Ronnie Cutrone

Ronnie Cutrone-No Glove, No Love-32" x 40"-Serigraph-1988-Pop Art-Multicolor-car

1988

Paper Size: 24.5 x 28 inches ( 62.23 x 71.12 cm ) Image Size: 18 x 22 inches ( 45.72 x 55.88 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Detail...

Paper Size: 35 x 23 inches ( 88.9 x 58.42 cm ) Image Size: 22 x 22 inches ( 55.88 x 55.88 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Shipping and ...

Paper Size: 25.5 x 38 inches ( 64.77 x 96.52 cm ) Image Size: 24.5 x 35.5 inches ( 62.23 x 90.17 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Details: Original poster for the off-Broadway play City Junket written by New York poet Kenward Elmslie that was produced at Playhouse 46 on 46th Street, New York City, between April 16 and May 25 1980. According to the poster and information from the Red Grooms...

Paper Size: 35 x 23 inches ( 88.9 x 58.42 cm ) Image Size: 34 x 22 inches ( 86.36 x 55.88 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or age Addit...

Paper Size: 33 x 42.25 inches ( 83.82 x 107.315 cm ) Image Size: 27.25 x 37.25 inches ( 69.215 x 94.615 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Details: Large silkscreen printed in over 20 colors, signed and numbered out of 225 in pencil by Rodney Greenblat. Blindstamped by Martin Lawrence Galleries...

Paper Size: 33.75 x 24.75 inches ( 85.725 x 62.865 cm ) Image Size: 33.75 x 24.75 inches ( 85.725 x 62.865 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling ...

Embossings is an original Embossing and screen Print realized by Gino Scarpa in 1970s. The artwork is in good condition, on a white cardboard. Limited edition, hand signed and num...

Andy Warhol Deluxe Signed Edition of Film Festival Lincoln Center (Feldman & Schellmann, II.19), 1967 Silkscreen, die-cut on opaque acrylic Edition 2/200 (Signed and numbered on the back with engraving pen) Hand-signed by artist, As this work was done on acrylic, Warhol signed and numbered it by hand on verso with an engraving needle. Stamped and dated with copyright Frame included: Elegantly framed in a museum quality wood frame with UV plexiglass. A die-cut window has been created in the back of the frame to reveal Warhol's incised signature and edition Publisher: Leo Castelli, New York Printer: Chiron Press, New York Catalogue Raisonne: Feldman & Schellmann, II.19 This work is often hung and displayed both vertically and horizontally - see photos for inspiration This work is one of only 200 done on opaque acrylic rather than wove paper, signed and numbered on the opaque acrylic by Andy Warhol with an engraving pen. (Separately, there was an unsigned edition of 500 on wove paper). What distinguishes this rare, extremely desirable signed edition of 200, other than that it is signed and numbered by hand by Andy Warhol, is that the black graphic text FIFTH NEW YORK is placed directly over the text Film Festival of Lincoln Center; whereas in the edition of 500, the text black text FIFTH NEW YORK is placed on top of the white text. An innovative feature that appears in this special edition is a perforated line running across the surface of the print, at its triangular cut out sides, mimicking the tear line present in real commercial movie admissions tickets. Chiron Press commissioned by Lincoln Center, devised a special process expressly to imprint the edition with this perforation using a die cut stamp. This work is quintessential early Warhol, with characteristic bright neon colors, featuring text, along with the artist's very recognizable flower motif. The Lincoln Center ticket simultaneously reflects Warhol's central preoccupations with commercial culture (the ticket is, par excellence, an object that is bought and sold), as well as his fascination with Hollywood - as the ticket, quite literally, represents an entree into the world of film. Warhol's appropriation of the flower - an otherwise sentimental and decorative motif, transforming it into a symbol of the Pop Art movement, is a hallmark of his early style and innovations. Andy Warhol's vibrant vintage color silkscreen Lincoln Center Ticket from the fabulous Sixties is considered one of the more iconic and recognizable Warhol images. It is also one of Warhol's earliest prints. The Vera List...

Exhibition poster for "Andy Warhol: Pasadena Art Museum," edition size unknown, unsigned as issued. The name of American artist Andy Warhol is all but sy...

Screen print in colours on 250mg cartridge paper Edition of 54 Signed, numbered and dated on the front Condition upon request. Sold without the Certificate of Authenticity from Pest ...

serigraph on paper, image of a couple kissing.

One of 10 copies. DANUTA DĄBROWSKA-SIEMASZKIEWICZ Painter and graphic artist. Her works have been published in "The New Yorker", "Marie Claire", "Newsweek". One of her projects has b...