Richard Bernstein

Iggy Pop I

1974

Artist: Jack Brusca, American (1939 - 1993) Title: The Beach Year: 1979 Medium: Serigraph, signed and numbered in pencil Edition: 200, AP 30 Image Size: 23 x 23 inches Size: 27...

Artist: John Grillo, American (1917 - 2014) Title: Kaleidoscope I Year: 1978 Medium: Serigraph, signed and numbered in pencil Edition: 200, AP 30 Image Size: 29.5 x 22 inches ...

Artist: Peter Max, German/American (1937 - ) Title: Saturn Messenger Year: 1972 Medium: Silkscreen, signed and numbered in pencil Edition: HC 11 Image...

Artist: Robert Indiana, American (1928 - 2018) Title: The American Gas Works from the American Dream Portfolio Year: 1961-62 (1997) Medium: Serigraph Edition Size: 395 Image Size: 17...

Artist: Arman, French (1929 - 2005) Title: Yves Klein's Violins Year: 1979 Medium: Serigraph, signed and numbered in pencil Edition: 150 Size: 30 in. x 22 in. (76.2 cm x 55.88 cm)

Ushio Shinohara (born 1932, Tokyo), nicknamed “Gyu-chan”, is a Japanese Neo-Dadaist artist. His bright, large work has been exhibited internationally at institutions including the Hara Museum of Contemporary Art, Centre Georges Pompidou, the Guggenheim Museum SoHo, National Museum of Modern Art, Tokyo, Leo Castelli Gallery, New York, Museum of Contemporary Art, Los Angeles and The Metropolitan Museum of Art, Seoul and others. Shinohara and his wife, Noriko, are the subjects of a documentary film by Zachary Heinzerling called Cutie and the Boxer (2013). Shinohara's parents instilled in him a love for painters such as Paul Cézanne, Vincent Van Gogh and Paul Gauguin. His father was a tanka poet who was taught by Wakayama Bokusui. Shinohara’s mother was a painter who went to the Woman’s Art University (Joshibijutsu Daigaku) in Tokyo. In 1952 Shinohara entered the Tokyo Art University (later renamed to Tokyo University of the Arts), majoring in oil painting, however he left before graduation in 1957. In 1960 Shinohara participated in a group called "Neo-Dada Organizers". (Masunobu Yoshimura, Genpei Akasegawa, Shusaku Arakawa, Ushio Shinohara, Sho Kazakura, Tomio Miki, Tetsumi Kudo, Natsuyuki Nakanishi) This group of artists showed their works of art in an exhibition in the 1960s called the Yomiuri Independent Exhibition. This exhibition was sponsored by a newspaper, was open to the public, and was not judged by anyone. This type of exhibition was a form of an anti-salon and was a stepping stone for Shinohara’s sculptures of found objects which acquired the label of “junk art...