Jack Beal

"Pond Lilies", Color Lithograph Pencil Signed and Numbered (42/120)

1971

"Red Pepper" is a work that displays Aaron Fink's experiments in still-life expressionism with its more than life-like depiction of a bell pepper in vibrant color. This print made with aquatint etching marries the expressionist style with the classic realistic depiction of food that we often take for granted.The print is 36.63 x 29.63 inches and is signed and numbered from an edition of 30 by the artist. Numbered edition may not necessarily be number 11 as there are multiple prints in the possession of Collected Detroit. This is a separate lithograph from "Yellow Pepper" which can be purchased separately but is including in the photographs for contrast as a set. Aaron Fink, the son of Boston Expressionist artist Barbara Swan...

"Yellow Pepper" is a work that displays Aaron Fink's experiments in still-life expressionism with its more than life-like depiction of a bell pepper in vibrant color. This print made with aquatint etching marries the expressionist style with the classic realistic depiction of food that we often take for granted.The print is 36.63 x 29.63 inches and is signed and numbered from an edition of 30 by the artist. Numbered edition may not necessarily be number 6 as there are multiple prints in the possession of Collected Detroit. This is a separate lithograph from "Red Pepper" which can be purchased separately but is including in the photographs for contrast as a set. Aaron Fink, the son of Boston Expressionist artist Barbara Swan...

"Spring/Daffodils" captures the essence of the colors of spring and its meaning by choosing Daffodils, the first large common flower of the season that is so welcomed after a long hard mid-west winter. Flowers, also, are an iconic choice of subject matter for many artists from the Dutch Masters and their large vases of flowers to Alex Katz and his mammoth portraits of "flowers." Some of Manet's last paintings that were exquisitely rendered were of the common flowers lilacs and roses. Joyce Nagel...

SALE ONE WEEK ONLY "I. Traces grotesques" is an Artist’s Proof Lithograph. “Proofs” are either pulled or printed, and the artist has the option to work out the color and quality issues as they come out of the process. The only real difference between the two is the restricted quantity of prints bearing the AP designation and not the quality of the print. This lithograph is signed and titled by the artist, Jean Dubuffet, which indicates his complete satisfaction with the print. It is from 1958 and a perfect example of his style, “Art Brut.” His idealistic approach to aesthetics embraced what is called “low art”, art by non-academically trained artists. It is sometimes referred to as “outsider art.” He did study briefly at the Academie Julian, Paris, but eventually followed his own aesthetics which eschewed traditional standard of beauty in favor of what he believed to be a more authentic and humanistic approach to image-making. This lithograph expresses the beauty he found in the meandering spontaneous black line. Jean Dubuffet began painting at the age of seventeen and studied briefly at the Academie Julian, Paris. He painted off and on for the next 20 years. It was not until 1942 in the midst of WWII in France that he began the work which has distinguished him as an outstanding innovator in postwar Europe. It is said of his work that “he looked to the margins of the everyday – the art of prisoners, psychics, the uneducated, and the institutionalized – to liberate his own creativity and coining the term ‘Art Brut’.” Art Brut is a French term that translates as ‘raw art’, to describe art such as graffiti or naïve art which is made outside the academic tradition of fine art. His paintings from the early forties in brightly colored oils were soon followed by works in which he employed such unorthodox materials as cement, plaster, tar and asphalt-scraped, craved and cut and drawn upon with a rudimentary, spontaneous line. Dubuffet worked in France and exhibited from the early forties on. He was included in the 1946 Pierre Matisse...

SALE ONE WEEK ONLY Claes’ first kinetic sculpture, 1970, was “Ice Bag” rising in height from 7 to 16 feet with a diameter of 18 feet. He was interested in ice bags as a sculptural subject because of their compelling form. The surface wavers between rippled and smooth, hard and soft. This lithograph with blue and red crayon is a sketch of the “Ice Bag” sculpture and was created by Claes as a thank you gift for certain individuals. Eric Saarinin & Associates had rented an art studio to film Oldenburg sketching on its walls the genesis of the ice bag and his thoughts about the Icebag. When the owner of the studio returned and found his pristine walls covered with scrawls, he had a fit…until he understood the present value of that heavily marked, white expanse. They thought about how to remove the drawings. Well, it couldn’t be done, but they are preserved in the film directed by Michael Hugo and produced by Eric Saarinen. The Lithograph is printed by Kenneth Tyler, carries the blind stamp and is marked (Gem.II), G.E.L. It is numbered 2 of 26, dated and signed by Oldenburg and owned by Eric Saarinen who received it as a gift from Claes. Unframed it measures 16 1/8 x 22 5/16. Claes Oldenburg was a Swedish-born American sculptor, best known for his public art installations typically featuring large replicas of everyday objects. Another theme in his work is soft sculpture versions of everyday objects. Many of his works were made in collaboration with his wife, Coosje van Bruggen, who died in 2009; they had been married for 32 years. Oldenburg was born in Stockholm, Sweden, but because of his father’s diplomatic career he lived most of his life in the states mainly New York and California. He attended Yale University and the School of the Art Institute of Chicago. Oldenburg became associated with the pop art movement and created many happenings, that were so popular in the late 1960s and thru the 1970s. They were performance art related productions. The name he gave to his own productions was "Ray Gun “Theater”. The cast of colleagues who appeared in his performances included artists: Lucas Samaras, Tom Wesselmann, Carolee Schneemann...

ONE WEEK ONLY SALE AT 40% "Untitled III" is a work that displays James Hansen's intense colors and shapes of his abstract and surrealist style. This print made with etching and aquatints with hand-coloring on Arches paper pops with the illusion of three dimensions set against a muted background of esoteric shapes and symbols. The print is 32-3/4 x 25-3/4 inches and is signed and numbered from an edition of 30 by the artist. Numbered edition may not necessarily be number 20 as there are multiple prints in the possession of Collected Detroit. James Hansen was born in 1951 in New Haven, Connecticut and spent most of his artistic career in Provincetown, Massachusetts where he befriended and worked with Paul Bowen...

Personnages undated lithograph, artist proof (E.A) & signed by the artist 20,5 x 27,9 cm sold without frame about Jean Hélion (April 21, 1904 – October 27, 1987) Jean Hélion was bo...

TECHNICAL INFORMATION Alexander Calder Acier du Constructeur, 1965 Lithograph 21 7/16 × 29 3/8 in 54.5 × 74.6 cm Edition of 75 Condition: This work is in excellent condition

Delicate botanical lithograph of Lily of the Valley (Convallaria majoralis) by Patricia Pearce (American, b. 1948). This piece is unsigned, but was acquired with a collection of othe...

These works were printed in November 1967 by Fernand Mourlot, master lithographer in Paris.

These works were printed in November 1967 by Fernand Mourlot, master lithographer in Paris.

These works were printed in November 1967 by Fernand Mourlot, master lithographer in Paris.