Haren Das

Joint Effort

ND

ZDZISŁAW WIATR (born 1960) He graduated from the Academy of Fine Arts in Cracow, at the Faculty of Graphic Arts in Katowice, where in 1986 he received a diploma with the honourable m...

Damien Hirst’s Dog by Mychael Barratt Limited edition art print Handmade Woodcut on paper Edition of 100 Signed and Titled Complete size of sheet: 63 H x 67 W x 0.1 D cm (24.80 x 26....

7-color woodcut on Somerset white 500 gsm

Pompeian Garden (INV# NP3632) Betty Woodman color woodcut 29 x 34.75” 1992 # P.P. 2/2, outside the edition of 15 signed

Kimono Still Life Vase (INV# NP3630) Betty Woodman color woodcut with chine collé 27.5 x 41.5 1992 # W.P. 1/2, outside the edition of 15 signed

Boardwalk Vase (INV# NP3628) Betty Woodman color woodcut with chine collé 37.88 x 36.75” 1998 # P.P. 2/2, outside the edition of 30 signed Betty Woodman (1930 - 2018) was a leading American ceramist whose dazzling inventions with form and color have moved beyond the traditional domain of craft and consistently challenged the limits of the medium. Betty Woodman first became interested in crafts because her father was a woodworker. In high school, one ceramics course was sufficient to convince Woodman that she wanted to be a functional potter. Studying pottery at the School for American Craftsmen at Alfred University, she developed a strong interest in the history of ceramics. Her first job after graduating in 1950 was as a production potter, and that technical facility and experience were to be the foundation of her subsequent innovations. In 1952 Woodman traveled to Italy, where exposure to traditions such as majolica opened her eyes to the potential of clay. It was not until the seventies that Woodman completely abandoned her functional approach. Collaborating with important figures in the Pattern and Decoration movement, such as Joyce Kozloff and Cynthia Carlson...