Lithograph Still-life Prints

Matthew Brannon is best known for his letterpress and screen prints of incongruous combinations of images and text. These prints are rendered in a subtle, stripped-down aesthetic, ev...

NICOLAS PARTY STILL LIFE (RED), 2023 4 Colour offset print on thick matte paper. 30 × 30 cm Edition of 100 Produced by MUSEUM FRIEDER BURDA.

NICOLAS PARTY STILL LIFE (BLUE), 2023 4 Colour offset print on thick matte paper. 30 × 30 cm Edition of 100 Produced by MUSEUM FRIEDER BURDA.

NICOLAS PARTY STILL LIFE (ROCKS), 2023 4 Colour offset print on thick matte paper. 30 × 30 cm Edition of 100 Produced by MUSEUM FRIEDER BURDA.

Lithograph in colours, on grey Magnani Pescia paper. Published in 2018. Limited edition 20/20. Co-published in 2018 by WKS Editions and Hamilton Press, Los Angeles. Hand signed and n...

Matthew Brannon is best known for his letterpress and screen prints of incongruous combinations of images and text. These prints are rendered in a subtle, stripped-down aesthetic, evoking mass production and marketing design. For a 2006 series of blue and black silkscreen prints, Brannon paired representations of potted plants with grim subtitles such as Sick Whore and How It All Ends, in keeping with his thematic interest in pathology and personal struggle. Brannon’s sculptures exhibit a similar pictorial simplicity, often executed in few colors and with meticulous attention to symmetry and balance. Like a stage set for the performance of a play set...

From the series "Natura Morte" still life The photographic image of the withered flowers, rotten fruit, animal bones and broken glasses seems to preserve the objects, keep them aliv...

Memento mori is a Latin saying that starts with Remember that you are dying! or in general with a memory of death! translates. The saying is considered a vanitas symbol. Vanitas desc...

From the series "Natura Morte" still life The photographic image of the withered flowers, rotten fruit, animal bones and broken glasses seems to preserve the objects, keep them alive...

Memento mori is a Latin saying that starts with Remember that you are dying! or in general with a memory of death! translates. The saying is considered a vanitas symbol. Vanitas desc...

From the series "Natura Morte" still life The photographic image of the withered flowers, rotten fruit, animal bones and broken glasses seems to preserve the objects, keep them alive...

From the series "Natura Morte" still life The photographic image of the withered flowers, rotten fruit, animal bones and broken glasses seems to preserve the objects, keep them alive...

From the series "Natura Morte" still life The photographic image of the withered flowers, rotten fruit, animal bones and broken glasses seems to preserve the objects, keep them aliv...

From the series "Natura Morte" still life The photographic image of the withered flowers, rotten fruit, animal bones and broken glasses seems to preserve the objects, keep them alive...

From the series "Natura Morte" still life The photographic image of the withered flowers, rotten fruit, animal bones and broken glasses seems to preserve the objects, keep them alive...

From the series "Natura Morte" still life: The photographic image of the withered flowers, rotten fruit, animal bones and broken glasses seems to preserve the objects, keep them aliv...

David Hockney, Mount Fuji and Flowers, 2016 Offset lithograph 63.5 x 86.5 cm Original poster produced by the MET featuring Hockney’s 1972 Mount Fuji an...

Andy Warhol, Marilyn Monroe, 1967/2022 (on blue ground) Paper size 100 × 100 cm Image size 80 × 80 cm Matt 250gsm conservation digital paper. A very versatile high quality paper ma...

Artist: (after) Andy Warhol (American, 1928-1987) Title: "San Francisco Museum of Art (Pepper Pot)" Year: 2004 Medium: Original (double-sided) Offset-Lithograph on Vinyl, Museum Street Banner...

David Shrigley When Life Gives You A Lemon, 2021 80 x 60 cm Off-set lithography Printed on 200g Munken Lynx paper

18" x 24" Unframed Limited Edition Offset Lithograph of 1500 Signed by Marie Grabrielle

In this framed wall sculpture, digital prints and hand-colored lithography on hand-cut tissue weight kozo and gampi paper are cut to mimic botanical shapes and pinned with entomology...

The Connor Brothers, Christ, Now What?, 2023 Pigment print on archival paper Edition of 50 29 x 41.5 cm (11.42 x 16.3 in) Accompanied by Certificate of Authenticity issued by our...

Signed and numbered lithograph from the edition of 250. Intimate grouping of two peart. A whole series of different fruits and vegetables from this series are available. Eva Boströ...

David Hockney, Mount Fuji and Flowers, 2016 Offset lithograph 63.5 x 86.5 cm (Unframed) 67 x 93.5 cm (Framed) Original poster produced by the MET featuring Hockney’s 1972...

Andy Warhol, Brooklyn Bridge, 1983/2022 (pink, red, blue) Paper size 97 × 97 cm Image size 90 × 90 cm Matt 250gsm conservation digital paper From 1949 until his death, New York Ci...

STIK, Big Issue Series (Signed), 2013 4 x Offset Lithograph in colours on wove paper Hand-signed in black felt tip by the artist 4 x 19 x 57 cm (7½ x 22½ in) Accompanied with B...

Epi, Dial M For Moron (Orange), 2022 48 x 72 cm Printed on German etching paper with hand torn edge Limited edition of 75 Hand-signed and numbered by the ar...

David Shrigley The Moment Has Arrived (2021) 80 x 60 cm Off-set lithography Printed on 200g Munken Lynx paper

Yellow Flowers, 2022 Jonas Wood Screenprint in colours, on 410gsm Somerset tub sized Satin Enhanced White paper Signed, dated and numbered from the edition of 100 From the portfolio...

Frank Shepard Fairey was born February 15, 1970 in Charleston, South Carolina, USA. Fairey's adolescence was shaped by the influences of punk-rock and skateboarding. In his teens, he began creating his own bootlegged clothing and skateboard decals featuring bands and brands he liked. Fairey’s early bootlegs were created because his generally conservative parents would not purchase the clothing he wanted. In 1986, he stumbled upon the Andre the Giant image for which he has become famous for, in a local newspaper. The image was selected when Fairey demonstrated to a friend how to make a stencil; it was modified slightly to include the meaningless caption “Andre the Giant has a Posse” and made into a sticker. The sticker was reproduced en masse and began to appear around Charleston as it spread through the skateboarding community. While the sticker had no inherent meaning, the public response varied from disregard to curiosity to out-right fear. Civic groups editorialized and theorized that the Andre image was affiliated with everything from a band to a hate group. Nevertheless, the stickers were considered vandalism and in time, Fairey would face numerous charges for defacing public property. Fairey's record includes 15 arrests as of March 2009, for defacing property as a result of his so called bombing campaigns. Fairey affixed the stickers on municipal properties nearly everywhere he went, and the Andre sticker was being seen in Boston and New York City, soon others procured the image and were encouraged to spread the campaign worldwide in the form of stickers, stencils and wheat-paste posters. Following high school, Fairey was accepted to the Rhode Island School of Design (RISD), where, with an interest in screen printing, he majored in illustration. In 1992, while still attending RISD, Fairey started Alternate Graphics, a mail order catalog business through which he could merchandise his own t-shirts, skateboards, posters and stickers. He also took small commercial illustration jobs to help supplement his income. Shortly thereafter, the Andre the Giant Has a Posse logo was shortened simply to Obey Giant. The Obey, for which Fairey has also become synonymous, is derived from the 1988 John Carpenter film They Live. In the film, aliens who appear as human, rule the governments and economies of the world while the humans are reduced to an unwitting, hypnotized slave-class. Themes from the film continue to appear in Fairey’s work. Over time, the Andre the Giant face was modified into a more simplified and streamlined appearance, reminiscent of Russian Constructivist/Rodchenko style Soviet propaganda posters of the 20th Century. In 1994, filmmaker Helen Stickler featured Fairey and his sticker phenomenon in her documentary: Andre the Giant has a Posse. The following year, Fairey started Subliminal Projects with the late Blaize Blouin, his friend and pro-skateboarder. Subliminal Projects created and released several Obey-Giant themed posters and skateboard decks. Fairey directed a short skateboarding film featuring some of his friends through Subliminal Projects and Alternate Graphics titled A.D.D.(Attention Deficit Disorder). In 1996, Fairey moved to San Diego, California to create Giant Distribution with partner Andy Howell. Later, with Howell, Phillip De Wolff, Dave Kinsey, he formed First Bureau of Imagery (FBI), a branding, marketing and design firm established to focus on the increasingly lucrative sports market. FBI was closed in 1999 and Fairey, along with De Wolff and Kinsey created BLK/MRKT, similar to FBI. At this time, Fairey met and began working with Amanda Alaya, whom he would later marry. BLK/MRKT moved to Los Angeles in 2001. Here, they could expand and were able to incorporate a small gallery. Fairey and Kinsey eventually bought out De Wolff’s share of the partnership and by then had set up offices in the Pellissier Building (home of the historic Wiltern Theater), in the Koreatown section of Downtown Los Angeles. In December 2001, Fairey and Alaya were married in Charleston, South Carolina, Amanda has occasionally been the model for Fairey's prints (see: Commanda, 2007). Additionally, Amanda Fairey works in the capacity as publicist, agent and representative of her husband. In 2003, Kinsey and Fairey split. Kinsey retained the BLK/MRKT name and gallery, which he relocated to Culver City, California. Fairey retained the offices and most of the employees to create Studio Number One and the gallery was renamed Subliminal Projects. Studio No. 1 has since gone on to produce numerous memorable album covers, concert and film posters. In 2004, Fairey created the magazine Swindle with his old friend Roger Gastman. Swindle is a quarterly publication that features fashion, art, music and other pop-culture elements. During the 2004 presidential election, Fairey teamed up with artists Mear One...

Signed, from an un-numbered set created for a fundraiser (no numbered edition created). Part of a set of prints depicting tools. Others include plumbs, screwdrivers, wood shavers and...

Medium: Offset lithograph printed in colours on wove paper Size: 23 3/8 × 23 3/8 in - 59.4 × 59.4 cm Edition of 1000

Jonas Wood, Large Shelf Still Life, 2017 Offset lithograph in colours on smooth wove paper 58.42 x 58.42 (23 x 23 in) Open edition Jonas Wood (b. 1977, Boston) makes paintings t...

Signed artist proof from an un-numvered edition of 25 done for a fundraiser. Carolyn Muskat (printmaking/papermaking) is the owner and master printer of Muskat Studios, a profession...

Holding Hands - Orange (Signed) 2022 50 x 50 cm Lithographic poster in colours on 140gsm wove. This work is accompanied by the Hackney Today Newspaper. From the limited edition ...

Claes Oldenburg Houseball with Fallen Toy Bear, 2013 Color lithograph on Japanese watercolor paper Hand signed and numbered 21/50 by Claes Oldenburg on the ...

'Banksy vs. Bristol Museum: Copper's ' by Banksy, 2009 Original promotional poster for the artist's show, from a set of 4. 16.5 x 23.5 Inches Offset lithograph on white satin poster ...

Artist: Ana Mercedes Hoyos, Colombian (1942 - ) Title: Porcelana del Carbe Year: circa 2005 Medium: Lithograph, signed and numbered in pencil Edition: 75 Size: 30 x 20 in. (76.2 x ...

Cristobal Toral (Spain, 1940) 'Bodegón', N/A lithograph on paper 21.3 x 17.8 in. (54 x 45 cm.) Edition of 225 ID: TOR1167-001-225 Hand-signed by author

Signed and numbered lithograph from the edition of 250 .Vibrant image of blueberries. Eva Boström was Born in 1954 in Stockholm, Sweden. Her paintings and lithographs show a sensual...

Lithograph in colours, on Arches paper, with full margins Edition of 150 42.2 x 33 cm (16.6 x 12.9 in) Signed, numbered and dated on the front Mint. Artwork not inspected outside of ...

Signed and numbered lithograph from the edition of 250. Vibrant image of fruits, inluding strawberries, lemons, blueberries and melons. A whole series of different fruits and vegetab...

Erhu is a signed and numbered time-limited edition of giclée prints. The erhu, or spike fiddle, typically has two strings, but the instrument being played here is missing a tuning sp...

Medium: Offset lithograph printed in colours on wove paper Size: 23 3/8 × 23 3/8 in - 59.4 × 59.4 cm Edition of 1000

Soup Cans, 2005
 Offset lithograph on paper, mounted to aluminium Annotated with the artist's signature stamp, lower right on recto Presented in bespoke persp...

Lithograph on thick art paper 23 × 15 in 58.4 × 38.1 cm Solo Show December 5th-19th Medium Print Condition Print is in good condition and has been stored flat since 2013. 8/10 Si...

THE 3-COLOR BOUQUET 2022 Lithograph 3 colors signed and numbered on 15 copies 120 x 160cm

Original lithograph on Arches paper Handsigned lower right with pencil and dedicated in french " Pour Andrée amicalement " Annotated lower left E.A for " Epreuve d'Artiste"

Unknown (In the style of Barry McGee) Judas and Jesus (The last Supper) Lithograph Edition: 4/8 Signed, numbered, dated and inscribed by the artist Size: 3...

Lithograph in colours on wove paper Unsigned AP aside from the main edition Signed and dated on the front Excellent. Minor printers’ imperfections throughout reverse of print visible...

Anri Sala Cactus Score, 2011 Lithograph Edition of 110 45,5 x 60 cm (17.9 x 23.6 in), unframed In mint condition Blind-stamp on the front, signed and numbered on certificate of authenticity PLEASE NOTE: Edition numbers could vary from the one shown in the pictures. The pictures shown are only for illustrative reasons, the piece is offered unframed. Anri Sala was inspired by the punk song “Should I Stay or Should I Go?” to make his video ‘Le Clash’. The name of the video is that of the British group, The Clash who wrote the cult tune which hit the charts in 1981. The film takes place next to a modernist building. In the video, the melody of this hit song emerges from a music box and a barrel organ...

Kordansky Gallery celebrates L.A.-based artist Jonas Wood’s newest works in three of its galleries. Like the spaces they occupy, the canvases are vast, most floating at around 100” t...

Blue Hydrangea - image bled to plate size ~ 39 x 29 - printed on 100% cotton rag - edition 3/5 Architectural elements

This artwork, titled "Tulips in a Round Vase" and dated 2000, is an original color lithograph on Arches paper by noted American artist Gary Bukovnik, born 1947. It is signed and numb...

'CONE, an iconic still life image featuring the “tragedy” of a dropped ice cream cone. The artist came to see dropped cones as fleeting promises of joy. Whether devoured or dropped, ...

Place and Surface diptych Overall mount size cm : H86 x W66 Place by Venetia Norris Limited edition of 10, signed and numbered by artist (5 complete sets) Hand finished using acry...

Stamped on the Verso of the print and in Mint Condition. From the David Kordansky Gallery show in 2017. Very rare poster that has been stored flat since purchase. One of his most ...