THE VILLAGE BOOTLEGGER
View Similar Items
Want more images or videos?
Request additional images or videos from the seller
1 of 6
Peggy BaconTHE VILLAGE BOOTLEGGER1932
1932
About the Item
- Creator:Peggy Bacon (1895-1987, American)
- Creation Year:1932
- Dimensions:Height: 20 in (50.8 cm)Width: 16 in (40.64 cm)
- Medium:
- Period:
- Condition:Small chips along the edge, right, not affecting wither the image or the annotations, else in excellent condition.
- Gallery Location:Portland, ME
- Reference Number:Seller: 123891stDibs: LU36731101313
About the Seller
5.0
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1966
1stDibs seller since 2016
296 sales on 1stDibs
Typical response time: 2 hours
Associations
International Fine Print Dealers Association
More From This SellerView All
- CATBy Louise NevelsonLocated in Portland, MENevelson, Louise. CAT. Baro 80. Etching and drypoint, 1965/6. Edition of 40 (There were also three Trial Proofs and four Artist's Proofs). Signed and numbered in pencil. 17 1/2 x 11 1/2 inches (plate), (sheet). The edition was printed at the Hollander Graphic...Category
1960s Animal Prints
MaterialsDrypoint, Etching
$4,200 - SUR LA PLACEBy Jean JansemLocated in Portland, MEJansem, Jean (French 1920-2013). SUR LA PLACE. Drypoint, 1964. Dalavez, page 48. Edition of 40 plus 10 Artist's Proofs. Signed in pencil and numbered 35/40. 13 1/2 x 10 3/4 inches, 2...Category
1960s Figurative Prints
MaterialsDrypoint
- WINTERSONNEBy Erich HeckelLocated in Portland, MEHeckel, Erich (German, 1883-1970). WINTERSONNE. Dube 318. Drypoint, 1913. Edition size not known. Signed and dated "Heckel 1913" in pencil. Printed on heavy wove paper. 4 3/4 x 6 1/...Category
1910s Landscape Prints
MaterialsDrypoint, Woodcut
- NACH DEM BAD (AFTER THE BATH)By Hermann Max PechsteinLocated in Portland, MEPechstein, Hermann Max (German, 1881-1955): NACH DEM BAD (AFTER THE BATH). Krueger R 118. Etching and drypoint, 1920. Signed in pencil. Published by Die Schaffenden, with its blindst...Category
1920s Figurative Prints
MaterialsEtching, Drypoint
- SUGAR MAPLESBy Chauncey Foster RyderLocated in Portland, MERyder, Chauncey. SUGAR MAPLES. Etching & Drypoint, c. 1920. Edition size not known. Signed and titled in pencil. 9 7/8 x 11 3/4 inches, 256 x 300 mm. In excellent condition except fo...Category
1920s Landscape Prints
MaterialsDrypoint, Etching
- CAKE WALK DES PETITES FILLESBy Jacques VillonLocated in Portland, MEVillon, Jacques. CAKE WALK DES PETITES FILLES. GP.102, second state of four. Drypoint and aquatint in colors, 1904. Edition of only 10 (there was an edition of 30 in state 4, with th...Category
Early 1900s Figurative Prints
MaterialsDrypoint, Aquatint
You May Also Like
- "Dame a la Toque", fabulous drypoint etching by Paul Cesar HelleuBy Paul César HelleuLocated in Hinsdale, ILHELLEU, PAUL CÉSAR (1859 - 1927) "La Dame a la Toque" (Lady in Fur Hat) Drypoint printed in colors on pale cream wove paper, c. 1906 Signed in black crayo...Category
Early 20th Century Post-Impressionist Portrait Prints
MaterialsDrypoint
- "Fillette Assise de Profil a Gauche" (Mlle. P), Paul Cesar HelleuBy Paul César HelleuLocated in Hinsdale, ILHELLEU, PAUL CÉSAR (1859 -1927) "Fillette Assise de Profil àGauche (Mlle. P) (Profile of a Seated Girl to the left) Drypoint in colors, c. 1895 Signed in pe...Category
1890s Abstract Impressionist Portrait Prints
MaterialsDrypoint
- "Madame Georges Menier" Portrait, by Paul Cesar HelleuBy Paul César HelleuLocated in Hinsdale, ILHELLEU, PAUL CÉSAR (1859 -1927) "MADAME GEORGES MENIER" Montesquiou XXI Drypoint in colors, c. 1900 Signed in pencil, lower right Printed on wove paper Full...Category
Early 20th Century Art Nouveau Portrait Prints
MaterialsDrypoint
- Le Portique de la Galerie Nationale a Londres by J.J. TissotBy James Jacques Joseph TissotLocated in Hinsdale, ILJ.J. Tissot Le Portique de la Galerie Nationale a Londres (The Portico of the National Gallery, London) Wentworth 40 Etching and Drypoint on imitation Japanese paper, C. 1878 Only st...Category
1890s Realist Prints and Multiples
MaterialsDrypoint, Etching
$4,400 Sale Price20% Off - "Portrait of Madame Georges Menier" By HelleuBy Paul César HelleuLocated in Hinsdale, ILHELLEU, PAUL CÉSAR (1859 - 1927) MADAME GEORGES MENIER Montesquiou XXI Drypoint in colors, c. 1900 Signed in pencil, lower right Printed on wove paper Full Margins 22 1/4” x 13...Category
Early 19th Century Art Nouveau Figurative Prints
MaterialsDrypoint, Etching
- “City Roofs” drypoint engraving by Peter TakalBy Peter TakalLocated in Berlin, MDPeter Takal’s original drypoint engraving “City Roofs” is an accomplished work of art created in 1956. It is printed upon fine laid paper with full deckled margins as published in the limited edition of two hundred and fifty impressions. This engraving bears an embossed stamp “The Print Club of Chicago” on verso. This impression is signed by Takal in pencil. “City Roofs” is a fine example of the engraved art created by the 20th century Romanian / German / American artist, Peter Takal. Peter Takal: Born in Romania in 1905, Peter Takal spent most of his youth in Berlin and was mainly self-taught. His first one-man exhibition took place in the Gurlitt Gallery, Berlin, in 1932. During the following seven years his art was frequently exhibited at galleries in Berlin, Munich, Paris and as well as Casablanca and Algiers. At the beginning of the Second World War (1939), Peter Takal came to the United States for an exhibition of his art at the Katherine Kuhe Gallery, Chicago. He decided to remain in the United States and became an American citizen in 1944. Living in New York, Peter Takal quickly established himself as a leading printmaker and a modern master of both lithography and drypoint engraving. One-man exhibitions of his art took place in New York City (1942), Chicago (1939 & 1941), Washington (1959) and Los Angeles (1966). International exhibitions of his art were held at the Galeria de Arte Mexicano, Mexico City (1959), the Palazzo Strozzi, Florence, Italy (1960) and at the Kestner-Museum in Germany (1962). Museums to date that include Peter Takal's original prints in their collections are, the Chicago Art Institute, the Library of Congress, Washington, the Los Angeles County Museum of Art, the United States State Department, UCLA, the Berlin National Museum and the Bibliotheque Nationale, Paris. Over the years, the Museum of Modern Art in New York and the Arkansas Arts Center have acquired a very extensive collection of Peter Takal's lithographs and drypoints. The artist died in 1995. The Print Club of Cleveland: Trees and Fields is an original lithograph commissioned by the Print Club of Cleveland in 1957 and published in a signed edition of 250 impressions. The Print Club of Cleveland is a non-profit adjunct organization and the country's first museum-affiliated print club devoted to the promotion of art and printmaking as a fine art for printmakers and collectors alike. With its creation in 1919, it has helped to support the growth of the department of prints and drawings at the Cleveland Museum of Fine Arts and has also been a source of great enrichment for collectors of fine prints. During the organizations long history, the club has annually commissioned one original etching engraving, lithograph, woodcut and or other form of original graphic art from such fine American artists as John Taylor Arms, Suzanne Anker, Luigi Lucioni, Will Barnet, Mark Tobey, Lyonel Feininger, Henry George Keller, Louis Lozowick, Karl Schrag, David Jansheski, Deborah Remington, and Peter Takal, as well as from leading international artists such as Henri Matisse, Edmund Blampied, Jean-Emile Laboureur, Salvador Dali, Michael di Cerbo, Phyliss Sloane, Paolo Boni, Juvenal Sanso...Category
Mid-20th Century Abstract Landscape Prints
MaterialsDrypoint