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Henry Moore
Poetry: Creole Lady - Henry Moore, Lithograph, Prints, Contemporary Art

1973

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  • Christopher Isherwood and Don Bachardy
    By David Hockney
    Located in London, GB
    Lithograph in two colours: grey and black. 1976. Worked on two aluminium plates with crayon. Printed on Laurence Barker handmade paper. Signed, dated and numbered in pencil from an e...
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    1970s Portrait Prints

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  • Celia, 8365 Melrose Avenue, Hollywood
    By David Hockney
    Located in London, GB
    Lithograph, 1973, on Arches wove paper, signed, titled, dated and inscribed P.P.II in red pencil, one of two printer's proofs, aside from the edition of 46 ...
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    1970s Pop Art Portrait Prints

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  • Pierrot (Massine en Pierrot)
    By Pablo Picasso
    Located in London, GB
    Signed in pencil, from the edition of 20 to 25 that accompanied Max Jacob's 'Le Phanérogame' in December 1918. With wide margins (the version issued with the...
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    1910s Cubist Portrait Prints

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  • Fashion-plate
    By Richard Hamilton
    Located in London, GB
    Photo-offset lithograph, collage, screenprint from two stencils, and pochoir, retouched with cosmetics by the artist. Signed in pencil and numbered from the edition of 70. On Fabrian...
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    1960s Pop Art Portrait Prints

  • Concordia - Eduardo Chillida, Abstract Art, Contemporary Art, Prints, Lithograph
    By Eduardo Chillida
    Located in London, GB
    Signed in pencil, numbered from the edition of 150. Printed by Atelier Maeght, Levallois. Published by Maeght, Paris. (Koelen 60002).
    Category

    1960s Abstract Abstract Prints

    Materials

    Lithograph

  • Les Perseides: Plate III - Joan Miró, Lithograph, Abstract prints
    By Joan Miró
    Located in London, GB
    Signed in pencil, numbered from the edition of 75. Printed by Mourlot on wove paper. Published by Louis Broder, Paris. (Mourlot 658).
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    1970s Abstract Abstract Prints

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  • Living Painting - Colour Pochoir
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    Full-page, colour pochoir of costume designs by Sonia Delaunay Edition 331/500 copies on Velin Aussedat Dimensions: 28.5 x 19.5 cm. From 27 Living Paintings. [Milano, Edizioni del Naviglio, 1969]. Jacques Damase. Robes Poèmes, Introduction. Text by Guillaume Apollinaire and Blaise Cendrars. Sonia Delaunay was known for her vivid use of color and her bold, abstract patterns, breaking down traditional distinctions between the fine and applied arts as an artist, designer and printmaker. Born Sarah Stern on November 14, 1885 in Gradizhsk, Ukraine, she was adopted in 1890 by her maternal uncle, Henri Terk, a lawyer in St. Petersburg, where she grew up, exposed to music and art, and learning several foreign languages. In 1903, she moved to Germany to study drawing with Ludwig Schmidt-Reutler (1863–1909) at the Karlsruhe academy of fine arts; Arnold Schoenberg (1874–1951), composer-to-be, was among her classmates there. In 1905, she traveled to Paris where she attended art classes at the Académie de la Palette, learned printmaking from Rudolf Grossman (1889–1941), and met Amédée Ozenfant (1886–1966), André Dunoyer de Segonzac (1884–1974), and Jean-Louis Boussingault (1883–1943). Sonia spent much of her time at exhibitions and galleries in Paris, which showed works by Paul Cézanne, Vincent Van Gogh, Pierre Bonnard, and Edouard Vuillard, as well as Les Fauves, Henri Matisse and André Derain. She did, however, maintain contact with Germany, exhibiting at the Galerie Der Sturm, Berlin, in 1913, 1920 and 1921. During her first year in Paris, Sonia met the German collector and art-dealer, Wilhelm Uhde (1874–1947), whom she married on December 5, 1908, and whose Montparnasse gallery, the Galerie Notre-Dame des Champs, showed her first solo exhibition. Through Uhde, Sonia encountered many painters, including Pablo Picasso, Georges Braque, Maurice de Vlaminck, and Robert Delaunay (1885–1941). In 1910, Sonia divorced Uhde by mutual agreement, married Delaunay that same year, and gave birth to their son, Charles, in January 1911. Together Sonia and Robert Delaunay pursued the study of color, influenced by theories of Michel-Eugène Chevreul (1786–1889). Sonia’s interest in simultaneous contrast, as evidenced in her early collages, book bindings, small painted boxes...
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  • 27 Living Paintings - Colour Pochoir
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    Full-page, colour pochoir of costume designs after Sonia Delaunay's watercolors Edition 331/500 copies on Velin Aussedat Dimensions: 28.5 x 19.5 cm. From 27 Living Paintings. [Milano, Edizioni del Naviglio, 1969]. Jacques Damase. Robes Poèmes, Introduction. Text by Guillaume Apollinaire and Blaise Cendrars. Sonia Delaunay was known for her vivid use of color and her bold, abstract patterns, breaking down traditional distinctions between the fine and applied arts as an artist, designer and printmaker. Born Sarah Stern on November 14, 1885 in Gradizhsk, Ukraine, she was adopted in 1890 by her maternal uncle, Henri Terk, a lawyer in St. Petersburg, where she grew up, exposed to music and art, and learning several foreign languages. In 1903, she moved to Germany to study drawing with Ludwig Schmidt-Reutler (1863–1909) at the Karlsruhe academy of fine arts; Arnold Schoenberg (1874–1951), composer-to-be, was among her classmates there. In 1905, she traveled to Paris where she attended art classes at the Académie de la Palette, learned printmaking from Rudolf Grossman (1889–1941), and met Amédée Ozenfant (1886–1966), André Dunoyer de Segonzac (1884–1974), and Jean-Louis Boussingault (1883–1943). Sonia spent much of her time at exhibitions and galleries in Paris, which showed works by Paul Cézanne, Vincent Van Gogh, Pierre Bonnard, and Edouard Vuillard, as well as Les Fauves, Henri Matisse and André Derain. She did, however, maintain contact with Germany, exhibiting at the Galerie Der Sturm, Berlin, in 1913, 1920 and 1921. During her first year in Paris, Sonia met the German collector and art-dealer, Wilhelm Uhde (1874–1947), whom she married on December 5, 1908, and whose Montparnasse gallery, the Galerie Notre-Dame des Champs, showed her first solo exhibition. Through Uhde, Sonia encountered many painters, including Pablo Picasso, Georges Braque, Maurice de Vlaminck, and Robert Delaunay (1885–1941). In 1910, Sonia divorced Uhde by mutual agreement, married Delaunay that same year, and gave birth to their son, Charles, in January 1911. Together Sonia and Robert Delaunay pursued the study of color, influenced by theories of Michel-Eugène Chevreul (1786–1889). Sonia’s interest in simultaneous contrast, as evidenced in her early collages, book bindings, small painted boxes...
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  • After Delaunay - Color Compositions - Pochoir
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    1960s Abstract Geometric Figurative Prints

  • Sonia Delaunay - Living Painting - Colour Pochoir
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    Full-page, colour pochoir of costume designs after Sonia Delaunay-Terk's original drawings. Edition 331/500 copies on Velin Aussedat Dimensions: 28.5 x 19.5 cm. From 27 Living Paint...
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    1960s Abstract Geometric Figurative Prints

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