Pop Art Still-life Prints

This stunning work presents a captivating still life composition featuring a single high heel shoe crafted from reflective silver leather, accentuated by a striking red sole. The sho...

Joe Tilson Mnemonic Device, 1975 Silkscreen with hand coloring on Thin Bamboo Wood Sheet 21 1/4 × 19 1/2 inches Edition 96/100 Hand signed and numbered from an edition of 100 on rect...

Wild Pastels (XL) by Lee Herring [2021] original Mixed Media Image size: H:96 cm x W:98 cm Complete Size of Unframed Work: H:96 cm x W:98 cm x D:0.1cm Sold Unframed Please note that...

Roy Lichtenstein Roy Lichtenstein 1970-1980 (Hand Signed and dated by Roy Lichtenstein), 1981 Offset lithograph. Hand signed and dated in ink Hand-si...

Out of Stock - 2 Hand cut holes on reinforced Hahnemühle German Etching heavyweight Giclee print. Box framed and float mounted under museum quality no...

Paula Scher Summer, ca. 1987 Silkscreen in Colors on Rives BFK Paper. 36 × 29 3/5 inches Edition 81/190 Signed in graphite lower right margin front; numbered in graphite lower left m...

Artist: Michael Knigin, American (1942 - 2011) Title: Eye of the Storm Year: 1971 Medium: Screenprint, signed and numbered in pencil Edition: 136/200 ...

Artist: Donald Saff Medium: Etching with Aquatint, Hand signed and numbered in pencil Donald Jay Saff (born 12 December 1937) is an artist, art historian, educator, and lecturer, specializing in the fields of contemporary art in addition to American and English horology. Saff was born in Brooklyn, New York. Donald Saff began his undergraduate degree at Queens College, City University of New York, in 1955, initially envisioning a career as an electrical engineer. However, the following year Saff changed his major to art and learned printmaking, to graduate with a B.A. in 1959 and a M.A. in art history from Columbia University in 1960. In the years following, Saff was awarded a M.F.A. from Pratt Institute in 1962 and an Ed.D. in studio art and art history from Columbia University in 1964. In his early career, Saff studied with Robert Goldwater, Robert Branner, Louis Hechenbleikner, and Meyer Schapiro. Saff is primarily known for his work and collaboration with the leading artists of the late-twentieth century, including Robert Rauschenberg, Jim Dine, Roy Lichtenstein, James Rosenquist, Nancy Graves, Philip Pearlstein, and James Turrell. Saff's prolific career is the subject of Marilyn S. Kushner's book, Donald Saff: Art in Collaboration (2010). Saff began his teaching career at Queens College as a lecturer in Art History, Design, and Drawing, from 1961 to 1964. In 1965, Saff was appointed as an associate professor in the visual arts department of the University of South Florida in Tampa, Florida, and became professor and chairman of the visual arts department two years later. In 1971, Saff became the founding dean of the College of Fine Arts at U.S.F., and was awarded the rank of distinguished professor at the university in 1982. Saff was later named dean emeritus by USF in 1989, and distinguished professor emeritus in 1996. In 1999, Saff was awarded the honorary degree of Doctor of Fine Arts at U.S.F. He was appointed the Director of Capital Projects of the Solomon R. Guggenheim Foundation, New York, in 2001, followed by the appointment of Senior Curator of Prints and Drawings in 2002. In 1968, Saff founded Graphicstudio at U.S.F. through funding by a seed grant from the Florida Arts Council and community supporters; the following year, Philip Pearlstein was the first artist invited to Graphicstudio to collaborate with Saff and his team. Saff became Founding Dean of the College of Fine Arts at U.S.F. in 1971. Under Saff's directorship, Graphicstudio collaborated with artists such as James Rosenquist, Robert Rauschenberg, Richard Anuszkiewicz, Shusaku Arakawa, Jim Dine, Lee Friedlander, Nancy Graves, Ed Ruscha, and Roy Lichtenstein. The collection of Graphicstudio is archived in the National Gallery of Art in Washington, D.C. Graphicstudio was founded by Dr. Donald Saff as part of the renaissance in American printmaking in the 1960s, in the company of studios such as ULAE, Tamarind, and Gemini GEL. This renaissance brought artists involved in the Pop art movement, such as Robert Rauschenberg, James Rosenquist, and Jim Dine, together with a growing number of trained printmakers from around the world. After Saff retired from U.S.F., he continued to collaborate with these artists, as well as James Turrell, at Saff Tech Arts in Oxford, Maryland, which was established in 1991. While Saff and Rauschenberg were traveling in China, Rauschenberg conceived of the Rauschenberg Overseas Culture Interchange (ROCI) in 1982, which began in 1984 with Saff as the artistic director. Saff travelled to over twenty countries and met with poets and writers in order to decide which were the most appropriate venues for the show and prepare for Rauschenberg's visit and exhibition. In recent years, Saff has continued to lecture and write on art and the history and mechanics of nineteenth-century clocks; in particular, the work of Charles Fasoldt, in addition to the development of time distribution from the Harvard College Observatory, and the horological innovations of Richard F. Bond. He has lectured on Fasoldt for the Antiquarian Horological Association in Cincinnati, OH (2001), the National Association of Watch and Clock Collectors in Pittsburgh, PA, and Anheim, CA (2003), and at the 26th Annual Ward Francillon Time Symposium in Houston, TX (2004), among other venues. Saff continues to work with the Royal Observatory in Greenwich, collaborating with Jonathan Betts and Rory McEvoy, on the trials of Burgess Clock B. (See "Honors.") Exhibitions Saff's individual work spans across his career of collaborative art. As early as 1965, Saff produced Duino Elegies, a print suite that was published and exhibited by Martin Gordon Gallery in New York and at the Galleria Academia in Rome; it was acquired by the Library of Congress, the Brooklyn Museum, and Lessing Rosenwald. Saff also collaborated with printers Galli and Arduini in Urbino to create print suites Breezes (1969), exhibited and published by the Martin Gordon Gallery. Additionally, Saff collaborated with Galli on print suites Paradise Lost (1970) and Numbers (1972), the former printed in Tampa, FL, and exhibited at the Martin Gordon Gallery, the University of South Florida Gallery, the Toronto Art Gallery, and the Loch Haven Art Center, FL. Numbers was exhibited at Multiples Gallery, New York. In 1979, Saff produced print suite Fables that was published and exhibited by the Getler/Pall Gallery in New York, followed by the print suite Constellations (1980), which was also exhibited at the Tom Lutrell Gallery in San Francisco. In 1981, Saff had solo exhibitions of his artwork in the Galleria d'Arte Moderna in Udine, Italy, Youngstown State University, OH, the Leo Castelli Gallery, NY, and in "Recent Acquisitions" at The Museum of Modern Art, NY. Additionally, Saff had solo exhibitions at Dyansen Gallery, NY (1982), at I. Feldman Gallery, Sarasota (1983), and at Edison Community College, FL (1988). In 1989, the retrospective Donald Saff: Mixed Metaphors, 1956–1989 was held at the Tampa Museum of Art and traveled to the Virginia Beach Center for the Arts, followed by his solo exhibition Winged Metaphors: Sculpture and Prints by Donald Saff at the Barbara Gillman Gallery in Miami later that year. In 1997, Brenau University Galleries exhibits Poetics: The Work of Donald Saff in Gainesville, GA. The same year, the Tampa Museum of Art exhibited Donald Saff/Robert Rauschenberg: In Collaboration. Finally, the Academy Art Museum in Easton, MD, exhibited Donald Saff: Gravity and Constellations; Selected Works in 2006. Honors Saff was awarded a Teaching Fellowship at Queens College (1960), a Yaddo Fellowship, Saratoga Springs, NY (1963), and Fulbright Fellowship (1964) to Italy where he studied at Istituto Statale di Belle Arti. While in Urbino, Saff met lifelong friend and colleague Deli Sacilotto, with whom he would co-author Printmaking: History and Process (1978) and Screenprinting: History and Process (1979). He received the Governor's Award for the Arts from the State of Florida in 1973, and was awarded the Florida Endowment for the Arts Individual Artist Grant in 1980. In 1997, Saff was awarded the title "Printmaker Emeritus" by the 25th Southern Graphics Council Conference in Tampa, F.L. In 2002, he was appointed as Visiting Distinguished Professor of Rhode Island School of Design. In April 2015, Saff was awarded a certificate from the Guinness World Records for his work on completing the world's most accurate pendulum clock, "Clock B", which was started by Martin Burgess in 1975. The official title awarded by Guinness World Records, as "the most accurate mechanical clock with a pendulum...

A Toast to Us and Mini Saucy by Gavin Dobson [2021/22] original Cymk screen print, Glitter Image size: H:21 cm x W:29.6 cm Complete Size of Unframed Work: H:21 cm x W:29.6 cm x D:0.1cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look A classic British and food inspired diptych 'Toast to Us' and 'Mini Saucy'. Perfect to brighten up a Kitchen or Dinning Room Space. Gavin Dobson A toast to us A 5 layer hand silk screen with a final hand finished layer with pink glitter! Romantic and witty. The perfect gift idea. Wychwood Art Comment "The perfect witty and fun gift to your partner", and Mini Saucy A 5 layer hand silk screen with a final hand finished layer with red glitter! Based on the British classic...

Bananarama aka It Ain't What You Do It's The Way That You Do It by BATIK signed limited edition POP ART print Paper Size Oversize 40...

The hand tool is undoubtedly Jim Dine’s most iconic motif. Meticulously catalogued in rows like scientific specimens or sketched individually, hammers, awls, brushes, saws and screwdrivers assume a visceral symbolism. Curvilinear handles evoke the contours of limbs or bones, and even metal points and blades seem organic under Dine’s thoughtful hand. In this series of dry point prints...

Artist: (after) Roy Lichtenstein (American, 1923-1997) Title: "Palm Springs Desert Museum (Still Life with Longhorn Skull and Cactus)" Year: 1982 Medium: Original Offset-Lithograph, Exhibition Poster on smooth wove paper Limited edition: Unknown Printer: Haddad's Fine Arts Inc., Anaheim, CA Publisher: Palm Springs Desert Museum, Palm Springs, CA Reference: "Lichtenstein Posters" - Döring/Osten No. 125, page 132 Sheet size: 25" x 29" Condition: A few light handling creases center right in black margin. Two small tears to upper center edge. In otherwise very good condition with strong colors Very rare Notes: Provenance: private collection - Los Angeles, CA; acquired directly from the exhibition at Palm Springs Desert Museum, Palm Springs, CA in 1982. Poster produced for a special exhibition of Lichtenstein's work "The West as Art...

Artist: Esther Grillo Title: Howard Beach (New Park Pizza) Year: 1990 Medium: Silkscreen on Arches, signed and numbered in pencil Edition: 50 Paper Size: 30 x 22 inches (76.2 x 55.88...

Artist: Hunt Slonem, American (1951 - ) Title: Still Life Year: 1980 Medium: Serigraph, signed and numbered in pencil Edition: AP 25 Image Size: 26 x 19 inches Size: 30 in. x ...

Tom Wesselmann Still Life, 1988 Rosenthal Porcelain Object Measures 13 x 14 3/4 x 1/2 inches. Signed in lower right corner From the edition of 299, within the accompanying certificat...

Hand signed, dated and numbered by the artist. From the Six Still Lifes Series. Lithograph and screenprint on rives BFK paper. Co-published by Multiples, Inc. and Castelli Graphics, ...

Clare Halifax Big Red (waratah) Limited Edition 10 Colour Silkscreen Print Edition of 40 Image size H 15 x 21cm Sheet Size: H 22 x W 27 cm x D 0.1cm Sold Unframed Please note that in...

Hand signed and numbered by the artist. Artwork is in excellent condition. Certificate of Authenticity included. Published by AMX Art Ltd., NY and printed by A Nussbaum, NY. HC edit...

Artist: Hunt Slonem, American (1951 - ) Title: Spell III Year: 1980 Medium: Serigraph, signed and numbered in pencil Image Size: 19 x 23.5 inches Size: 22 in. x 30 in. (55.88 c...

Artist: Arman, French (1929 - 2005) Title: Yves Klein's Violins Year: 1979 Medium: Serigraph, signed and numbered in pencil Edition: 150 Size: 30 in. x 22 in. (76.2 cm x 55.88 cm)

Artist: Arman Title: Cavalcade Year: 1979 Medium: Silkscreen on Arches, signed and numbered in pencil Edition: 150, AP 30 Paper Size: 25 x 39 inches

Artist: Arman Title: Macho Year: 1979 Medium: Silkscreen on Arches, Signed and Numbered in Pencil Edition: 150, AP 30 Size: 30 in. x 22 in. (76.2 cm x 55.88 cm) (framed larger)

"Before the Mirror" 1975. Signed and numbered PP 4/5 and dated -75. Published by Multiples Inc., and Castelli Graphics, New York. Printed by Styra Studio, New York. Lithograph and screenprint with embossing. L. 89.5 x 63.5 cm, S. 108.5 x 81 cm (BFK Rives). Literature Corlett, Mary Lee. The Prints of Roy Lichtenstein. A Catalogue Raisonné. Published by New York: Hudson Hills...

2015 Screenprint in colors, on 2-ply museum board Sheet: 40 x 30 7/10 in. Edition of 35 Signed and numbered

Hand-Signed and dated Lower Right Original screenprint poster in yellow, red, blue an black on white wove paper. Designed by the artist for a traveling exhibition for the Saint Lou...

Artist: Roy Lichtenstein Title: The Oval Office (C. 277) Year: 1992 Medium: Screenprint on Rives, signed, dated and numbered in pencil Edition: 17/175 Image: 30 x 39.25 inches ...

Andy Warhol Flowers (FS II.70), 1970 silkscreen on paper 36 x 36" ed. of 250 signed in ball point pen and numbered with a rubber stamp on verso