BAIGNEUSE ASSISE (D., S. 11)
View Similar Items
Pierre-Auguste RenoirBAIGNEUSE ASSISE (D., S. 11)1919
1919
About the Item
- Creator:Pierre-Auguste Renoir (1841-1919, French)
- Creation Year:1919
- Dimensions:Height: 12.62 in (32.06 cm)Width: 9.75 in (24.77 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Aventura, FL
- Reference Number:1stDibs: LU72533227103
Pierre-Auguste Renoir
Pierre-Auguste Renoir began his artistic career as a porcelain painter but began copying paintings at the Louvre in 1860 and eventually entered the studio of Charles Gleyre, where he met Claude Monet, Frédéric Bazille, and Alfred Sisley. The four friends began painting in the forest of Fontainebleau, although Renoir always remained dedicated to figure painting and portraits influenced by Gustave Courbet.
In the summer of 1869, Renoir painted for two months alongside Monet at La Grenouillère outside Paris. After several of his paintings were rejected by the Salon in the early 1870s, he decided to join Monet in establishing the Impressionists, who sought to capture modern life including everyday people, streets, and surroundings.
Renoir's penchant for portraiture attracted the attention of a range of patrons with avant-garde sensibilities and sustained him financially. His doubts about the spontaneity and impermanence of the Impressionist aesthetic led him to refuse to participate in the fourth Impressionist exhibition in 1878. Instead, he decided to look back to the Old Masters, leaving for Italy in 1881 to continue his self-education in the “grandeur and simplicity of the ancient painters.” He returned enamored of Raphael and Pompeii and his figures consequently became more crisply drawn and sculptural in character.
By the late 1880s and early 1890s, Renoir had shifted his investigation of the Old Masters from linear classicism to the colouristic traditions of Titian and Rubens as well as the unabashedly sensual beauty of eighteenth-century French art such as the nudes of Rubens and Fragonard. Renoir's most important series of the decade came from an invitation by the French government to execute a painting for the Musée du Luxembourg, a new museum devoted to the work of living artists. Renoir made five versions of Two Young Girls at the Piano for the Minister of Fine Arts to choose from; the version in the Robert Lehman Collection at the Metropolitan Museum of Art is one of the finest. The subject of Two Young Girls at the Piano recalls eighteenth-century French genre scenes, especially those of Fragonard.
In the early twentieth century, despite old age and declining health, Renoir persisted in artistic experimentation. He took up sculpture and continued to paint portraits attesting to his continued admiration of Renaissance art. Renoir was also drawn to an arcadian ideal of Mediterranean classicism in his art. This artistic preoccupation is nowhere more apparent than in his twentieth-century bathers. The Rubenesque nudes he had been painting reached a level of unprecedented exaggeration in the twentieth century, culminating in the massive Bathers at the Musée d'Orsay.
Find original Pierre-Auguste Renoir prints, paintings and other art on 1stDibs.
(Biography provided by Stern Pissarro Gallery)
- OPEN RUNNERBy LeRoy NeimanLocated in Aventura, FLHand signed numbered by the artist. Image size 7.5 x 8.25 inches. Artwork is in excellent condition. Certificate of Authenticity included. Edition of 150. All reasonable offers will ...Category
1990s Impressionist Portrait Prints
MaterialsEtching, Aquatint, Paper
$1,200 Sale Price20% Off - BAIGNEUSE ASSISE (D., S. 11)By Pierre-Auguste RenoirLocated in Aventura, FLSoft-ground etching, with the stamped signature. From the edition of 1,000. Printed by Ambroise Vollard, 1919, on wove paper, with wide margins. Sheet size: 12.62 x 9.75 in. Image si...Category
1910s Impressionist Portrait Prints
MaterialsEtching, Paper
- TWO O'CLOCK FEEDINGBy Norman RockwellLocated in Aventura, FLFrom the 'American Family' portfolio. Hand signed and numbered by the artist. Lithograph on arches paper. Printed by Atelier Mourlot, Paris. Published by Raymond & Raymond, Inc. in ...Category
1970s American Impressionist Portrait Prints
MaterialsLithograph, Paper
$2,100 Sale Price25% Off - THE CRITICBy Norman RockwellLocated in Aventura, FLCollotype in colors on paper. Unsigned. Title and copyright info in typeset lower margin. Artwork is in excellent condition. All reasonable offers will be considered.Category
1970s American Impressionist Portrait Prints
MaterialsPaper
$100 Sale Price50% Off - GOLDEN GIRLBy LeRoy NeimanLocated in Aventura, FLHand signed numbered by the artist in pencil. Artwork size: 24.25 x 30 in. Frame size: approx. 37 x 43 in. Artwork appears to be in excellent condition. Artwork has not been examine...Category
1980s Impressionist Portrait Prints
MaterialsScreen, Paper
- MUGGELTON'S STAGECOACHBy Norman RockwellLocated in Aventura, FLHand signed and numbered by the artist. Image size approx 20.5 x 16 inches. Frame size approx 32 x 27 inches. From the edition of 200. Artwork is in excellent condition. Certific...Category
1970s American Impressionist Portrait Prints
MaterialsLithograph, Paper
$2,212 Sale Price25% Off
- Early 20th Century Miniature Etching, Portrait of an Old Woman by Ralph SweetLocated in Soquel, CAEarly 20th Century Miniature Etching, Portrait of an Old Woman by Ralph Sweet Compelling early 20th century small-scale figurative etching of an old...Category
Early 20th Century American Impressionist Portrait Prints
MaterialsPaper, Etching
- "Study 8" Figurative LithographBy Jim SmythLocated in Soquel, CALithograph of a figure of a woman by Jim Smyth (American, b. 1938). Numbered, titled, signed and dated "3/12", "Study 8", "Smyth 74” along the bottom edge. Unframed. Jim Smyth has studied at the Academia de Belle Arti in Fiorenza, Italy, Ecole des BeauxArts in Geneva, New York Academy, and the Art Students League. He is also a graduate of UC Berkeley with a degree in Fine Art. Although academically trained, Smyth practices and teaches a more impressionistic style of painting, focusing on the Alla Prima technique. He is particularly knowledgeable about drawing, perspective, color theory and the human figure, his passion. Smyth, with extensive academic knowledge, has a profound love of all human representations as illustrated by his humorous quick sketches from life. He also practices and teaches oil painting and pastels. When not in Provence, or Southeastern France, Smyth teaches intensely in art schools, art centers and several colleges in the Bay Area. He is a beloved instructor and his classes fill in quickly as he is very knowledgeable. On his return to the United States, he began studying with Mr. Alanson Appleton at the College of San Mateo, San Mateo, California. Smyth was a founding member of the Appletree Etchers, Inc., an etching print shop organized by Mr. Appleton and his students to develop and promote color intaglio. Smyth served as Master Printer at the studio for many years perfecting the techniques of intaglio and developing the color theories of Mr. Appleton as applied to the deeply etched plate. Smyth received his degree from the University of California, Berkeley, in 1972 and holds the California Community College Certificate and an Adult Education Certificate. Smyth was invited to teach "Anatomy for Artists" at Foothill College, Los Altos Hills, California, as a result of his many years of dissection of the cadaver and developed the course of study of Perspective for the college. During this period, he began teaching Life Drawing at the Pacific Art League of Palo Alto, Palo Alto, California. During the following thirty years Smyth has taught an average of twelve classes per week at the Pacific Art League of Palo Alto, the Palo Alto Art Center and the Burlingame Recreation Department among others in all phases of drawing and painting. He has conducted many workshops for the California Academy of Painters in many aspects of drawing and painting. Currently, he is an Adjunct Professor of Drawing at the College of San Mateo, San Mateo, California. He is an authority on the materials of painting and drawing, techniques of traditional drawing and painting, color theory, perspective and anatomy for artists. In his career in Life Drawing, Smyth has made over two hundred thousand drawings from the model. In addition to studies at Berkeley, Smyth has studied at the College of San Mateo, Foothill College, De Anza College, Mission College, and West Valley College, all in California. One of the pivotal points in his career was studying with Mr. Maynard Dixon Stewart at the University of San Jose, California. He spent a year at the New York Academy of Art where he was offered a full scholarship and at the Art Students League of New York. He concurrently attended classes at the National Academy of Design in New York. Among others, Smyth studied with M. Andrejivec, Ted Schmidt, Elliot Goldfinger, Gary Fagin, Ted Jacobs, Leo Neufeld, David Leffel, Jack Ferragasso, Jim Childs and Everett Raymond Kinstler and Kim English. Smyth has also studied with the noted painter and colorist, Ovanes Berberian...Category
1970s American Impressionist Figurative Prints
MaterialsPaper, Etching
- Lonely dreamers .1992. Paper, etching, watercolor, 22x14 cmLocated in Riga, LVLonely dreamers 1992. Paper, etching, watercolor, 22x14 cm. Roman Lapp (1961. 24. VII Moscow) – painter Artist learned drawing to M. Zuhovickis. He graduated Art Academy of Latvia,...Category
1990s Impressionist Figurative Prints
MaterialsPaper, Watercolor, Etching
- "Eternal Problem" - 1924 Etching on PaperLocated in Soquel, CA"Eternal Problem" - 1924 Etching on Paper Etching on paper titled "Eternal Problem" by Elias M. Grossman (American, 1898-1947). A bearded rabbi is portrayed thinking with his hand p...Category
1920s American Impressionist Figurative Prints
MaterialsPaper, Ink, Etching
- Female Figure Underwater Realist Etching --"Separation" by Carol BennettBy Carol BennettLocated in Soquel, CAFemale Figure Underwater Realist Etching --"Separation" by Carol Bennett Unique etching of a female figure submersed beneath the surface of water by California and Hawaii artist Ca...Category
1990s American Impressionist Figurative Prints
MaterialsEtching, Laid Paper
- Grand’mère (effet de lumière) (La Mère de l’artiste) by Camille PissarroBy Camille PissarroLocated in London, GBGrand’mère (effet de lumière) (La Mère de l’artiste) by Camille Pissarro (1830-1903) Etching 17.1 x 25.3 cm (6 ³/₄ x 10 inches) Stamped lower right, C.P. and numbered 8/18 Executed i...Category
1890s Impressionist Figurative Prints
MaterialsEtching
