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René Magritte
"Un Peu de l'ame des bandits (Something of the Bandit Spirit)" after Magritte

2011

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  • "Back Cover of "Chagall Lithographe III, " M 577, " an Original Color Lithograph
    By Marc Chagall
    Located in Milwaukee, WI
    This is the back cover of "Chagall Lithographe III," M 577". It is an original Lithograph by Marc Chagall. This print is a glorious black and red bouquet, most of the foliage is shown by black leaves and stems where as the flowers and blooms are red. Also on the top right one can see a tiny red bird. Image: 12.5 x 10 in Frame: 25.5 x 21.5 in Marc Chagall was born in Liozno, near Vitebsk, now in Belarus. The eldest of nine children in a close-knit Jewish family. His father Khatskl (Zakhar) Shagal, a herring merchant, and his mother, Feige-Ite. This period of his life, described as happy though impoverished, appears in references throughout Chagall's work. The family home on Pokrovskaya Street is now the Marc Chagall Museum. He began studying painting in 1906 with a local artist, Yehuda Pen. In 1907, he moved to St. Petersburg. There he joined the school of the Society of Art Supporters and studied under Nikolai Roerich. It was here that he was exposed to experimental theater and the work of such artists as Gauguin. From 1908-1910 Chagall studied under Leon Bakst at the Zvantseva School of Drawing and Painting. This was a difficult period for Chagall; at the time, Jewish residents were only allowed to live in St. Petersburg with a permit, and the artist was jailed for a brief period for an infringement of this restriction. Despite this, Chagall remained in St. Petersburg until 1910, and regularly visited his home town where, in 1909, he met his future wife, Bella Rosenfeld. After gaining a reputation as an artist, Chagall left St. Petersburg to settle in Paris to be near the burgeoning art community in the Montparnasse district, where he developed friendships with such avant-garde luminaries as Guillaume Apollinaire, Robert Delaunay, and Fernand Léger. In 1914, he returned to Vitebsk and, a year later, married his fiancée, Bella. While in Russia, World War I erupted and, in 1916, the Chagalls had their first child, a daughter named Ida. Chagall became an active participant in the Russian Revolution of 1917. Although the Soviet Ministry of Culture made him a Commissar of Art for the Vitebsk region, where he founded Vitebsk Museum of Modern Art and an art school, he did not fare well politically under the Soviet system. "Chagall was considered a non-person by the Soviets because he was Jewish and a painter whose work did not celebrate the heroics of the Soviet people."[6] He and his wife moved back to Paris in 1922. During this period, Chagall wrote articles, poetry and his memoirs (in Yiddish,) which were published mainly in newspapers (and only posthumously in book-form). Chagall became a French citizen in 1937. With the Nazi occupation of France during World War II and the deportation of Jews, the Chagalls fled Paris, seeking asylum at Villa Air-Bel in Marseille, where the American journalist Varian Fry assisted in their escape from France through Spain and Portugal. In 1941, the Chagalls settled in the United States where he lived until 1948 (his wife Bella died in 1944.) His wife Bella, who appears in many of his paintings, bore him one child, Ida and then died on September 2, 1944. Bella and Ida appeared in many of his early and most famous paintings. In 1945, he began a relationship with his housekeeper Virginia Haggard McNeil, with whom he had a son, David. In the 1950s, they moved to a villa in Provence. Virginia left him in 1952, and Chagall married Valentina Brodsky (whom he called "Vava"). Jewish influence: Chagall had a complex relationship with Judaism. On the one hand, he credited his Russian Jewish cultural background as being crucial to his artistic imagination. But however ambivalent he was about his religion, he could not avoid drawing upon his Jewish past for artistic material. As an adult, he was not a practicing Jew, but through his paintings and stained glass, he continually tried to suggest a more "universal message," using both Jewish and Christian themes...
    Category

    1960s Surrealist Still-life Prints

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  • "La Peine Perdue (The Wasted Effort)" Lithograph after Painting by Rene Magritte
    By René Magritte
    Located in Milwaukee, WI
    "La Peine Perdue (The Wasted Effort)" is a color lithograph after original 1962 painting by Rene Magritte. Two blue curtains are parted on either side. Two curtain shaped mirrors show a sky and clouds. A ball sits right to the left of the mirrors. Art: 12 x 9.75 in Frame: 22.75 x 20.38 in René-François-Ghislain Magritte was born November 21, 1898, in Lessines, Belgium and died on August 15, 1967 in Brussels. He is one of the most important surrealist artists. Through his art, Magritte creates humor and mystery with juxtapositions and shocking irregularities. Some of his hallmark motifs include the bourgeois “little man,” bowler hats, apples, hidden faces, and contradictory texts. René Magritte’s father was a tailor and his mother was a miller. Tragedy struck Magritte’s life when his mother committed suicide when he was only fourteen. Magritte and his two brothers were thereafter raised by their grandmother. Magritte studied at the Brussels Academy of Fine Arts from 1916 to 1918. After graduating he worked as a wallpaper designer and in advertisement. It was during this period that he married Georgette Berger, whom he had known since they were teenagers. In 1926, René Magritte signed...
    Category

    2010s Surrealist Still-life Prints

    Materials

    Lithograph

  • "Wounded Fruit, " Color Aquatint sigend by Dan Mitchell Allison
    By Dan Mitchell Allison
    Located in Milwaukee, WI
    "Wounded Fruit" is an original color aquatint by Dan Mitchell Allison. It depicts a banana behind a window with an arrow through it. There are also color names written on the piece. It recalls Rene Magritte's early surreal explorations of objects and text. The artist signed the piece in the lower right. It is edition 39/40. 15 1/2" x 19 1/2" art 22 1/4" x 26" frame Born in Houston, Texas in 1953, the printmaker and painter continues to live and work there, still remaining an integral part of the lively Houston art scene while garnering attention throughout the United States, as well as overseas. Allison's prints are included in major museum and private collections throughout the world, including the U.S., Europe and Asia. He has gained renown for his innovative painting with the surface subtleties of printmaking and has established an international reputation for printmaking that places him in league with some of the most important late 20th century artists to have worked in the print medium. Achieving worldwide critical acclaim for his printmaking, Allison was the recipient of the prestigious 1987 Grand Prix award for the 17th Biennial of Graphic Art sponsored by the Ljubljana Museum of Modern Art in the former Republic of Yugoslavia. The artist's award winning, three panel collagraphic triptych, "Between Heaven and Earth," was selected from more than 1800 entries submitted from 57 countries. Past recipients of Ljubljana print award honors include Joan Miro, Karl Appel, Jasper Johns, Robert Rauschenberg, Frank Stella, James Rosenquist, David Hockney, Victor Vasarely, Antonio Berni...
    Category

    1980s Surrealist Still-life Prints

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    Aquatint

  • "St. Sebastian in NY, " Original Aquatint signed by Dan Mitchell Allison
    By Dan Mitchell Allison
    Located in Milwaukee, WI
    "St. Sebastian in N.Y." is an original color aquating by dan Mitchell Allison. The artist signed the piece in the lower right. This piece depicts a heart/apple behind a window being assaulted by small arrows. Cactus-patterned curtains fly away from the windows and five words float in front of the entire image. This piece resembles Rene Magritte's early experiments with text-based surrealism. This piece is edition 38/40. 15 3/8" x 19 5/8" art 22 1/8" x 26 1/4" frame Born in Houston, Texas in 1953, the printmaker and painter continues to live and work there, still remaining an integral part of the lively Houston art scene while garnering attention throughout the United States, as well as overseas. Allison's prints are included in major museum and private collections throughout the world, including the U.S., Europe and Asia. He has gained renown for his innovative painting with the surface subtleties of printmaking and has established an international reputation for printmaking that places him in league with some of the most important late 20th century artists to have worked in the print medium. Achieving worldwide critical acclaim for his printmaking, Allison was the recipient of the prestigious 1987 Grand Prix award for the 17th Biennial of Graphic Art sponsored by the Ljubljana Museum of Modern Art in the former Republic of Yugoslavia. The artist's award winning, three panel collagraphic triptych, "Between Heaven and Earth," was selected from more than 1800 entries submitted from 57 countries. Past recipients of Ljubljana print award honors include Joan Miro, Karl Appel, Jasper Johns, Robert Rauschenberg, Frank Stella, James Rosenquist, David Hockney, Victor Vasarely, Antonio Berni...
    Category

    1980s Surrealist Still-life Prints

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    Aquatint

  • "Boldest Native" original lithograph signed pop art abstract hyperrealistic bold
    By Michael Knigin
    Located in Milwaukee, WI
    "Boldest Native" is an original color lithograph by Michael Knigin. This piece features a pile of apples with abstract textures. The artist signed the piece lower right and titled it...
    Category

    1980s Pop Art Still-life Prints

    Materials

    Lithograph

  • "Two Bottles & Bowl, " Original Black & White Litho. signed by Joan Gardy Artigas
    By Joan Gardy Artigas
    Located in Milwaukee, WI
    "Two Bottles & Bowl" is an original lithograph by Joan Gardy Artigas. It depicts a still life in black and white. The artist signed the piece lower right and wrote the edition number...
    Category

    Mid-20th Century Abstract Expressionist Still-life Prints

    Materials

    Lithograph

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