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Gilbert & GeorgeGilbert & George Supreme skateboard decks: set of 3 (Gilbert & George pictures)2019
2019
About the Item
Complete Set of 3 Gilbert & George Supreme Skateboard Decks (New in original packaging):
A stand out skate triptych paying homage to Gilbert & George's 1984 Pictures series, through which Gilbert & George applied bold colors to a series of photographs developed in the ‘70s. The photomontages address issues involving religion, race, corruption, illness, and death.
Dimensions: 31.5 x 8 x 0.5 in. (applies to each individual)
Medium: Silkscreen on Maple Wood.
Year: 2019.
Printed artist signature & Supreme logo on reverse (on all 3).
New in original packaging, excellent overall condition.
Provenance: Acquired directly from Supreme New York.
From a sold out limited edition of unknown.
British artists Gilbert & George met in 1967 while studying at St. Martin’s School of Art. While their work is rooted in sculpture and performance, it has evolved over the years to include photography, drawing, painting, and film.
Supreme’s love of Pop Art is well noted and Gilbert & George’s work has earned consistent comparisons with Andy Warhol. And while there are clear visual consistencies between Warhol’s Polaroid series and The 1984 pictures it’s a charge the duo reject, dismissing the American artist as a commercialist.
Related Categories
Damien Hirst. Andy Warhol. Supreme. 1980s Pop Art. Street Art. Skate Art.
- Creator:Gilbert & George (1942, British)
- Creation Year:2019
- Dimensions:Height: 31.5 in (80.01 cm)Width: 8 in (20.32 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:NEW YORK, NY
- Reference Number:1stDibs: LU35434730121
About the Seller
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- ShippingRetrieving quote...Ships From: New York, NY
- Return PolicyThis item cannot be returned.
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While we do not know how many examples of this graphic work Pettibone created, so far the present work is the only one example we have ever seen on the public market since 1970. (Other editions of The Appropriation Print have been printed on vellum, wove paper and pink and yellow paper.) This 1970 homage to Andy Warhol, Frank Stella and Roy Lichtenstein exemplifies the type of artistic appropriation he was engaging in early on during the height of the Pop Art movement - long before more contemporary artists like Deborah Kass, Louise Lawler, etc. followed suit. This silkscreen was in its original 1970 vintage period frame; a bespoke custom hand cut black wood outer frame was subsequently created especially to house the work, giving it a distinctive sculptural aesthetic. Measurements: Framed 14.5 inches vertical by 18 inches horizontal by 2 inches Work 13 inches vertical by 16.5 inches horizontal Richard Pettibone biography: Richard Pettibone (American, b.1938) is one of the pioneering artists to use appropriation techniques. Pettibone was born in Los Angeles, and first worked with shadow boxes and assemblages, illustrating his interest in craft, construction, and working in miniature scales. In 1964, he created the first of his appropriated pieces, two tiny painted “replicas” of the iconic Campbell’s soup cans by Andy Warhol (American, 1928–1987). By 1965, he had created several “replicas” of paintings by American artists, such as Warhol, Roy Lichtenstein (1923–1997), Ed Ruscha (b.1937), and others, among them some of the biggest names in Pop Art. Pettibone chose to recreate the work of leading avant-garde artists whose careers were often centered on themes of replication themselves, further lending irony to his work. Pettibone also created both miniature and life-sized sculptural works, including an exact copy of Bicycle Wheel by Marcel Duchamp (French, 1887–1968), and in the 1980s, an entire series of sculptures of varying sizes replicating the most famous works of Constantin Brancusi (Romanian, 1876–1957). In more recent years, Pettibone has created paintings based on the covers of poetry books by Ezra Pound, as well as sculptures drawn from the grid compositions of Piet Mondrian (Dutch, 1872–1944). Pettibone straddles the lines of appropriation, Pop, and Conceptual Art, and has received critical attention for decades for the important questions his work raises about authorship, craftsmanship, and the original in art. His work has been exhibited at the Institute for Contemporary Art in Philadelphia, the Museum of Modern Art in New York, the Museum of Contemporary Art in Miami, and the Laguna Art Museum in Laguna Beach, CA. Pettibone is currently based in New York. "I wished I had stuck with the idea of just painting the same painting like the soup can and never painting another painting. When someone wanted one, you would just do another one. Does anybody do that now?" Andy Warhol, 1981 Since the mid-1960s, Richard Pettibone has been making hand-painted, small-scale copies of works by other artists — a practice due to which he is best known as a precursor of appropriation art — and for a decade now, he has been revisiting subjects from across his career. In his latest exhibitions at Castelli Gallery, Pettibone has been showing more of the “same” paintings that had already been part of his 2005–6 museum retrospective,1 and also including “new” subject matter drawn from his usual roster of European modernists and American postwar artists. 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