    Located in Paris, FR
    Mikio WATANABE (1954-) Vibration, 2008 Original etching Signed and dated 2008 in pencil Numbered / 90 ex On vellum 25 x 33.5 cm (c. 9.8 x 12.9 inch) Excellent condition
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  • Petit traite de Morale, Surrealist Nude by Hans Bellmer
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  • Thou art all faire, my love: there is no spot in thee, Etching by Salvador Dali
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  • Salvador Dali - Nude and Lobster
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    Salvador Dali - Nude and Lobster - Original Etching Dimensions: 38 x 28 cm Edition: 390 1967 On Rives Vellum References : Field 67-4 (p. 32-33) / Michler & Lopsinger 174 to 187.
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  • Le Fil d'Ariane (Ariadne's Clew) /// Modern Surrealism Surrelist Andre Masson
    By André Masson
    Located in Saint Augustine, FL
    Artist: André Masson (French, 1896-1987) Title: "Le Fil d'Ariane (Ariadne's Clew)" Portfolio: For Meyer Schapiro *Signed by Masson in pencil lower right Year: 1973 Medium: Original Etching with Aquatint on Rives BFK paper Limited edition: 15/100 Printer: Atelier Crommelynck, Paris, France Publisher: The Committee to Endow a Chair in Honor of Meyer Schapiro at Columbia University, New York, NY Sheet size: 18" x 13.5" Image size: 11.5" x 8.5" Condition: Never framed, has been professionally stored away for decades. In excellent condition Rare Notes: Numbered by Masson in pencil lower left. Comes from the 1974 "For Meyer Schapiro" portfolio of twelve print editions by various artists. The "For Meyer Schapiro" portfolio consisted of four lithographs (one with embossing), three screenprints (one with stamp additions), two lithographs and screenprints (one with embossing), two etching and aquatints, and one duplicated drawing. Various printers were used. In addition to Masson, the following artists also contributed to the portfolio: Stanley William Hayter, Jasper Johns, Ellsworth Kelly, Alexander Liberman, Roy Lichtenstein, Robert Motherwell, Claes Oldenburg, Robert Rauschenberg, Saul Steinberg, Frank Stella, and Andy Warhol. Biography: André Masson (b. Balagny-sur-Thérain 1896 - Paris 1987) was a French artist. He was brought up in Belgium. He began his study of art at the age of eleven in Brussels, at the Académie Royale des Beaux-Arts under the guidance of Constant Montald, and later he studied in Paris. He fought for France during World War I and was seriously injured. His early works display an interest in cubism. He later became associated with surrealism, and he was one of the most enthusiastic employers of automatic drawing, making a number of automatic works in pen and ink. Masson experimented with altered states of consciousness with artists such as Antonin Artaud, Michel Leiris, Joan Miró, Georges Bataille, Jean Dubuffet, and Georges Malkine, who were neighbors of his studio in Paris. By the end of the 1920s, however, he was finding automatic drawing rather restricting, and he left the surrealist movement and turned instead to a more structured style, often producing works with a violent or erotic theme, and making a number of paintings in reaction to the Spanish Civil War. Under the German occupation of France during World War II, his work was condemned by the Nazis as degenerate. With the assistance of Varian Fry in Marseille, Masson escaped the Nazi regime on a ship to the French island...
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