William Bailey

Nude #5

1974

A lookout starkly rendered in the art deco style straddles the mast of a ship as he surveys the landscape. Rockwell Kent's wood engraving issued in 1930 in an edition of 120. it is ...

A nude woman squats on her haunches as she draws an image on a sheet of paper. Joseph Hirsch created this lithograph in 1963 in an edition of 50. It was printed by Lucien Dutruit i...

Three women strolling on a beach. This impression is one of the rare impressions printed monochromatically. Hirsch natural inclination was to print in lack and white but reprinted ...

Fritz Eichenberg did some original wood engravings for "Jane Eyre." Céline Varens was Adèle's mother and Mr. Rochester's former mistress. A French opera dancer, Céline pretended to ...

Architextures is a suite of 8 mezzotints in an edition of 50 created in 1984: Mosque and Mosque Interior (5.1 cm x 5.1 cm) Dome and Dome Interior (5.7cm x 3.8 cm) Castle and Castle ...

This image is #12 from an edition of only 75, Carol Wax originally trained to be a classical musician at the Manhattan School of Music but fell in love with printmaking. Soon after...

Sloan was so fond of this composition that he made a painting after the etching ten years after its completion, in 1943. Completed in Santa Fe, the painting is now housed in the perm...

'Nude with Winter Bouquet 11/30', vintage aquatint etching on paper by Doel Reed (1894-1985) with a reclining female figure posed with a flowers in a vase and drapery from 1972. Signed by the artist lower right margin, numbered 11 of an edition of 30 lower left margin. Presented in a custom frame with archival materials, outer dimensions measure 20 ½ x 26 ¼ x 1 inches. Image size is 11 ¾ x 17 ¾ inches. Illustrated in Doel Reed: The Graphic Works by Harry B. Cohen and Ann L. Rogers, page 83, plate 124. Collections: University of Wyoming; Museum of Fine Arts, Santa Fe; University of Oklahoma; Oklahoma State University Exhibited: 147th National Academy of Design, New York; Indiana Printmakers, 1972; 32nd Annual Print Show, Philbrook Museum, 1972; 53rd Annual Exhibition, Society of American Graphic Artists, New York, 1975 About the Artist: Early in his artistic career, Dole Reed knew he wanted to be a printmaker. Influenced by Goya’s aquatints...

Dismemberment, 1994 Louise Bourgeois Drypoint and roulette, on smooth Somerset wove paper Signed and numbered from the edition of 44 Fourth and final state Printed by Harlan & Weaver, New York Published by Peter Blum Edition, New York Plate: 17.6 × 12.6 cm (6.9 × 4.9 in) Sheet: 52 × 37.7 cm (20.5 × 14.8 in) Literature: MoMA Cat. No. 652/IV "This is a self-portrait as a helpless, defenceless woman. She has no arms... she is like the harmless women in sculpture. The protecting hand has been cut off. Maybe women are just poor creatures... there is always the fear of being inadequate... of not being able to take care of oneself. It is a permanent feeling. There is the need to defend oneself... then she would be afraid for the children. I always felt that I could not defend myself because I could not understand what motivates people... I still feel that way." In reference to the game of marbles (being played by the hand at bottom right, most easily seen in state IV), Bourgeois said: "There is always someone to trick her... someone always wins. This is the desperate art of self-defense.... But even if someone cut her, she would not lose her dignity... she would still stand there in full self-assurance. She tries to put herself back together through her beauty... through her hair. You can land on your feet if you are beautiful...

This large scale, ethereal portrait depicts a tranquil male nude figure floating in pink and blue. Based on a tempera painting, an expressionist, emotive piece to bring dramatic impa...

Venus. 1859. Etching and drypoint. Kennedy catalog 59 state ii; Glasgow catalog 60 state ii. 6 x 9 (sheet 8 x 11 3/16). Glasgow records 27 known impressions. A very rich impression p...

Plate 26 from La Suite Vollard. Bloch 226. Baer 440. Etching, engraving and aquatint, on Montval paper. Signed in pencil, from the edition of 260 (there was also an edition of 50 wit...