Maternité (Maternity), 1930

1930

Created in 1986, this color woodcut on Japon paper is hand-signed by Chuck Close (Washington, 1940 - New York, 2021) in pencil in the lower right margin and numbered from the edition of 150 in pencil in the lower left margin. Published by Crown Point Press, San Francisco. About the Framing: Framed to museum-grade, conservation standards, Chuck Close Leslie...

David Hockney Self Portrait, 1980; Created in 1980, this lithograph on paper is hand signed and dated in pencil by David Hockney (Bradford,...

Created in 1936, this drypoint on laid paper is stamped by the Picasso Estate Collection via Marina Picasso on verso. This work is a rare proof, aside from the numbered and signed ed...

Created in 1981, this color screenprint on wove paper is hand signed by Tom Wesselmann (Cincinnati, 1931 – New York City, 2004) in pencil in the lower right margin and is numbered fr...

Created in 2008, this woodcut is hand-signed by Jim Dine (Cincinnati, Ohio, 1935 –) on verso and is numbered from the edition of 118 on verso. Published by Lincoln Center List Poster & Print Program, New York. About the Framing: Framed to museum-grade, conservation standards, Jim Dine Pinocchio...

This exquisite portrait of Pablo Picasso's first daughter, Maya Picasso, exudes a personal, loving charm that only a father could capture. A playful, childlike nostalgia is forever e...

Pablo Picasso – Tete de Faune Color soft ground Etching & Aquatint on wove paper, 1958 Hand signed and numbered (225/ 300) in pencil Published by Crommel...

Etching and aquatint in colours on Arches paper Signed by the artist in pencil, lower right on recto 68 x 52 cm, 71.8 x 56.8 cm (framed) Edition 98 of 100 Michel Leiris (1901-1990) ...

Etching and aquatint in black on Auvergne paper Image Size: 13 x 10 cm Sheet Size: 32 x 25 cm Framed 48.7 x 41 cm Edition of 50 hand-signed and numbered by the artist.

Color mezzotint on fibrous, buff wove paper, 19 x19 inches (482 x 484 mm), full margins. Titled in pencil, lower left, and with the artist's stamp in black ink in the lower right mar...

New York, Associated American Artists, 1950. Drypoint and aquatint on cream wove paper, 5 7/8 x 3 15/16 inches (150 x 100 mm), full margins. Signed and numbered 48/50 in pencil, lower margin. Printed by Stephen Sholinsky...

This is an original drypoint and aquatint artwork by Jacques Villon. The artist signed in pencil on the lower right. As well as signed in plate at the top right of the image. This is a wonderful artwork of different intaglio processes being brought together in a beautiful almost seamless harmony. The thin pencil like markings and hair detailing are made using the Drypoint printmaking method. Whilst the color details around the girls are made using the Aquatint etching method. Jacques Villon shows his skills as a printmaker with the way these pieces line up perfectly and with how clean the rest of the plate is around the girls. Catalogue Raisonne E101, pg. 66-67 (Ginestet & Pouillon. It depicts two young girls. 15" x 11 1/2" art 25 1/8" x 20" frame French painter, printmaker and illustrator. The oldest of three brothers who became major 20th-century artists, including Raymond Duchamp-Villon and Marcel Duchamp, he learnt engraving at the age of 16 from his maternal grandfather, Emile-Frédéric Nicolle (1830-94), a ship-broker who was also a much appreciated amateur artist. In January 1894, having completed his studies at the Lycée Corneille in Rouen, he was sent to study at the Faculty of Law of the University of Paris, but within a year he was devoting most of his time to art, already contributing lithographs to Parisian illustrated newspapers such as Assiette au beurre. At this time he chose his pseudonym: Jack (subsequently Jacques) in homage to Alphonse Daudet’s novel Jack (1876) and Villon in appreciation of the 15th-century French poet François Villon...