Wash
View Similar Items
Robert RauschenbergWash2000
2000
About the Item
- Creator:Robert Rauschenberg (1925 - 2008, American)
- Creation Year:2000
- Dimensions:Height: 26 in (66.04 cm)Width: 22 in (55.88 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:West Hollywood, CA
- Reference Number:Seller: RR00-52801stDibs: LU1492668392
Robert Rauschenberg
Robert Rauschenberg was one of the preeminent American artists of the 20th century, occupying a singular position that straddled the Abstract Expressionist and Pop art movements, drawing on key elements of each. An artistic polymath equally adept at painting, collage and silkscreening, Rauschenberg is best known for for the complex assemblages of found objects he termed “combines.”
Rauschenberg was born in Port Arthur, Texas, in 1925. He first began to seriously consider a career in art in 1947, while serving in the U.S. Marines. After leaving the service, he briefly studied art in Paris with support from the G.I. Bill, then moved to North Carolina to attend Black Mountain College, home to a flourishing cross-disciplinary art community. Among his peers there were choreographer Merce Cunningham and composer John Cage, both of whom became friends and artistic collaborators.
Relocating to New York in the mid-1950s, Rauschenberg was initially put off by what he perceived as the self-seriousness of the adherents of Abstract Expressionism, then the dominant movement in the New York art world. Like Andy Warhol and Roy Lichtenstein, Rauschenberg was drawn to the visual landscape of popular culture and mined its imagery for inspiration. He used unorthodox materials like house paint and tried novel techniques in his studio like running paper over with a car whose wheels he had inked. Shortly after his inaugural solo exhibition at Leo Castelli Gallery, which featured paintings and drawings, he pivoted to a new format, creating his first found-object combines, which became his signature. The most famous of these is the 1959 Monogram in which a taxidermied goat is surrounded by a car tire, recalling the way a person’s initials are interwoven in the design referred to by the title.
Later in the 1960s, Rauschenberg turned his attention to silkscreening, creating prints that feature iconic figures of the day, very much in line with the style and content of Pop art. One such work, 1965's Core, which was created to commemorate the Congress of Racial Equality, combines photographs of President Kennedy, an unidentified Native American man, and a statue of a Civil War soldier with images of highways, amusement parks, street signs, and other features of the built environment. A circular color-test wheel sits at the composition’s formal core, reflecting the work’s commentary on race and ethnicity.
Throughout the 1960s and ‘70s, Rauschenberg experimented with printing on unusual materials, such as Plexiglas, clothing and aluminum. Venturing even further afield, he created performance works, such as his 1963 choreographed piece “Pelican” and the 1966 film Open Score. In 1998, the Guggenheim Museum presented a large and comprehensive retrospective of Rauschenberg’s work, highlighting his influence on American art in the second half of the 20th century.
Find original Robert Rauschenberg art for sale on 1stDibs.
- Red Square I, IIBy William GatewoodLocated in San Francisco, CAArtist: William Gatewood (1943- 1994) Title: Red Square I, II Date: 1992 Medium: Diptych Screenprint Size: Each Sheet 36 x 36 inches. 36 x 72 inches ...Category
1990s Contemporary Interior Prints
MaterialsGold Leaf
- Munich 1972 Olympic Print, Danilowitz 213 Abstract Op Art hand signed & numberedBy Josef AlbersLocated in New York, NYJosef Albers Munich 1972 Olympic Games (Danilowitz 213), 1970 Color silkscreen on 250-gram Schöllers Hammer paper. Signed, dated and numbered 183/200 in graphite pencil on the front 40 × 25 1/2 × 3/10 inches Catalogue Raisonne Reference: Danilowitz, 213 Unframed Pencil signed and numbered from the limited edition of 200. By Josef Albers - famous color theorist and longtime influential head of the Yale University Art Department. This 1970 silkscreen was exhibited in the show "On Black Mountain: The Bauhaus Legacy in America", April 5, 2019-April 27, 2019 at the Sager Braudis Gallery in Columbia, Missouri. It is reproduced on page 8 of the exhibition catalogue. It features Albers signature ‘cinetic window’, and is an impressive piece of art and sports history. This is one of only 200 hand signed, dated and numbered prints - (NOT to be confused with the open poster edition of the same image on different paper, which, unlike the present work, only bears the artist's printed signature.) The present work was created in 1970 for the 1972 Munich Olympics. In anticipating of hosting the 1972 summer Olympics, Germany sought to create a positive image for itself. As Arnold Schwarzenegger would write in his memoir "Holding the Olympic Games in Munich was meant to symbolize West Germany's transformation and reemergence in to the community of nations as a modern democratic power". The Munich Olympics were billed as "the happy games" - a term that would become tragically ironic. In spite of, or rather because of, the ruthless killing of Israeli athletes by terrorists during the Munich Olympics, prints like this Albers silkscreen have become a poignant symbol of the enduring power of art to bring cultures together and promote peace. This Josef Albers Olympic...Category
1970s Abstract Abstract Prints
MaterialsScreen, Offset
- Untitled Op Art Mid Century Modern Geometric Abstraction 1960s Pop Art AbstractBy John GrilloLocated in New York, NYJohn Grillo Untitled Op Art Mid Century Modern, 1969 Color silkscreen on art paper with deckled edges Signed and dated lower right; numbered lower left Unframed The present work is a dazzling, extremely rare 1960s screenprint...Category
Mid-20th Century Pop Art Abstract Prints
MaterialsScreen
- Bacon IIBy R.B. KitajLocated in New York, NYR.B. Kitaj Bacon II, 1969 screenprint, ed. of 70 40 x 15 in. (101.6 x 38.1 cm)Category
1960s Abstract Expressionist Figurative Prints
MaterialsScreen
Price Upon Request - CheBy Dolk LundgrenLocated in Manchester, GBChe 2006 50cm x 70cm Screenprint on untreated 250gsm cartridge paper printed by POW (Pictures On Walls - Banksy's Printer). Signed edition of 750. Dolk Lundgren (Dolk is Norwegian for dagger/knife) has rapidly gained an international following since emerging on the urban art scene. He studied Graphic Design in Norway and Melbourne before moving into stencil art. As Norway's most distinguished graffiti artist, Dolk's work can be seen adorning walls throughout Europe. Since 2006 Dolk has moved some of his pieces into galleries whilst continuing to work in streets throughout the world. Early in his career, Dolk's work was often attributed to Banksy due to similarities in style, but in recent years, Dolk has established himself as a master with the stencil in his own right. His sharp and intelligent images have proved popular with the public. In 2010 Dolk created three large-scale cheeky works for the opening of Halden Prison, a state-of-the-art correctional facility in Norway. The murals were created on the walls of the exercise yard. The Daily Mail...Category
Early 2000s Street Art Prints and Multiples
MaterialsScreen
$1,674 - Jesús Rafael Soto ( 1923 – 2005 ) – hand-signed Screenprint – 1971By Jesús Rafael SotoLocated in Varese, ITScreenprint in colors on paper, edited in 1971 limited edition of 175 copies signed in pencil by artist in lower right Edition: Denise Rene , with blindstamp image size: 39 × 39 cm s...Category
1970s Op Art Prints and Multiples
MaterialsPaper, Screen