Tom Wesselmann

Monica Nude with Cézanne

1994

Lithograph on rag paper, with full margins. Signed in pencil and dated '83. Published by Editions Shellmann, Munich. Framed. Edition of 48 pieces.

Hand signed, numbered and dated '88 in pencil on recto in the lower right margin. Reference Littman, K, & Haring K. Keith Haring, Editions on Paper 1982-1990: The Complete Printed Wo...

Silkscreen ink on embossed Arches cover paper. Signed, dated and numbered from the Printers Proof edition of 8 (The regular edition was 250) in pencil on verso by Keith Haring estat...

Screenprint in colors, on Coventry Rag Paper. Published by Martin Lawrence Editions. Reference Littman, K, & Haring K. Keith Haring, Editions on Pape...

Hand signed, numbered and dated '88 in pencil on recto in the lower right margin. Reference Littman, K, & Haring K. Keith Haring, Editions on Paper 1982-1990: The Complete Printed Wo...

This intricately detailed silkscreen print of his 1996 iconic sculpture of supermodel Kate Moss depicts her unearthly beauty, but shows her limbs contorted in an extreme yoga pose, a...

Signed, titled and numbered screenprint by gay Chicano artist Miguel Angel Reyes. He currently is instructor of model drawing in the Fashion Department of the Otis College of Art. M...

Signed, titled and numbered by the artist. This print is currently on display at the inaugural exhibition at The Cheech Marin Center for Chicano Art & Culture. Sonia Romero is a fu...

Hand signed, titled, dated and numbered by the artist. Artwork is in excellent condition. Certificate of Authenticity included. Edition of 175. All reasonable offers will be conside...

Screenprint on BFK paper, UNIQUE proof authenticated by the Andy Warhol Foundation for Visual Arts

Monica Nude with Lichtenstein. Original color silkscreen on cardboard, 2002. Edition of 60 signed and numbered impressions on a cardboard. Tom Wesselmann is one of the biggest American pop artists today. Even he did not like being labeled a pop artist, it is hard to imagine that his artworks featuring consumer goods and assorted American icons would be considered anything but pop art. At first he was a follower of abstract expressionism, but later switched to figurative art. In the late ‘50s he produced a series of small format collages, which became the basis for his future nudes and still lifes. In 1963 he married Claire Selley, his most faithful model from the series ‘Great American Nude’, and other nudes. In his search for creative styles he began to produce three-dimensional works with the technique of assemblage, using everyday objects such as telephones and televisions. In the ‘Still Life’ series he used advertising techniques and complemented traditional still lifes with mass consumption items taken directly from ads. In the ‘80s he began to work with metals and produced original works with a special laser. Over the next two decades he returned to large formats and the theme of the nude from the ‘60s, rounding off his career with The ‘Sunset Nude’ series, inspired by the works of Matisse. Tom Wesselmann went down in history as one of the greatest representatives of pop art due to his exciting commercial images, his aggressive intervention in three dimensions, his choice of trivial motifs, their monumentalisation, the use of stereotypes as a basis for his work and the choice of strong colors. Wesselmann’s aesthetic usage of everyday objects was done not in criticism of American consumerism and culture, but as a way to render Classical genres modern so as to explore the gap between art and contemporary life. He has a series that incorporated iconic paintings by other artists, including Lichtenstein, Warhol, and Matisse, juxtaposing with his famous nudes...

"Not clear at all", 2019 Lenticular photography The duo Ana D. & Noora K. finds its expression through lenticular photography in their series « Spinning Nature ». Lenticular photog...