Laurent Schkolnyk

"La Coupe Bleue" Limited Edition Serigraph (37/80) Pencil-signed by the Artist

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"La Broc a Eau" is a Limited Edition Serigraph (43/80) by Laurent Schkolnyk. It is pencil-signed by the artist. The print measures 11 x 13 inches, unframed. The date of creation is u...

"Limonade" is a Limited Edition Serigraph (16/80) by Laurent Schkolnyk. The print is pencil-signed by the artist. The piece measures 10.25 in x 8 in without frame, with frame measure...

"La Branche Cerise" Limited Edition Serigraph (68/80) by Laurent Schkolnyk. Print is pencil-signed by the artist. It measures 12 x 15.75 inches without frame, 13 in x 16 in with fram...

"La Vasque" is a Limited Edition Serigraph (7/80) by Laurent Schkolnyk. It is pencil-signed by the artist. 7.5 x 9.5 inches without frame, with frame measures 15.25 in x 21. 25. Ligh...

Organisée Par le International Art Program, National Collection of Fine Arts, Smithsonian Institution: “Woman with Fan” 1914 Bronze Relief, Visionaire International, Musée Rodin, Paris, 11 Mars-14 Avril, 1969 by ALEXANDER ARCHIPENKO (American-Ukranian, 1887-1964). Event Poster...

Poster. Measures 27 x 32 in. Unframed. Copyright 1970 New York Graphic Society Ltd. Printed in USA. Image is in Fair Condition (i.e. indentation, discoloration). White border has a s...

"Come to You no. 2" Edition of only 50 prints. Signed and Numbered by the artist in pencil 13/100. Born in 1982, Jing Zhiyong's creative work was predominantly inspired by the 1990s. A collective of artists working in the United Kingdom, who came to be known as the YBAs, or Young British Artists, defined the artistic culture of the 1990s. Affiliated loosely by their age and nationality, they were a varied collective of practitioners. A number of the YBAs attended the Royal College of Art and Goldsmiths in London, and were favoured by the ‘super collector’ of the time, Charles Saatchi. The most renowned member of the group is Damien Hirst, and other members included Chris Ofili, Tracey Emin, Marc Quinn, Gavin Turk, Sarah Lucas...

ROBERT COTTINGHAM Star, from American Signs portfolio, 2009 screenprint in colors, on wove paper, with full margins, 40 1/8 x 39 1/8 in (101.9 x 99.4 cm) signed, dated `2009' and numbered edition of 100 in pencil -- Robert Cottingham B. 1935, BROOKLYN, NEW YORK Born in 1935 in Brooklyn, Robert Cottingham is known for his paintings and prints of urban American landscapes, particularly building facades, neon signs, movie marquees, and shop fronts. After serving in the U.S. Army from 1955 through 1958, he earned a BFA at Pratt Institute, Brooklyn, in 1963. Cottingham began his professional artistic career as an art director for the advertising firm Young and Rubicam in the early 1960s. Although he is typically associated with Photorealism, Cottingham never considered himself a Photorealist, but rather a realist painter working in a long tradition of American vernacular scenes. In this respect, his work often draws parallels to a number of American painters such as Stuart Davis, Charles Demuth, Edward Hopper, and Charles Sheeler. Cottingham’s interest in the intersections of art and commerce derive from his career as an adman and the influence of Pop art. Many of his paintings convey an interest in typography and lettering, as well as an awareness of the psychological impact of certain isolated words and letters. In his facades, techniques from advertising, namely cropping and enlarging, often produce words of enigmatic or comical resonance such as “Art,” “Ha,” or “Oh.” Cottingham’s enlarged sense of scale is reminiscent of James Rosenquist’s work, while his interest in text suggests the influence of Robert Indiana and Jasper Johns. In general, Cottingham viewed his work as continuing the legacy of Pop artists such as Andy Warhol, who also had a background in advertising. In 1964, Cottingham relocated to Los Angeles for work. There, inspired by the drastically different environment of the West Coast metropolis, he began to commit seriously to painting. Fascinated by Hollywood’s exaggerated glitz and the downtrodden atmosphere of the downtown, Cottingham saw in Los Angeles the relics of a bygone commercial heyday and desired to capture its kitschy and uncanny atmosphere, bathed in the near perpetual sunlight of Southern California. In 1968, Cottingham ended his advertising career in order to devote all his time to painting. In the late 1960s, he started using photography in his practice, first as an initial reference point for his process. After selecting a photograph, he translates it into black-and-white drawings by projecting the image onto gridded paper...

In this series entitled 'Freshly Wrapped', Alice explores the relationship between fresh produce and plastic. For the city-dweller, plastic wrapping has become as much a part of the way we eat fruit and vegetables as the skin of the thing itself. Instead of pulling from the soil or plucking from a tree; we squeeze our produce from mesh bags...

Invader Sunset ( Glow In The Dark ) , 2018 Hand-signed and numbered by artist Screenprint in colours with phosphorescent ink and embossing 16 3/10 × 16 3/10 in Edition of 100

In this series Alice explores the graphic qualities of cakes and the romance of cake shops using a combination of printmaking techniques. Working with layered silkscreens, stencillin...

In this series Alice explores the graphic qualities of cakes and the romance of cake shops using a combination of printmaking techniques. Working with layered silkscreens, stencillin...