STILL FROM HAND CATCHING LEAD, lithograph and screen print, Ed. of 117
View Similar Items
Richard SerraSTILL FROM HAND CATCHING LEAD, lithograph and screen print, Ed. of 1172009
2009
About the Item
- Creator:Richard Serra (1939, American)
- Creation Year:2009
- Dimensions:Height: 18 in (45.72 cm)Width: 21 in (53.34 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU3309483002
Richard Serra
Minimalist sculptor Richard Serra, based between New York City and Cape Breton Island, Nova Scotia, may be described as the art world’s father of steel. He is particularly renowned for monumental arcs, spirals and ellipses made from massive sheets of oxidized CorTen steel, which occupy large interior and exterior spaces and dwarf visitors who wander through them, like abstract mazes. The most famous of these works is his "Torqued Ellipse" series, begun in 1966 and inspired by a Baroque 17th-century Roman church.
These site-specific sculptures, whose parts are manufactured in Germany, can be found from King City, Ontario, and the Netherlands, to the Storm King Art Center and Dia: Beacon, both in Upstate New York.
Before turning to steel, Serra produced abstract sculptures from nontraditional materials — fiberglass, rubber or molten lead — which he splashed or threw in their liquid states against the walls of studios or exhibition spaces, recording their shapes and angles. He also worked in video and performance art, producing a number of films that address the manufacture and use of his signature material: steel.
Since 1971, Serra has produced large-scale drawings that relate to or are inspired by completed sculptures. Made with ink, charcoal, lithographic crayon or paintstick on handmade paper or linen, such works as Trajectory #4 or Double Rift II clearly reflect the forms and feeling of his signature steel sculptures.
Find authentic Richard Serra prints, paintings and other art on 1stDibs.
- Self Portrait by Chuck CloseBy Chuck CloseLocated in New York, NYSelf Portrait, 2007 9 color screen print on Somerset Satin paper 38 x 30 inches Edition of 118 Printed at Watanabe Press Publisher: Lincoln Center for the Performing Arts Chuck Close was best known for the monumental heads...Category
Early 2000s Photorealist Figurative Prints
MaterialsLithograph, Screen
- The Italian PoppiesBy Ed BaynardLocated in New York, NYThis is a 20 color screen print on Sommerset paper. The edition was printed at Brand X Editions in 1997. Ed Baynard’s paintings and graphic prints blend the contemporary and the cla...Category
1990s Contemporary Still-life Prints
MaterialsScreen
- Luminous Dawn by Jules Olitski (blue seascape)By Jules OlitskiLocated in New York, NYThis screen print, printed on Arches Cover White paper, is hand signed and numbered in graphite. The edition size is 108 plus 18 Artist Proofs. This print comes directly from the publisher, Lincoln Center Editions...Category
1990s Contemporary Landscape Prints
MaterialsScreen
- Down In the Valley by Wolf Kahn (purple landscape)By Wolf KahnLocated in New York, NYThis print titled, Down in the Valley, 2006, is a screen print on wove paper. It is 35 x 40 inches and is signed and numbered in pencil from the edition of 108. There were an additio...Category
Early 2000s Contemporary Landscape Prints
MaterialsScreen
$1,820 Sale Price35% Off - Ya es Hora, 2019 by Marcel Dzama (ballet dancers)By Marcel DzamaLocated in New York, NYA stunning edition by Marcel Dzama created to celebrate the 60th anniversary of Lincoln Center for the Performing Arts. The print is titled, "Ya es Hora" ("It is Time") and pays homage to the social and political themed...Category
2010s Contemporary Prints and Multiples
MaterialsScreen, Archival Pigment
- Immature Artist, by Matthew Brannon (gourmet cheese delights)By Matthew BrannonLocated in New York, NYThis signed and numbered limited edition print was commissioned by Lincoln Center for the Performing Arts in 2012. This print has never been framed and is in excellent condition. Artist's Statement: "When I was asked to make a print to benefit Lincoln Center I was both honored and intimidated. I was reminded of my moving to New York City in 1997. My student loans had yet to kick in and I was so broke that I really couldn’t afford much of a night on the town. So instead, as an alternative, I’d meet friends outside of Lincoln Center. There we’d spend a few hours socializing and drinking alongside the lights, on marble steps and by the fountain. I always remember that time. "When I begin to make a work of art I begin with the concept. I play word games and I try to loosen up my associations and assumptions. I make visual and verbal connections. Sometimes these are very personal and frustratingly obscure and sometimes more public. In this case I got stuck on cheese. Why cheese? I remember noticing when I moved to New York that people in New York (at least in the art world) loved cheese. Whatever the event or occasion there it was. And someone was always explaining what he or she liked about this or that particular cheese. I’m a natural mimic and so I paid attention, it comes from moving around a lot. From being the 'new kid.' So I kept mental notes on what was 'good' and more importantly what was 'bad.' You can tell a lot about a person by their opinions on cheese. (The truth is I’m not a huge fan of cheese. I believe I have a lactose intolerance.) So all this is to say in my mind it’s forever linked with connoisseurship and culture. I know these days things have changed. But much of my art concerns itself with outdated notions of 'fancy.' The status symbols of the past I knew when it felt like it mattered. I’m aware that my insecurities are what drove me forward. But that’s one way to learn. You could say the print is of artisanal cheeses—aspirational cheeses. "And then there’s the fun part—adding the text. Which is like my last word on the my artwork; the punch line—the commentary—the poetry. I had a number of ideas but I went with this one—Immature, Artist. Because artists take time. And some of us need reminding." -Matthew Brannon, December 1, 2012 Permanent Collections: Museum of Modern Art, New York, NY, Whitney Museum of American Art, New York, NY, Rennie Collection, Vancouver, Canada, Ringler Collection, Zurich, Switzerland, Rubell Family Collection, Miami, FL, MADRE Museum, Naples, Italy, The Hammer Museum, Los Angeles, CA The Museum of Modern Art, New York, NY, The Alfond Collection of Contemporary Arts, Cornell Fine Arts Museum, Rollins College...Category
2010s Contemporary More Prints
MaterialsScreen
- SilkBy Peregrine HonigLocated in Morton Grove, ILcopper etching, aquatint, lithograph, silkscreen signed and editioned edition of 11 **print sold unframed**Category
2010s Contemporary Nude Prints
MaterialsAquatint, Etching, Lithograph, Screen
- SatinBy Peregrine HonigLocated in Morton Grove, ILcopper etching, aquatint, lithograph, silkscreen signed and editioned edition of 7 **print sold unframed**Category
2010s Contemporary Nude Prints
MaterialsAquatint, Etching, Lithograph, Screen
- LinenBy Peregrine HonigLocated in Morton Grove, ILcopper etching, aquatint, lithograph, silkscreen signed and editioned edition of 7 **print sold unframed**Category
2010s Contemporary Nude Prints
MaterialsAquatint, Etching, Lithograph, Screen
- MuslinBy Peregrine HonigLocated in Morton Grove, ILcopper etching, aquatint, lithograph, silkscreen signed and editioned edition of 7 **print sold unframed**Category
2010s Contemporary Nude Prints
MaterialsAquatint, Etching, Lithograph, Screen
- CottonBy Peregrine HonigLocated in Morton Grove, ILcopper etching, aquatint, lithograph, silkscreen signed and editioned edition of 7 **print sold unframed**Category
2010s Contemporary Nude Prints
MaterialsAquatint, Etching, Lithograph, Screen
- Living with RocksBy Ken PriceLocated in Morton Grove, IL1 color lithograph, 2 color screenprint paper size 14" x 14" , frame size 16.75" x 16.75" Edition of 150 Signed by artist FramedCategory
Early 2000s Contemporary Landscape Prints
MaterialsLithograph, Screen
Price Upon Request