Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 7

Matthäus Merian the Elder
Beans

1646

About the Item

MATTHAUS MERIAN, the Elder (1593-1650) Der Fruchtbringenden Gesellschaft Nahmen. Frankfurt, 1646. Engraving with Later Hand-Color. 400 Plates. Image Size 4.5” x 5.25” Unframed. Matthew Merian was one of the most prolifically published men of his time. Topography, cartography and botany were among his studies and he produced volumes in each subject. Each of his works is identifiable by intense detailing and an unerring sense of composition. Fond of architecture, Merian's works, if not completely dedicated to the subject, made use of the juxtaposition of his other studies against background or foreground scenes depicting the buildings and gardens he much loved to illustrate. Merian married botanist Theodore de Bry's daughter in Frankfurt in 1624 and also acquired his business. Merian produced de Bry's Florilegium Renovatum in 1641. A noted landscape artist and engraver, Merian was also the father of Maria Sibylla Merian, the noted entomologist and botanical artist. His son Matthew the Younger was a portrait painter, etcher and engraver who traveled in his youth to London, Paris, Italy and Nuremberg. Upon the death of Matthew the Elder, Matthew the Younger took over the management of his workshop which was renowned for producing engraved views and plans of European town and cities. Three generations of published illustrators! In 1646, Merian produced small emblem plates in Der Fruchtbringenden Gesellschaft Nahmen. This was in fact Merian’s only florilegium. Although estimated to be among the finest seventeenth century herbals, it is remembered to day as one of the most beautifully engraved books ever produced. Each of the 400 emblems has a single flower, tree or fruit set against a delightfully detailed German town view of landscape background. This glorious work was originally intended for particular members of a society founded in Germany in 1617 whose objective was the promotion not only of human virtues, honesty and courtesy but also to support and improve the German language. From this rather unique endeavor, each member received a symbolic plant, flower, tree or bush with a scenic background personalized with the individuals own initials at the bottom of each page. Truly a gesture well suited to the academic climate of the times! Reference: C. Nissen. Die Botanische. Stuggart, 1966
  • Creator:
    Matthäus Merian the Elder (1593 - 1650, German)
  • Creation Year:
    1646
  • Dimensions:
    Height: 14.5 in (36.83 cm)Width: 13.75 in (34.93 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    Clean, crisp image. Beautiful hand-coloring. Framed to museum specifications using archival matting, backing, and hinging. Raw silk matting with hand-painted bevel. Glazed with ultra-violet filtering Plexiglas.
  • Gallery Location:
    Florham Park, NJ
  • Reference Number:
    Seller: 2016 03-09-161stDibs: LU652878193
More From This SellerView All
  • Cyclamen (Purple)
    By Abraham Munting
    Located in Florham Park, NJ
    Abraham Munting (1626 – 1683) Naauwkeurige Beschryving der Aardgewassen Leiden and Ultrech, Germany, 1696 Publishers: Pieter vander Aa and Francois Halma Folio, 15 ¼ “ x 10 ¼ “ ...
    Category

    18th Century and Earlier Academic Still-life Prints

    Materials

    Engraving, Watercolor

  • Cyclamen (White)
    By Abraham Munting
    Located in Florham Park, NJ
    Abraham Munting (1626 – 1683) Naauwkeurige Beschryving der Aardgewassen Leiden and Ultrech, Germany, 1696 Publishers: Pieter vander Aa and Francois Halma Folio, 15 ¼ “ x 10 ¼ “ ...
    Category

    18th Century and Earlier Academic Still-life Prints

    Materials

    Engraving, Watercolor

  • Squash
    By Matthäus Merian the Elder
    Located in Florham Park, NJ
    MATTHAUS MERIAN, the Elder (1593-1650) Der Fruchtbringenden Gesellschaft Nahmen. Frankfurt, 1646. Engraving with Later Hand-Color. Matthew Merian was one of the most prolifica...
    Category

    18th Century and Earlier Academic Still-life Prints

    Materials

    Engraving, Watercolor

  • Walnut
    By Matthäus Merian the Elder
    Located in Florham Park, NJ
    MATTHAUS MERIAN, the Elder (1593-1650) Der Fruchtbringenden Gesellschaft Nahmen. Frankfurt, 1646. Engraving with Later Hand-Color. 400 Plates. Image Size 4.5” x 5.25” Unframed. ...
    Category

    18th Century and Earlier Academic Still-life Prints

    Materials

    Engraving, Watercolor

  • Dish Garden
    Located in Florham Park, NJ
    Dish Garden in Blue and White China Japanese Woodblock Original Hand-color. Meji Period. Circa 1895. The enthusiasm for nature prints has spanned the centuries. By the mid-nineteenth century these works, illustrating varieties of flowers in naturalistic styles, had reached a peak of perfection. Each artistic form in traditional printing sought to enhance the beauty of botany. In the woodblock style, as it true for engravings and lithographs, it is imperative that the carving of each block be exacting as they must create an image true to that seen in nature. For many, the dish garden is a re-creation of a favorite landscape design. It provides an opportunity to build a perfect pairing of ornament...
    Category

    Late 19th Century Academic Still-life Prints

    Materials

    Watercolor, Woodcut

  • N. 66 Aloe Tuberosa Levis
    By Johann Wilhelm Weinmann
    Located in Florham Park, NJ
    JOHANN WILHELM WEINMANN. Phytanthoza Iconographia…. Published by Raisbonae. Regensburg, 1735-47. Engraved by J.J. Haid, J.E. Ridinger, B. Seuter and G.D. Ehret. Hand-colored mezzotin...
    Category

    18th Century and Earlier Academic Still-life Prints

    Materials

    Gold Leaf

You May Also Like
  • Buttercup Flowers: A Besler 18th Century Hand-colored Botanical Engraving
    Located in Alamo, CA
    This is a hand-colored copper plate engraving depicting Ranunculus (Persian Buttercup) flowers from Basilius Besler's landmark work, Hortus Eystettensis (Garden at Eichstatt), first ...
    Category

    Early 18th Century Academic Still-life Prints

    Materials

    Engraving

  • Papaya and Moth Metamorphosis: 18th C. Hand-colored Engraving by Maria Merian
    By Maria Sibylla Merian
    Located in Alamo, CA
    This exquisite hand-colored 18th century folio-sized engraving of a papaya plant and moth metamorphosis is plate 64 from Maria Sibylla Merian's publication '...
    Category

    Early 18th Century Academic Still-life Prints

    Materials

    Engraving

  • Flowering Iris & Other Botanicals: Framed 17th C. Besler Hand-colored Engraving
    Located in Alamo, CA
    This is a hand-colored copper-plate engraving entitled "I. Spatula foetida - II. Caucalis Dodonei - III. Cruciata", depicting three flowering plants, including an Iris, from Basilius Besler's landmark work, Hortus Eystettensis (Garden at Eichstatt), first published in 1613 in Eichstatt, Germany near Nuremberg and later in 1640 and 1713. This beautiful hand-colored botanical engraving is presented in a gold-colored wood frame with a French mat...
    Category

    Mid-17th Century Academic Still-life Prints

    Materials

    Engraving

  • Hand-colored 1834 Joseph Paxton Botanical Engraving of Yellow Trumpet Flowers
    By Joseph Paxton
    Located in Alamo, CA
    A hand-colored engraving of yellow trumpet flowers from Sir Joseph Paxton's (1803-1865) "Magazine of Botany and Register of Flowering Plants", published in 1834. This engraving entit...
    Category

    Early 19th Century Academic Figurative Prints

    Materials

    Engraving

  • A 19th century Colored Botanical Engraving of Flowers by Czeiger
    Located in Alamo, CA
    A colored 19th century botanical engraving of flowers by Anstalt S. Czeiger of Vienna, Austria. An inscription at the bottom includes: "Wien, Kai...
    Category

    Late 19th Century Academic Figurative Prints

    Materials

    Engraving

  • Flowering Feverfew Plants: A 17th C. Besler Hand-colored Botanical Engraving
    Located in Alamo, CA
    This is a hand-colored copper plate engraving entitled "Matricaria Flore Simplici, Matricaria Flore Pleno, depicting flowering Feverfew and Double-flowered Feverfew plants, from Basilius Besler's landmark work, Hortus Eystettensis (Garden at Eichstatt), first published in 1613 in Eichstatt, Germany near Nuremberg and later in 1640 and 1713. The feverfew plant is also known as featherfew, featherfoil, or bachelor’s buttons...
    Category

    1640s Academic Still-life Prints

    Materials

    Engraving

Recently Viewed

View All