Shepard Fairey

The End, Black Sabbath, Red - Shepard Fairey Obey Contemporary Print

2016

Mark Drew, Sunshine Plays a Major Part in the Daytime comes from a limited edition of 150. This contemporary print is inspired from Wu-Tang Clan's "Can't It Be All So Simple." Mark D...

"Die Enormous (JAY-Z), 2024" Screen Print by Mark Drew Screen print in colors on 300gsm paper 16 7/10 × 11 1/2 in 42.4 × 29.2 cm Edition of 200 Immerse yourself in the timeless ess...

I Never Let A Statue Tell Me How Nice I Am comes from a limited edition of 120. This contemporary urban street art print is inspired from lyrics from A Tribe Called Quest...

Mark Drew, Boy I Tell You I Miss Her, comes from a limited edition of 150. This contemporary print is inspired from "I Used To Love H.E.R." by Common. Mark Drew has a unique style o...

This is a truly unique piece from Mr. Brainwash. From 2007, this print is pre-release of Banksy's "Exit Through the Gift Shop." These pieces...

I started my sticker campaign in 1989 and I continue to value the power of a small but mighty source of disruption and expression. When I was younger and had few resources my strateg...

Silkscreen in 9 colors on 320 gram Coventry Rag Dimensions: 29" x 29" Signed by the Artists in pencil An edition of 75 John “CRASH” Matos and Eric Orr met for the first time as high school students. Although the exact location is unclear, both agree that it would have been at either Fashion Moda or the Writers’ Bench at 149th Street and Grand Concourse. Founded by Stefan Eins in 1978, Fashion Moda began as a “cultural concept” whose principles revolved around the fact that art can be made by anyone, anywhere and art should be accessible to anyone, anywhere. Located in the South Bronx, Fashion Moda embraced new talent and encouraged creative production across all mediums. The gallery has been credited as a major force behind the recognition of graffiti writing as an art form and it played a pivotal role in a community where Hip Hop was rapidly emerging. CRASH was only 19 years old when he curated “Graffiti Art Success for America” at Fashion Moda and his varied experiences at the gallery would later inspire his founding of WALLWORKS. The 149th Street Writers’ Bench, located at the back of the uptown...

In 1984, Eric Orr and Keith Haring joined forces to create a series of chalk drawings in the NYC subways. As their work evolved, the artists shifted their focus from the subway to the studio and embarked on the production of a suite of drawings. Included in the group was Repeat which had made its first appearance in the 23rd Street IRT uptown station. Little did Orr and Haring know that the reimagined drawing would be auctioned at Christie’s six years later. 2020 heralds a new beginning for Repeat, a truly unique silkscreen print that both illustrates and celebrates a fierce friendship that began in the early 1980s at The Roxy roller rink in NYC, when two young artists decided to trade t-shirts on the dance floor. Repeat, Eric Orr and Keith Haring, 2020 Silkscreen on 320 gram Coventry Rag paper with hand-deckled edges Dimensions: 20 x 28 inches Edition Size: 250 with 25 Artist Proofs and 25 Printer Proofs Signed and numbered in pencil by Eric Orr Plate signed by Eric Orr and Keith Haring Courtesy of Eric Orr and the Keith Haring Foundation Printed and Published by Gary Lichtenstein...

"Falling for You," Eric Orr, 2022 Silkscreen on 290 gram Coventry Rag paper Dimensions: 13 3/4" x 17 1/4" Signed and numbered by the Artist in pencil An editio...

A screen print on arches paper. Produced in 1990. Edition of 33 + 5 Artist Proofs. This being number 27/33. Littmann P.182. Signed and numbered in pencil by the artist. This work wa...

Invader Sunset ( Glow In The Dark ) , 2018 Hand-signed and numbered by artist Screenprint in colours with phosphorescent ink and embossing 16 3/10 × 16 3/10 in Edition of 100

D*Face Race Face, 2022 Hand-signed and numbered by the artist 18 colour hand pulled screen print on 370gsm Lambeth Drawing Paper 100 x 70 cm Edition of 100 Artwork ships in 2-4 weeks