Les Bijoux Indiscrets
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René MagritteLes Bijoux Indiscrets1962
1962
About the Item
- Creator:René Magritte (1898-1967, Belgian)
- Creation Year:1962
- Dimensions:Height: 9 in (22.86 cm)Width: 12 in (30.48 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Original.
- Gallery Location:Fairlawn, OH
- Reference Number:Seller: FA83731stDibs: G130826140228
René Magritte
René Magritte is celebrated today as one of Surrealism’s most talented artists, and, alongside Salvador Dalí, the cheeky, subversive Belgian painter and author is the movement’s best-known representative, having cemented his legacy with what may be the most iconic five words in all of art history: “Ceci n’est pas une pipe” (This is not a pipe).
Magritte’s success, though, hardly came overnight. Born in 1898 in Lessines to a wealthy manufacturer, he studied at the Académie Royale des Beaux-Arts in Brussels from 1916 to 1918 but quit before graduation. His early artistic work wavered between Cubism and semi-abstraction, and he found work as a graphic designer while experimenting with his own creative oeuvre. In the mid-1920s, he began to experiment with Surrealism, then a relatively nascent movement that had grown out of the absurdist Dada. Led by André Breton, Surrealism endeavored to record elements of the subconscious and present contradictory, sometimes even nonsensical, narratives that challenged the notion of an absolute reality.
Magritte’s first widely recognized work within this genre was 1927’s The Menaced Assassin, now in the collection of the Museum of Modern Art in New York. Shortly after completing this work, Magritte relocated to Paris, to be closer to Breton and the center of the Surrealist movement. This decision would prove critical in his life — and in the trajectory of Surrealist art history. The three years Magritte spent in Paris were his most prolific, and by the close of the 1920s he had completed some of his best-known work, including the seminal 1929 The Treachery of Images, a simple picture of what appears to be a pipe, with the words “Ceci n’est pas une pipe” in neat script below it.
Magritte returned to Brussels in the early 1930s but continued experimenting with work that wavered between dreamlike and nonsensical. His influences throughout this part of his career ranged from Breton to Giorgio de Chirico and Dalí. While living in German-occupied Belgium beginning in the early 1940s, Magritte entered what is often called his Renoir period or what he labeled “Sunlit Surrealism.” He worked in comparatively brighter, more vibrant colors and produced oil paintings and gouaches that were overrun with light and the type of brushstrokes that are usually associated with Impressionist art.
Like many artists during and after the war, Magritte thought deeply about art’s role in answering big existential questions and broke with Surrealism as a result. His Impressionistic The Fifth Season in 1943 resembled little of what he’d painted in years past. His so-called Vache period that followed would represent another stylistic shift that owed to German Expressionism. Not everything changed, however; Magritte would go on to revisit his earliest creative impulses, in some cases appropriating elements from fellow artists in his own depictions, as with his Perspective II: Manet’s Balcony in 1950, a playful and probing reinterpretation of Edouard Manet’s The Balcony. Later in his career, the artist dabbled in sculpture, before dying in 1967.
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- El Ultimo viaje del buque fantasma, Plate IVBy Wifredo LamLocated in Fairlawn, OHEl Ultimo viaje del buque fantasma, Plate IV Color lithograph, 1976 Signed and numbered in pencil (see photos) From: Gabriel Garcia Marquez, El Ultimo viaie del buque Fantasma (The Last Voyage of the Ghost Ship (1868), 12 illustration by Wilfredo Lam Edition: 99 (6/99) This one of an edition of 99 from the deluxe edition of the book of the same title There was an additional edition of 200 books, signed and numbered on the justification page Publisher: Poligrafa, Barcelona Printer: Poligrafa, Barcelona The Gabriel Garcia Marquez/Lam book is an illustrated version of the short story, a man recalls the night during his boyhood when an enormous passenger ship went aground in his small town on the shores of the Caribbean. It is considered a Latin American masterpiece of surrealism and transculturation. (See below analysis of the story) Condition: slight yellows (aging) of paper small paper scuffs verso from previous hinges Sheet size: 22 x 29 7/8 inches About the author and the storyline of the book by Marquez: Gabriel García Márquez was born in 1927, he is a famous Colombian writer, novelist, short story writer, screenwriter and journalist. In 1982 he received the Novel Prize for Literature. He is an author sometimes inherently related to magical realism and his best-known work is the novel One Hundred Years of Solitude in which we find this literary genre. Summary of "The Last Voyage of the Ghost Ship" (1868): The novel by Gabriel García Márquez, The Last Voyage of the Ghost Ship, written in 1968, is written in a single great sentence, which tells the surprising and amazing adventure that has changed the existence of a child living in a coastal town with a small port sunny, almost forgotten by civilization. The days are peaceful, the nights are silent and illuminated only by the rotating beacon that, every fifteen seconds, transforms the town into a lunar camp with phosphorescent houses. During one night in March, the boy saw an immense afterlife ship that sails through the seas with all the dead crew and sometimes appears to the living, silently crossing the deserted sea, a huge and unexpected mass whose trajectory suddenly it seems to drift, and then runs aground on the reefs. This cataclysm is accomplished without disturbing the night's silence, and the next day the boy found no traces of the shipwreck and no one believed it, not even his mother. Time passes, and the same shipwreck occurs again, every year, on the same night in March; the adolescent...Category
1970s Surrealist Abstract Prints
MaterialsLithograph
- El Ultimo viaje del buque fantasma, Plate IBy Wifredo LamLocated in Fairlawn, OHEl Ultimo viaje del buque fantasma, Plate I Color lithograph, 1976 Signed and numbered in pencil (see photos) Edition: 99 (6/99) From: Gabriel Garcia Marquez, El Ultimo viaie del buque Fantasma (The Last Voyage of the Ghost Ship (1868), 12 illustration by Wilfredo Lam This one of an edition of 99 from the delixe edition of the book of the same title There was an additional edition of 200 books, signed and numbered on the justification page Publisher: Poligrafa, Barcelona Printer: Poligrafa, Barcelona The Gabriel Garcia Marquez/Lam book is an illustrated version of the short story, a man recalls the night during his boyhood when an enormous passenger ship went aground in his small town on the shores of the Caribbean. It is considered a Latin American masterpiece of surrealism and transculturation. (See below analysis of the story) Reference: Lam-Tonneau-Ryckelnck CR 351 Condition: very good, slight scuffing on reverse from previous hinges About the author and the storyline of the book by Marquez: Gabriel García Márquez was born in 1927, he is a famous Colombian writer, novelist, short story writer, screenwriter and journalist. In 1982 he received the Novel Prize for Literature. He is an author sometimes inherently related to magical realism and his best-known work is the novel One Hundred Years of Solitude in which we find this literary genre. Summary of "The Last Voyage of the Ghost Ship" (1868): The novel by Gabriel García Márquez, The Last Voyage of the Ghost Ship, written in 1968, is written in a single great sentence, which tells the surprising and amazing adventure that has changed the existence of a child living in a coastal town with a small port sunny, almost forgotten by civilization. The days are peaceful, the nights are silent and illuminated only by the rotating beacon that, every fifteen seconds, transforms the town into a lunar camp with phosphorescent houses. During one night in March, the boy saw an immense afterlife ship that sails through the seas with all the dead crew and sometimes appears to the living, silently crossing the deserted sea, a huge and unexpected mass whose trajectory suddenly it seems to drift, and then runs aground on the reefs. This cataclysm is accomplished without disturbing the night's silence, and the next day the boy found no traces of the shipwreck and no one believed it, not even his mother. Time passes, and the same shipwreck occurs again, every year, on the same night in March; the adolescent...Category
1970s Surrealist Abstract Prints
MaterialsLithograph
- El Ultimo viaje del buque fantasma, Plate IIIBy Wifredo LamLocated in Fairlawn, OHEl Ultimo viaje del buque fantasma, Plate III Color lithograph, 1976 Signed and numbered in pencil From: Gabriel Garcia Marquez, El Ultimo viaie del buq...Category
1970s Surrealist Abstract Prints
MaterialsLithograph
- El Ultimo viaje del buque fantasma, Plate XBy Wifredo LamLocated in Fairlawn, OHEl Ultimo viaje del buque fantasma, Plate X Color lithograph, 1976 Signed in pencil lower right corner (see photo) From: Gabriel Garcia Marquez, El Ultimo viaie del buque Fantasma (The Last Voyage of the Ghost Ship (1868), 12 illustration by Wilfredo Lam Edition: 99 (6/99) This one of an edition of 99 from the delixe edition of the book of the same title There was an additional edition of 200 books, signed and numbered on the justification page Publisher: Poligrafa, Barcelona Printer: Poligrafa, Barcelona The Gabriel Garcia Marquez/Lam book is an illustrated version of the short story, a man recalls the night during his boyhood when an enormous passenger ship went aground in his small town on the shores of the Caribbean. It is considered a Latin American masterpiece of surrealism and transculturation. (See below analysis of the story) Sheet size: 29 7/8 x 22 inches Condition: Very fresh colors and condition Slight scuffing verso from previous hinges Reference: Lam-Tonneau-Ryckelnck CR360 About the author and the storyline of the book by Marquez: Gabriel García Márquez was born in 1927, he is a famous Colombian writer, novelist, short story writer, screenwriter and journalist. In 1982 he received the Novel Prize for Literature. He is an author sometimes inherently related to magical realism and his best-known work is the novel One Hundred Years of Solitude...Category
1970s Surrealist Abstract Prints
MaterialsLithograph
$1,575 Sale Price30% Off - Les Bijoux IndiscretsBy René MagritteLocated in Fairlawn, OHLes Bijoux Indiscrets (The Indiscreet Jewels) Color lithograph, 1962-3 As published in XXeme Siecle, 1963 From the edition issued by San Lazarro unsigned for the album XXeme Siècle No.22. Printed from the same stones and at the same date as the signed edition of 75 impressions. Printed at the studio of Mourlot, Paris 1963. Signed in the stone (see photo) Titled in the stone (See photo) Edition c. 2000 Reference: Kaplan and Baum: Magritte Graphic Work no 3. Kaplan, Surrealist Prints, Figure 80, page 103 Image size: 9 3/16 x 11 7/8 inches "Executed in 1963, Les bijoux indiscrets (pen and ink drawing) is a work which shows a hand which has a face, its eyes closed, on its wrist. Magritte had originally intended to call the oil version of this work, which he conceived of in 1962 but only finally painted during the following year, the same this work on paper was created, La divine comédie, but according to the catalogue raisonné changed his mind following the suggestion of his friend Paul Scutenaire. Instead of the Dante reference, it was replaced by one to Denis Diderot's first novel, a satire in which a monarch had a magic ring able to make the genitals of women speak. In an old English translation, the bijoux were the 'toys', or genitals, of the women, making the play on the notion of transformative and elusive jewels evoked by Magritte's picture all the more complex. For here, in place of a bracelet, is a human face: this is, indeed, an indiscreet jewel; however, in the eighteenth-century novel the indiscretion was shared by the ring which was able to gain such voluble responses from the women of the fictitious Congo of which the main protagonist was sultan and by those women's no-longer-private parts themselves. This title therefore adds an extra layer of Surrealism to the work, paying homage to one of the movement's predecessors. Les bijoux indiscrets is a preparatory work for a lithograph that Magritte created for XXe Siècle, which was published at Christmas the same year. Clearly, the artist was returning to and embellishing his original composition, which had shown a simple landscape as a backdrop to the articulate hand...Category
1960s Surrealist Prints and Multiples
MaterialsLithograph
- Double PersonageBy Wifredo LamLocated in Fairlawn, OHDouble Personage Color lithograph, 1975 (?) Unsigned (as issued) Edition: Large Edition Limited, (estimated to be approximately 2000) Published in: XXe Siecle, No. 52, Juin 1979 Published: G. di San Lazzaro Printer: Mourlot Imprimeur, Paris, France Reference: Lam-Tonneau-Ryckelynck L7513 Condition: Excellent, fresh colors Traces of glue residue along margin edge where it was bound in the book Image/sheet size: 12 1/4 x 9 1/4 inches Wilfredo Lam (1902-1982) Biography Wifredo Lam was born in Sagua la Grande, Cuba, on December 8, 1902. He was the eighth child born to Lam-Yam―born in Canton around 1820, an immigrant to the Americas in 1860―and to Ana Serafina Catilla―born in 1862 in Cuba of mixed African and Spanish ancestry. The luxuriant nature of Sagua la Grande had a strong impact on Lam from early childhood. One night in 1907, he was startled by the strange shadows cast on the wall of his bedroom of a bat in flight. He often recounted the incident as his first magnificent awakening to another dimension to existence. In 1916, Lam and part of his family settled in Havana. He was enrolled in the Escuela Profesional de Pintura y Escultura, Academia de San Alejandro, where he remained a student until 1923. This period, with exhibitions at the Salón de Bellas artes, was determinant in his choice to become a painter. In 1923, the municipality of Sagua la Grande awarded him a grant to study in Europe and by the autumn of that year, at the age of twenty-one, he left the country for Spain. His time in Spain―initially intended as a short stay on his way to Paris―lasted 14 years. In Madrid, he was exposed to the ideas and movements of modern art. He spent long hours at the Archeological Museum and the Prado. He studied the great masters of Spanish painting, Velázquez and Goya, but felt particularly drawn to the works of Bosch and Bruegel the Elder. He discovered surprising correlations between western art and so called “primitive” art. In 1931, his first wife, Eva (Sébastiana Piriz) and their son Wilfredo Victor died of tuberculosis. The terrible suffering he endured led to numerous paintings of mother and child. Lam found solace in the company of his Spanish friends and made contact with several political organizations. In 1936, with the help of his friend Faustino Cordón, he joined the Republican forces in their fight against Franco. He designed anti-Fascist posters...Category
1970s Surrealist Abstract Prints
MaterialsLithograph
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1970s Surrealist Abstract Prints
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Late 20th Century Surrealist Abstract Prints
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Mid-20th Century Surrealist Abstract Prints
MaterialsEngraving, Etching, Lithograph, Watercolor
$720 Sale Price34% Off - Cartones Plate 1By Joan MiróLocated in Wilton, CTFrom Miro's Cartones. numbered 203/500 From Galerie Maeght, Paris.Category
1960s Surrealist Abstract Prints
MaterialsLithograph
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1970s Surrealist Abstract Prints
MaterialsLithograph