Hiroshi Asada

Fosse de Terre

1986

The illusions and reflections in Sietins prints often bring M.C. Escher to mind, but his prints have a distinctive feel all their own. The numbers reflect up into the ball, along wit...

Medium: Carborundum, intaglio Year: 2018 Image Size: 12 x 12 inches Paper size: 24 x 22 inches Edition Size: 25 Signed and numbered by the artist. Tachibana’s prints take their ins...

Medium: Etching,Aquatint Image size: 12 × 11 Sheet size: 22 × 18 in Edition of 30 Year: 2008 Signed and titled by the artist While inspired by flowers, the blossom series shows th...

Medium: Etching,Aquatint Image size: 12 × 11 Sheet size: 22 × 18 in Edition of 30 Year: 2008 Signed and titled by the artist While inspired by flowers, the blossom series shows th...

Medium: intaglio Year: 2015 Signed Artist Proof from the edition of 25 Image Size: 7.5 x 6 inches Paper Size: 15 x 11 inches Signed and numbered by the artist. Seiko Tachibana's...

Medium: Etching, aquatint & roulette Year: 1991 Image Size: 24.63 X 39.63 inches Edition Size: 90 Signed and numbered in pencil by the artist Image of a Paris apartment, showing t...

In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...

In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...

In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...

"Wounded Fruit" is an original color aquatint by Dan Mitchell Allison. It depicts a banana behind a window with an arrow through it. There are also color names written on the piece. It recalls Rene Magritte's early surreal explorations of objects and text. The artist signed the piece in the lower right. It is edition 39/40. 15 1/2" x 19 1/2" art 22 1/4" x 26" frame Born in Houston, Texas in 1953, the printmaker and painter continues to live and work there, still remaining an integral part of the lively Houston art scene while garnering attention throughout the United States, as well as overseas. Allison's prints are included in major museum and private collections throughout the world, including the U.S., Europe and Asia. He has gained renown for his innovative painting with the surface subtleties of printmaking and has established an international reputation for printmaking that places him in league with some of the most important late 20th century artists to have worked in the print medium. Achieving worldwide critical acclaim for his printmaking, Allison was the recipient of the prestigious 1987 Grand Prix award for the 17th Biennial of Graphic Art sponsored by the Ljubljana Museum of Modern Art in the former Republic of Yugoslavia. The artist's award winning, three panel collagraphic triptych, "Between Heaven and Earth," was selected from more than 1800 entries submitted from 57 countries. Past recipients of Ljubljana print award honors include Joan Miro, Karl Appel, Jasper Johns, Robert Rauschenberg, Frank Stella, James Rosenquist, David Hockney, Victor Vasarely, Antonio Berni...