Yevgeniy Repiashenko

No title (No 29) Photography Edition of 18 (39x39 inch) by Yevgeniy Repiashenko

2016

"No title (No 70)" Photography 32x26 in Edition of 25 by Yevgeniy Repiashenko No title (No 70) Photography Edition of 25 (32 x 26 inch) by Yevgeniy Repiashenko Year photo was tak...

"No title (No 16)" Print Edition of 28 36" x 36" inch by Yevgeniy Repiashenko No title (No 16) Photography print Edition of 28 (36 x 36 inch) by Yevgeniy Repiashenko Year photo was...

"No title (No 43)" Photography 32x32 in Edition of 25 by Yevgeniy Repiashenko No title (No 43) Photography Edition of 25 (32 x 32 inch) by Yevgeniy Repiashenko Year photo was tak...

"Spontaneous Creation (part 2)" Photography 20"x16" inch Ed. 1/40 by Rob Woodcox Hahnemuhle Torchon Matte FineArt Paper (archival) 2018 ABOUT Rob Woodcox Rob Woodcox is a fine a...

"Genesis" Photography Edition of 25 36" x 27" inch by Yevgeniy Repiashenko Photography Year photo was taken: 2019 Unframed - ships in a tube ...

"Genesis" Photography Edition of 15 47" x 36" inch by Yevgeniy Repiashenko Photography Year photo was taken: 2019 Unframed - ships in a tube This picture is a part of Spirit se...

Hand-coloured portrait of a human larvae bursting out of their cocoon, immobilised in marble. Representative of a safe and isolating space, the cocoon is both a cage and a shelter. This tale is a​ study of transformation, of breaking apart and coming back together as the larvae emerges from the silken threads. Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux’s 1947 Le Musee Imaginaire (Museum Without Walls). During the beginning of the 'Museum Age' in the 18th century , writer Johann Wolfgang Von Goethe discussed mythical sculpture...

This piece titled "This Is Not A Composite" is an original artwork by PJ Linden and is made from digital photography, pigment print on archival paper, and framed with glass. This pie...

Tree of Love, Bavaria, 2015 C-print on Fujiflex paper 70.8 x 47.2 in (180 x 120 cm) Edition of 3 The photographer Ellen von Unwerth worked as a top fashion model for 10 years, before taking up the camera and becoming one of the world’s most in-demand fashion photographers. Her editorial work has featured in countless magazines, including Vogue, Interview, Vanity Fair, and i-D, while her major advertising campaigns include Victoria’s Secret, Banana Republic...

Clare Grossman ‘The Shape of Her’, homage to Henry Moore’ Limited edition of 45 Solar plate etching on Somerset 300gsm paper. Actual plate/image size ...

The photographs of the young Turkish artist Melissa Mizrakli focus on the human body, giving it a personal interpretation. In some of her black and white works she uses the human bod...

His series "Room" or "My carnival" evokes the fantasy of the mistress, fetishist eroticism, 5 to 7, free fantasy. Eric produces erotic art without ever biting into porn-chic always being more obsessed with aesthetics than with simulacrum. If he worships more than one of these predecessors who poured into more outrage, it is freely that he suggests to the imagination to imagine without capturing the fantasy of the viewer. The choice had been made of very high quality prints: cotton fiber base baryta paper without chlorine and high grammage (310 gr / m²), pigment inks. They carry on the back an authentication label signed by Eric Ceccarini The enhancement of this limited edition of 100 copies is ensured by the use of a unique high-quality box to keep the 12 fine art prints This is edition #1/100 Eric is a Belgian artist born in 1965. He gained a Degree in Photography from INFAC, Brussels in 1987. Since then he has been a fashion photographer working with many of the top houses. Elle, Marie-Claire, L'Oréal, Levi's, Coca Cola, Virgin, Saab, Delvaux, Lowe Lintas and Ogilvy are some of his clients. Among other distinctions, his photography for the Saab cabrio 9-3 campaign was awarded the Silver Lion at the Cannes International Advertising Festival. Eric is set apart from many of his colleagues by his way of shunning technical artifice and working in natural light. This results in soft, velvety, almost painterly images. Nowadays in his artistic works, he captures women's essence and soul, transcending mere physical representation. Eric's "AMNIOS" series of soul portraits- the model appear in suspended animation, as if they were about to born, and full of hidden secrets. This represents a new conceptual departure for Eric, who began as a fashion photographer, moving on to classic artistic nudes...