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Late 18th Century Still-life Prints

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Period: Late 18th Century
"The Fern Gatherers" 18th Century Antique Mezzotint Engraving by John R. Smith
By George Morland
Located in Carmel, CA
"The Fern Gatherers" After a painting by George Morland. 1763-1804. - Mezzotint engraving by John Raphael Smith. 1752-1812. Print: 20.75" x 26" - With Frame: 28" x 33.5" Published:...
Category

Realist Late 18th Century Still-life Prints

Materials

Mezzotint, Engraving

"The Fern Gatherers" 18th Century Antique Mezzotint Engraving by John R. Smith
"The Fern Gatherers" 18th Century Antique Mezzotint Engraving by John R. Smith

"The Fern Gatherers" 18th Century Antique Mezzotint Engraving by John R. Smith, 1799

"The Country Stable" 18th Century Antique Mezzotint Engraving by William Ward
By George Morland
Located in Carmel, CA
"The Country Stable" After a painting by George Morland. 1763-1804. - Mezzotint engraving by William Ward. 1766-1826. Print: 20.75" x 26" - With Frame: 28.5" x 34" Published: March...
Category

Realist Late 18th Century Still-life Prints

Materials

Mezzotint, Engraving

"The Country Stable" 18th Century Antique Mezzotint Engraving by William Ward
"The Country Stable" 18th Century Antique Mezzotint Engraving by William Ward

"The Country Stable" 18th Century Antique Mezzotint Engraving by William Ward, 1792

Set of Six Hand-Colored Engravings from Curtis's Botanical Magazine /// Botany
By William Curtis
Located in Saint Augustine, FL
Artist: William Curtis (English, 1746-1799) Title: Set of Six Hand-Colored Engravings Portfolio: The Botanical Magazine Year: 1789-1810 Medium: Set of Six Original Hand-Colored Engra...
Category

Victorian Late 18th Century Still-life Prints

Materials

Intaglio, Laid Paper, Engraving, Watercolor

Set of Six Hand-Colored Engravings from Curtis's Botanical Magazine /// Botany
Set of Six Hand-Colored Engravings from Curtis's Botanical Magazine /// Botany

William Curtis
Set of Six Hand-Colored Engravings from Curtis's Botanical Magazine /// Botany , 1789-1810

Set of Four Color Engravings from "Herbier de la France" by Pierre Bulliard
Located in Saint Augustine, FL
Artist: Pierre Bulliard (French, 1742-1793) Title: "La Gratiole Officinale (Grace of God)", "La Digitale Jaune (Yellow Foxglove)", "La Renoncule Acre (Acre Buttercup)", and "La Cheli...
Category

Old Masters Late 18th Century Still-life Prints

Materials

Intaglio, Engraving, Laid Paper

Set of Four Color Engravings from "Herbier de la France" by Pierre Bulliard
Set of Four Color Engravings from "Herbier de la France" by Pierre Bulliard

Pierre Bulliard
Set of Four Color Engravings from "Herbier de la France" by Pierre Bulliard, 1780-1793

Set of Six Hand-Colored Engravings from Curtis's Botanical Magazine /// Botany
By William Curtis
Located in Saint Augustine, FL
Artist: William Curtis (English, 1746-1799) Title: Set of Six Hand-Colored Engravings Portfolio: The Botanical Magazine Year: 1796-1829 Medium: Set of Six Original Hand-Colored Engra...
Category

Victorian Late 18th Century Still-life Prints

Materials

Intaglio, Engraving, Watercolor

Set of Six Hand-Colored Engravings from Curtis's Botanical Magazine /// Botany
Set of Six Hand-Colored Engravings from Curtis's Botanical Magazine /// Botany

William Curtis
Set of Six Hand-Colored Engravings from Curtis's Botanical Magazine /// Botany, 1796-1829

Set of Three Color Engravings from "Herbier de la France" by Pierre Bulliard
Located in Saint Augustine, FL
Artist: Pierre Bulliard (French, 1742-1793) Title: "Le Pied de Griffon (Griffin's Foot)", "La Laureole (The Laurel)", and "Le Cabaret d'Europe (The European Cabaret)" Portfolio: Herb...
Category

Old Masters Late 18th Century Still-life Prints

Materials

Intaglio, Engraving, Laid Paper

Set of Three Color Engravings from "Herbier de la France" by Pierre Bulliard
Set of Three Color Engravings from "Herbier de la France" by Pierre Bulliard

Pierre Bulliard
Set of Three Color Engravings from "Herbier de la France" by Pierre Bulliard, 1780-1793

Boxthorn Japanese, Lyciym japonicum Plate 361
By William Curtis
Located in Columbia, MO
Boxthorn Japanese, Lyciym japonicum Plate 361 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches
Category

Naturalistic Late 18th Century Still-life Prints

Materials

Etching

Boxthorn Japanese, Lyciym japonicum Plate 361

William Curtis
Boxthorn Japanese, Lyciym japonicum Plate 361, 1797

Roella Prickly, Roella ciliata Plate 378
By William Curtis
Located in Columbia, MO
Roella Prickly, Roella ciliata Plate 378 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches
Category

Naturalistic Late 18th Century Still-life Prints

Materials

Etching

Roella Prickly, Roella ciliata Plate 378

William Curtis
Roella Prickly, Roella ciliata Plate 378, 1797

Fig-marigold Showy, Mesembryanthem spectabile Plate 396
By William Curtis
Located in Columbia, MO
Fig-marigold Showy, Mesembryanthem spectabile Plate 396 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches
Category

Naturalistic Late 18th Century Still-life Prints

Materials

Etching

Fig-marigold Showy, Mesembryanthem spectabile Plate 396

William Curtis
Fig-marigold Showy, Mesembryanthem spectabile Plate 396, 1797

Cyrilla Scarlet-flowered, Cyrilla pulchella Plate 374
By William Curtis
Located in Columbia, MO
Cyrilla Scarlet-flowered, Cyrilla pulchella Plate 374 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches
Category

Naturalistic Late 18th Century Still-life Prints

Materials

Etching

Cyrilla Scarlet-flowered, Cyrilla pulchella Plate 374

William Curtis
Cyrilla Scarlet-flowered, Cyrilla pulchella Plate 374, 1797

Milk-vetch Montpelier, Astragalus monspessulanus Plate 375
By William Curtis
Located in Columbia, MO
Milk-vetch Montpelier, Astragalus monspessulanus Plate 375 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches
Category

Naturalistic Late 18th Century Still-life Prints

Materials

Etching

Milk-vetch Montpelier, Astragalus monspessulanus Plate 375

William Curtis
Milk-vetch Montpelier, Astragalus monspessulanus Plate 375, 1797

Corn-flag Copper coloured, Gladiolus securiger Plate 383
By William Curtis
Located in Columbia, MO
Corn-flag Copper coloured, Gladiolus securiger Plate 383 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches
Category

Naturalistic Late 18th Century Still-life Prints

Materials

Etching

Corn-flag Copper coloured, Gladiolus securiger Plate 383

William Curtis
Corn-flag Copper coloured, Gladiolus securiger Plate 383, 1797

------- Shining-leaved, Salvia formosa Plate 376
By William Curtis
Located in Columbia, MO
—– Shining-leaved, Salvia formosa Plate 376 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches
Category

Naturalistic Late 18th Century Still-life Prints

Materials

Etching

------- Shining-leaved, Salvia formosa Plate 376

William Curtis
------- Shining-leaved, Salvia formosa Plate 376, 1797

Amaryllis Waved-flowerd, Amaryllis undulatea Plate 369
By William Curtis
Located in Columbia, MO
Amaryllis Waved-flowerd, Amaryllis undulatea Plate 369 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches
Category

Naturalistic Late 18th Century Still-life Prints

Materials

Etching

Amaryllis Waved-flowerd, Amaryllis undulatea Plate 369

William Curtis
Amaryllis Waved-flowerd, Amaryllis undulatea Plate 369, 1797

Marvel of Peru Common, Mirabilis jalapa Plate 371
By William Curtis
Located in Columbia, MO
Marvel of Peru Common, Mirabilis jalapa Plate 371 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches
Category

Naturalistic Late 18th Century Still-life Prints

Materials

Etching

Marvel of Peru Common, Mirabilis jalapa Plate 371

William Curtis
Marvel of Peru Common, Mirabilis jalapa Plate 371, 1797

Heath Recurved, Erica retorta Plate 362
By William Curtis
Located in Columbia, MO
Heath Recurved, Erica retorta Plate 362 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches
Category

Naturalistic Late 18th Century Still-life Prints

Materials

Etching

Heath Recurved, Erica retorta Plate 362

William Curtis
Heath Recurved, Erica retorta Plate 362, 1797

Epidendrum Aloe-leaved, Epdendrum aloides Plate 387
By William Curtis
Located in Columbia, MO
Epidendrum Aloe-leaved, Epdendrum aloides Plate 387 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches
Category

Naturalistic Late 18th Century Still-life Prints

Materials

Etching

Epidendrum Aloe-leaved, Epdendrum aloides Plate 387

William Curtis
Epidendrum Aloe-leaved, Epdendrum aloides Plate 387, 1797

Craggula Tree, Crassula cotyledon Plate 384
By William Curtis
Located in Columbia, MO
Craggula Tree, Crassula cotyledon Plate 384 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches
Category

Naturalistic Late 18th Century Still-life Prints

Materials

Etching

Craggula Tree, Crassula cotyledon Plate 384

William Curtis
Craggula Tree, Crassula cotyledon Plate 384, 1797

Brunfelsia American, Brunfelsia americana Plate 393
By William Curtis
Located in Columbia, MO
Brunfelsia American, Brunfelsia americana Plate 393 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches
Category

Naturalistic Late 18th Century Still-life Prints

Materials

Etching

Brunfelsia American, Brunfelsia americana Plate 393

William Curtis
Brunfelsia American, Brunfelsia americana Plate 393, 1797

------- Pyramidal, ------- Pyramidalis Plate 366
By William Curtis
Located in Columbia, MO
—–---Pyramidal, -------Pyramidalis Plate 366 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches
Category

Naturalistic Late 18th Century Still-life Prints

Materials

Etching

------- Pyramidal, ------- Pyramidalis Plate 366

William Curtis
------- Pyramidal, ------- Pyramidalis Plate 366, 1797

Vervain Three-leaved, Verbena triphylla Plate 367
By William Curtis
Located in Columbia, MO
Vervain Three-leaved, Verbena triphylla Plate 367 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches
Category

Naturalistic Late 18th Century Still-life Prints

Materials

Etching

Vervain Three-leaved, Verbena triphylla Plate 367

William Curtis
Vervain Three-leaved, Verbena triphylla Plate 367, 1797

Toad-flax Clammy, Antirrhinum viscosum Plate 368
By William Curtis
Located in Columbia, MO
Toad-flax Clammy, Antirrhinum viscosum Plate 368 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches
Category

Naturalistic Late 18th Century Still-life Prints

Materials

Etching

Toad-flax Clammy, Antirrhinum viscosum Plate 368

William Curtis
Toad-flax Clammy, Antirrhinum viscosum Plate 368, 1797

Oil Lamp - Etching by Giovanni Battista Casanova - 18th Century
Located in Roma, IT
Oil Lamp is an Etching realized by Giovanni Battista Casanova (1735-1810). The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antichit...
Category

Old Masters Late 18th Century Still-life Prints

Materials

Etching

Oil Lamp - Etching by Giovanni Battista Casanova - 18th Century

Giovanni Battista Casanova
Oil Lamp - Etching by Giovanni Battista Casanova - 18th Century, 18th Century

Roman Temple With Shepard - Etching by Giussepe Aloja - 18th Century
Located in Roma, IT
Roman Temple With Shepard from "Antiquities of Herculaneum" is an etching on paper realized by Giussepe Aloja in the 18th Century. Signed on the plate. Good conditions and aged wit...
Category

Old Masters Late 18th Century Still-life Prints

Materials

Etching

Roman Temple With Shepard - Etching by Giussepe Aloja - 18th Century

Carlo Oraty
Roman Temple With Shepard - Etching by Giussepe Aloja - 18th Century, Late 18th Century

Piranesi I. / Fine Art Print / Limited
By Giovanni Battista Piranesi
Located in Slovak Republic, SK
High quality Fine Art Print, Hahnemuehle paper, limited edition, could be also delivered framed, certificate of SalamonArt, Giovanni Battista Piranesi,...
Category

Old Masters Late 18th Century Still-life Prints

Materials

Archival Pigment

Piranesi I. / Fine Art Print / Limited
Piranesi I. / Fine Art Print / Limited

Giovanni Battista Piranesi
Piranesi I. / Fine Art Print / Limited, 2020

Free Shipping
Roman Style Still - Etching by Carlo Oraty - 18th Century
Located in Roma, IT
Roman Style Still Life from "Antiquities of Herculaneum" is an etching on paper realized by Carlo Oraty in the 18th Century. Signed on the plate. Good conditions and aged with some...
Category

Old Masters Late 18th Century Still-life Prints

Materials

Etching

Roman Style Still - Etching by Carlo Oraty - 18th Century

Carlo Oraty
Roman Style Still - Etching by Carlo Oraty - 18th Century, Late 18th Century

Oil Lamp With Decoration - Etching by Giovanni Battista Casanova - 18th Century
Located in Roma, IT
Oil Lamp With Decoration is an Etching realized by Giovanni Battista Casanova (1735-1810). The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original tit...
Category

Old Masters Late 18th Century Still-life Prints

Materials

Etching

Oil Lamp With Decoration - Etching by Giovanni Battista Casanova - 18th Century

Giovanni Battista Casanova
Oil Lamp With Decoration - Etching by Giovanni Battista Casanova - 18th Century, 18th Century

Still Life Fresco With Birds - Etching by Nicola Fiorillo - 18th Century
Located in Roma, IT
Still Life Fresco With Birds from "Antiquities of Herculaneum" is an etching on paper realized by Nicola Fiorillo in the 18th Century. Signed on the plate. Good conditions with som...
Category

Old Masters Late 18th Century Still-life Prints

Materials

Etching

Still Life Fresco With Birds - Etching by Nicola Fiorillo - 18th Century

Nicola Fiorillo
Still Life Fresco With Birds - Etching by Nicola Fiorillo - 18th Century, 18th Century

Roman Temple Fresco - Etching by Carlo Oraty - 18th Century
Located in Roma, IT
Roman Temple Fresco from "Antiquities of Herculaneum" is an etching on paper realized by Carlo Oraty in the 18th Century. Signed on the plate. Good conditions. The etching belongs...
Category

Old Masters Late 18th Century Still-life Prints

Materials

Etching

Roman Temple Fresco - Etching by Carlo Oraty - 18th Century

Carlo Oraty
Roman Temple Fresco - Etching by Carlo Oraty - 18th Century, Late 18th Century

Roman Still Life Fresco - Original Etching - 18th Century
Located in Roma, IT
Roman Still Life Fresco from "Antiquities of Herculaneum" is an etching on paper realized by Various Authors in the 18th Century. Good conditions. The etching belongs to the print ...
Category

Old Masters Late 18th Century Still-life Prints

Materials

Etching

Roman Still Life Fresco - Original Etching - 18th Century

Nicola Fiorillo
Roman Still Life Fresco - Original Etching - 18th Century, 18th Century

Tragic Mask Pompeian Style - Original Etching by Nicola Fiorillo - 18th Century
Located in Roma, IT
Tragic Mask Pompeian Style from "Antiquities of Herculaneum" is an etching on paper realized by Nicola Fiorillo in the 18th Century. Signed on the plate. Good conditions. The etch...
Category

Old Masters Late 18th Century Still-life Prints

Materials

Etching

Tragic Mask Pompeian Style - Original Etching by Nicola Fiorillo - 18th Century

Nicola Fiorillo
Tragic Mask Pompeian Style - Original Etching by Nicola Fiorillo - 18th Century, 18th Century

Roman Still Life Fresco - Etching by Carlo Oraty - 18th Century
Located in Roma, IT
Roman Still Life Fresco from "Antiquities of Herculaneum" is an etching on paper realized by Carlo Oraty in the 18th Century. Signed on the plate. Good conditions with some folding...
Category

Old Masters Late 18th Century Still-life Prints

Materials

Etching

Roman Still Life Fresco - Etching by Carlo Oraty - 18th Century

Carlo Oraty
Roman Still Life Fresco - Etching by Carlo Oraty - 18th Century, Late 18th Century

Roman Still Life Fresco - Etching by Carlo Oraty - 18th Century
Located in Roma, IT
Roman Still Life Fresco from "Antiquities of Herculaneum" is an etching on paper realized by Carlo Oraty in the 18th Century. Signed on the plate. Good conditions with some folding...
Category

Old Masters Late 18th Century Still-life Prints

Materials

Etching

Roman Still Life Fresco - Etching by Carlo Oraty - 18th Century

Carlo Oraty
Roman Still Life Fresco - Etching by Carlo Oraty - 18th Century, Late 18th Century

Pompeian Style Tragedy Masks - Etching by Carlo Oraty - 18th Century
Located in Roma, IT
Pompeian Style Tragedy Masks from "Antiquities of Herculaneum" is an etching on paper realized by Carlo Oraty in the 18th Century. Signed on the plate. Good conditions with some fo...
Category

Old Masters Late 18th Century Still-life Prints

Materials

Etching

Pompeian Style Tragedy Masks - Etching by Carlo Oraty - 18th Century

Carlo Oraty
Pompeian Style Tragedy Masks - Etching by Carlo Oraty - 18th Century, Late 18th Century

Decoration With Animals - Etching by Carlo Oraty - 18th Century
Located in Roma, IT
Decoration With Animals is an Etching realized by Carlo Oraty (18th century). The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antich...
Category

Old Masters Late 18th Century Still-life Prints

Materials

Etching

Decoration With Animals - Etching by Carlo Oraty - 18th Century

Carlo Oraty
Decoration With Animals - Etching by Carlo Oraty - 18th Century, Late 18th Century

Still Life - Etching by Giacomo Casanova - 18th Century
By Giacomo Casanova
Located in Roma, IT
Still Life from "Antiquities of Herculaneum" is an etching on paper realized by Giacomo Casanova in the 18th Century. Signed on the plate. Good conditions. The etching belongs to ...
Category

Old Masters Late 18th Century Still-life Prints

Materials

Etching

Still Life - Etching by Giacomo Casanova - 18th Century

Giacomo Casanova
Still Life - Etching by Giacomo Casanova - 18th Century, 18th Century

Oil Lamp With Decoration - Etching by Giovanni Battista Casanova - 18th Century
Located in Roma, IT
Oil Lamp With Decoration is an Etching realized by Giovanni Battista Casanova (1735-1810). The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original tit...
Category

Old Masters Late 18th Century Still-life Prints

Materials

Etching

Oil Lamp With Decoration - Etching by Giovanni Battista Casanova - 18th Century

Giovanni Battista Casanova
Oil Lamp With Decoration - Etching by Giovanni Battista Casanova - 18th Century, 18th Century

Landscape With Figures and Animals - Etching by Carlo Oraty - 18th Century
Located in Roma, IT
Landscape With Figures and Animals is an Etching realized by Carlo Oraty (18th century). The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title...
Category

Old Masters Late 18th Century Still-life Prints

Materials

Etching

Landscape With Figures and Animals - Etching by Carlo Oraty - 18th Century

Carlo Oraty
Landscape With Figures and Animals - Etching by Carlo Oraty - 18th Century, Late 18th Century

Still Life - Etching by Giovanni Morghen - 18th Century
Located in Roma, IT
Still Life from "Antiquities of Herculaneum" is an etching on paper realized by Giovanni Morghen in the 18th Century. Signed on the plate. Good conditions. The etching belongs to ...
Category

Old Masters Late 18th Century Still-life Prints

Materials

Etching

Still Life - Etching by Giovanni Morghen - 18th Century

Giovanni Morghen
Still Life - Etching by Giovanni Morghen - 18th Century, 18th Century

Ancient Roman Still Life - Etching by Niccolò Cesarano - 18th Century
Located in Roma, IT
Still Life from the series "Antiquities of Herculaneum", is an etching on paper realized by Carlo Cataneo in the 18th Century. Signed on the plate. Good conditions. The etching be...
Category

Old Masters Late 18th Century Still-life Prints

Materials

Etching

Ancient Roman Still Life - Etching by Niccolò Cesarano - 18th Century

Niccolò Cesarano
Ancient Roman Still Life - Etching by Niccolò Cesarano - 18th Century, Late 18th Century

Still Life - Etching by Carlo Oraty - 18th Century
Located in Roma, IT
Still Life from "Antiquities of Herculaneum" is an etching on paper realized by Carlo Oraty in the 18th Century. Signed on the plate. Good conditions. The etching belongs to the p...
Category

Old Masters Late 18th Century Still-life Prints

Materials

Etching

Still Life - Etching by Carlo Oraty - 18th Century

Carlo Oraty
Still Life - Etching by Carlo Oraty - 18th Century, Late 18th Century

Still Life - Etching by Nicola Fiorillo - 18th Century
Located in Roma, IT
Still Life from "Antiquities of Herculaneum" is an etching on paper realized by Nicola Fiorillo in the 18th Century. Signed on the plate. Good conditions. The etching belongs to t...
Category

Old Masters Late 18th Century Still-life Prints

Materials

Etching

Still Life - Etching by Nicola Fiorillo - 18th Century

Nicola Fiorillo
Still Life - Etching by Nicola Fiorillo - 18th Century, 18th Century

Still Life - Etching by Niccolò Cesarano - 18th Century
Located in Roma, IT
Still Life from the series "Antiquities of Herculaneum", is an etching on paper realized by Niccolo Cesarano in the 18th Century. Signed on the plate. Good conditions. The etching...
Category

Old Masters Late 18th Century Still-life Prints

Materials

Etching

Still Life - Etching by Niccolò Cesarano - 18th Century

Niccolò Cesarano
Still Life - Etching by Niccolò Cesarano - 18th Century, Late 18th Century

Aquilegia Vulgaris (Common Columbine) /// Botanical Botany James Sowerby Flower
By James Sowerby
Located in Saint Augustine, FL
Artist: James Sowerby (English, 1757-1822) Title: "Aquilegia Vulgaris (Common Columbine)" (Plate 297) Portfolio: English Botany Year: 1796 Medium: Original Hand-Colored Engraving on ...
Category

Naturalistic Late 18th Century Still-life Prints

Materials

Intaglio, Watercolor, Engraving

Aquilegia Vulgaris (Common Columbine) /// Botanical Botany James Sowerby Flower
Aquilegia Vulgaris (Common Columbine) /// Botanical Botany James Sowerby Flower

James Sowerby
Aquilegia Vulgaris (Common Columbine) /// Botanical Botany James Sowerby Flower, 1796

Bouquet of Flowers
By Cornelis Ploos van Amstel
Located in New York, NY
A supberb impression of this extremely scarce and early color etching after Jan van Huysum. With the artist's ink stamp.
Category

Dutch School Late 18th Century Still-life Prints

Materials

Color, Etching

Bouquet of Flowers
Bouquet of Flowers

Cornelis Ploos van Amstel
Bouquet of Flowers, 1778

Pair of Framed Giovanni Battista Piranesi Architectural Vases Etchings C.1770
By Giovanni Battista Piranesi
Located in San Francisco, CA
Pair of Framed Giovanni Battista Piranesi Architectural Vases Etchings C.1770 Outstanding pair of antique etchings by Piranesi A Sua Eccellenz...
Category

Late 18th Century Still-life Prints

Materials

Etching

Pair of Framed Giovanni Battista Piranesi Architectural Vases Etchings C.1770
Pair of Framed Giovanni Battista Piranesi Architectural Vases Etchings C.1770

Giovanni Battista Piranesi
Pair of Framed Giovanni Battista Piranesi Architectural Vases Etchings C.1770, Circa 1770

Piranesi IV.
By Giovanni Battista Piranesi
Located in Slovak Republic, SK
Fine Art Print Hahnemuehle, editioned, Giovanni Battista Piranesi print in Verlag von AD Lehmann in Wien, end of the 19. century, SalamonArt certificate will be included.
Category

Italian School Late 18th Century Still-life Prints

Materials

Archival Pigment

Piranesi IV.
Piranesi IV.

Giovanni Battista Piranesi
Piranesi IV., 2020

No Reserve
"Lilium Persicum" Ehret 18th Century Hand Colored Botanical Engraving
By Georg Dionysius Ehret
Located in Alamo, CA
A beautiful and important 18th century hand colored copperplate engraving of lillies which was most likely designed by Georg Dionysius Ehret (1708-1770) and engraved by Johann Michae...
Category

Naturalistic Late 18th Century Still-life Prints

Materials

Engraving

"Lilium Persicum" Ehret 18th Century Hand Colored Botanical Engraving
"Lilium Persicum" Ehret 18th Century Hand Colored Botanical Engraving

Georg Dionysius Ehret
"Lilium Persicum" Ehret 18th Century Hand Colored Botanical Engraving, 1774

Piranesi VI.
By Giovanni Battista Piranesi
Located in Slovak Republic, SK
Fine Art Print Hahnemuehle, edition, Giovanni Battista Piranesi print in Verlag von Ad Lehmann in Wien, end of 19 Century.
Category

Italian School Late 18th Century Still-life Prints

Materials

Archival Pigment, Black and White

Piranesi VI.
Piranesi VI.

Giovanni Battista Piranesi
Piranesi VI.

Free Shipping
THORNTON. The Superb Lily.
By Dr. Robert John Thornton
Located in London, GB
A magnificent print by Robert John Thornton; aquatint and mezzotint, printed in colour and finished by hand, heightened with gum arabic, from The Temple of Flora...
Category

Naturalistic Late 18th Century Still-life Prints

Materials

Mezzotint, Aquatint, Handmade Paper, Engraving

THORNTON. The Superb Lily.

Dr. Robert John Thornton
THORNTON. The Superb Lily. , 1799

Presse Ludovico Mirri Mercante d’Quadri incentro al Palazzo Bernini a Roma No.42
By Marco Carloni
Located in Paonia, CO
Presse Ludovico Mirri Mercante d’Quadri incontro al Palazzo Bernini a Roma No.42 is from a series of original engravings published by Lodovico Mirri in the late 18th century and engr...
Category

Late 18th Century Still-life Prints

Materials

Engraving

Presse Ludovico Mirri Mercante d’Quadri incentro al Palazzo Bernini a Roma No.42

Marco Carloni
Presse Ludovico Mirri Mercante d’Quadri incentro al Palazzo Bernini a Roma No.42, 18th c.

Redoute Hand-colored Engraving of Cactus Flowers "Cactus Peruvianus Cierge"
By Pierre-Joseph Redouté
Located in Alamo, CA
This framed hand-colored stipple engraving entitled "Cactus Peruvianus Cierge du Pérou" by Pierre-Joseph Redouté, Plate 58 from his illustrated publication 'Plantarum Historia Succulentarum ou Histoire des Plantes Grasses', published in Paris in 1799. It depicts a branching limb of a cactus with a beautiful flower. There is a separate detail of the anatomy of a seed with early growth. Redoute was a pioneer of the stipple engraving technique, which he used to create this image. It involves utilizing a series of small dots worked into a copper plate rather than the more common lines. These dots can be made smaller or thicker depending on the degree of opacity the artist intends for various areas of the print. When inked and applied to paper, this allows for a greater portion of the paper to be seen, which accentuates the appearance of luminosity of the subject the artist is creating. Different color inks are used in the printing process, a time consuming technique known as "a la poupee". The engraving is then finished with watercolor to further enhance the beauty and realism of the print subject. This engraving of a flowering cactus is presented in silver-colored ribbed wood frame and a double mat; cream-colored outer mat and heather green inner mat. The frame measures 21.25" high by 17.25" wide by 1.13" deep. The sheet measures 19.88" high by 14" wide. There are wide margins with a few short tears and chips along the the left, right and upper edges, which are all covered by the mat. There are small spots predominantly in the margins, with a few present in the image area. The print is otherwise in very good condition. There is another Redoute flowering cactus listed on 1stdibs, LU117326853392, which is framed and matted identically to this one. The pair would make an attractive display grouping. Pierre-Joseph Redouté (1759-1840), was a painter and botanist originally from Belgium, who pursued his extremely successful artistic career in France. He is well known for his watercolor paintings of roses, lilies and other flowers and their subsequent folio-sized, color stipple engravings. Some believe him to be the greatest botanical illustrator of all time. Redouté was a favorite of the French royal court at the time and of the post French...
Category

Naturalistic Late 18th Century Still-life Prints

Materials

Engraving

Redoute Hand-colored Engraving of Cactus Flowers "Cactus Peruvianus Cierge"
Redoute Hand-colored Engraving of Cactus Flowers "Cactus Peruvianus Cierge"

Pierre-Joseph Redouté
Redoute Hand-colored Engraving of Cactus Flowers "Cactus Peruvianus Cierge", 1799

Flowering Cactus: Redoute Hand-colored Engraving "Cactus Opuntia Polyanthos"
By Pierre-Joseph Redouté
Located in Alamo, CA
This hand colored stipple engraving entitled "Cactus Opuntia Polyanthos, Cierge Raquette Multiflore" by Pierre-Joseph Redouté, Plate 59 from his illustrated publication 'Plantarum Historia Succulentarum ou Histoire des Plantes Grasses', published in Paris in 1799. Redoute was a pioneer of the stipple engraving technique, which he used to create this image. It involves utilizing a series of small dots worked into a copper plate rather than the more common lines. These dots can be made smaller or thicker depending on the degree of opacity the artist intends for various areas of the print. When inked and applied to paper, this allows for a greater portion of the paper to be seen, which accentuates the appearance of luminosity of the subject the artist is creating. Different color inks are used in the printing process, a time consuming technique known as "a la poupee". The engraving is then finished with watercolor to further enhance the beauty and realism of the print subject. This engraving of a flowering cactus is presented in a double mat; white outer mat and heather green inner mat.The mat measures 20" x 16" and the sheet measures 19.5" x 13.38". There are wide margins with a few short tears and chips along the the right and upper edges, which are all covered by the mat. There are small spots predominantly in the margins, but a few are present in the image area, but the print is otherwise in very good condition. There is another Redoute flowering cactus listed on 1stdibs, LU117326854582. The pair would make an attractive display grouping. Pierre-Joseph Redouté (1759-1840), was a painter and botanist originally from Belgium, who pursued his extremely successful artistic career in France. He is well known for his watercolor paintings of roses, lilies and other flowers and their subsequent folio-sized, color stipple engravings. Some believe him to be the greatest botanical illustrator of all time. Redouté was a favorite of the French royal court at the time and of the post French...
Category

Naturalistic Late 18th Century Still-life Prints

Materials

Engraving

Flowering Cactus: Redoute Hand-colored Engraving "Cactus Opuntia Polyanthos"
Flowering Cactus: Redoute Hand-colored Engraving "Cactus Opuntia Polyanthos"

Pierre-Joseph Redouté
Flowering Cactus: Redoute Hand-colored Engraving "Cactus Opuntia Polyanthos", 1799

BUCHOZ. A Group of Four Tulips
Located in London, GB
A Group of 4 hand-coloured engraved plates of tulips, in matching silver leaf frames. Dimensions: 34.6cm by 48.5cm. A fine group of these rare flower plates, the complete volume of 40 being part of Le Jardin d'Eden, which was intended as the supplement to the Collection des Fleurs de la Chine & de l'Europe, first published in 1776. [Paris 1781] The second half of the eighteenth century saw a boom in natural history publications in France fuelled by such works as Buffon’s Histoire Naturelle. The accession of Louis XVI in 1774 was followed by a relaxation in the regulation of the book trade making it easier for authors to publish their own works. No other writer was to take such copious advantage of these two developments as Pierre-Joseph Buchoz (1731-1807), a French physician, lawyer and naturalist. His works are characterised by the beauty of the illustrations, and their rarity owing to the small size of the print runs. The final tulip plate...
Category

Naturalistic Late 18th Century Still-life Prints

Materials

Paper, Engraving

BUCHOZ. A Group of Four Tulips
BUCHOZ. A Group of Four Tulips

Pierre Joseph Buchoz
BUCHOZ. A Group of Four Tulips, 1781

THORNTON. The Roses
By Dr. Robert John Thornton
Located in London, GB
Magnificent print by Robert John Thornton. Aquatint and mezzotint, printed in colour and finished by hand, heightened with gum arabic, from The Temple of Flora. [London 1799] First state. Thornton was a prolific medical author and Doctor of Medicine, practicing at St Andrews University and licentiate of the Royal College of Physicians. However, he is best remembered for this great botanical publication The Temple of Flora, which formed a part of the larger work - New Illustration of the Sexual system of Linnaeus. In 1797, he also began advertising for subscribers to his planned natural history publishing venture, which eventually comprised of 30 folio botanical plates. For these remarkable illustrations, he engaged the services of the leading artists and engravers of his day: Sir William Beechey, James Opie, Henry Raeburn, John Russell, Philip Reinagle and others as painters; Francesco Bartolozzi, Richard Earlom and John Landseer. Most of the images were painted by Peter Charles Henderson and Philip Reinagle. These botanical illustrations are unique as they were the first flower prints with landscape backgrounds, depicting the natural habitat of the plant. The life-size flowers stand out dramatically and the whole effect is startlingly modern. Thornton's announced intention was to make this work the most magnificent tribute ever paid to the famous Swedish botanist Linnaeus by illustrating his Sexual System with the finest possible prints. All these were engraved on a larger scale than anything which had hitherto appeared and then were printed in colour, an expensive and uncommon method in England at this time. A brilliant effect. This rare and celebrated plate of the Roses...
Category

Naturalistic Late 18th Century Still-life Prints

Materials

Mezzotint, Aquatint, Handmade Paper, Engraving

THORNTON. The Roses

Dr. Robert John Thornton
THORNTON. The Roses, 1799

THORNTON. Group of Carnations
By Dr. Robert John Thornton
Located in London, GB
Magnificent print by Robert John Thornton; aquatint and mezzotint, printed in colour and finished by hand, heightened with gum arabic, from The Temple of Flora. [London 1799] First ...
Category

Naturalistic Late 18th Century Still-life Prints

Materials

Handmade Paper, Engraving, Mezzotint, Aquatint

THORNTON. Group of Carnations

Dr. Robert John Thornton
THORNTON. Group of Carnations, 1799

Four Groups of Nine Grotesque Masks
By Alò Giovannoli
Located in London, GB
4 Groups of 9 plates of Grotesque Masks. [Published: Venanzio Monaldini, Rome, 1781]. Rare and strong impressions of etchings of grotesque masks, after...
Category

Gothic Late 18th Century Still-life Prints

Materials

Engraving, Handmade Paper, Etching

Four Groups of Nine Grotesque Masks
Four Groups of Nine Grotesque Masks

Alò Giovannoli
Four Groups of Nine Grotesque Masks, 100085

THORNTON. The Tulips.
By Dr. Robert John Thornton
Located in London, GB
Aquatint and mezzotint, printed in colours and finished by hand, heightened with gum arabic, from The Temple of Flora. Framed and glazed. London, 1...
Category

Naturalistic Late 18th Century Still-life Prints

Materials

Mezzotint, Handmade Paper, Aquatint, Engraving

THORNTON. The Tulips.

Dr. Robert John Thornton
THORNTON. The Tulips., 1799

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