Abstract Prints and Multiples

Artist: Alexander Calder Title: Plate 6 Portfolio: Derriere le Miroir #212 Medium: Lithograph in colors Date: 1975 Edition: Unnumbered Sheet Size: 15" x 22" Image Size: 15" x 22" Sig...

Frank Arnold is widely regarded as a leading contemporary abstract figurative painter and sculptor. Acknowledged as a living master, his art seamlessly blends personal and universal ...

Lithograph on vélin Mohawk Superfine Smooth paper. Paper Size: 11.937 x 8.96 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, In Memory of M...

Francis Tailleux was French born in Paris 1913-1981. He created his own style . He was influence by Gruber, Marchand and Tal-Coat. He ha many solo exhibitions in France, London and t...

Artist Name: Gene Davis Title: Carousel Year: 1980 Medium Type: Lithograph Size-Width Size-Height: 17" x 23" Signed Edition Size: Signed in pencil, and marked 172/250 Known for ...

This abstract limited edition print by Sofie Swann features a square pattern composition in a deep red color, with abstracted, thin black line drawings of roses within each square. T...

Artist: Tony Bechara, Puerto Rican (1942 - ) Title: Nines Year: 1979 Medium: Serigraph, signed and numbered in pencil Edition: 250, AP 35 Image Size: 19 x 19 inches Size: 27 in. x 2...

Le masque à gaz, 1971, edition of 300. Signed "Arman" in pencil l.r., numbered in pencil l.l. Lithograph in purple and gold on paper, image size 25 3/8 x 19 3/8 in. (64.3 x 49.0 cm),...

This abstract Limited Edition giclee print by Sofie Swann features thin, dark blue parallel rectangles of varying heights, each with a white and yellow bottom. A single yellow line i...

Guido Molinari’s ink blot lithograph, numbered 13/20, beautifully showcases his mastery of color and abstraction, featuring a striking blue palette on handmade paper. The various sha...

This original lithograph is one of six produced by Joan Miró especially for the fourth volume of the catalogue of his lithographs. These are excellent examples of his later work and ...

Pietro Consagra (Italian, 1920-2005). Hand signed in pencil and numbered limited edition color lithograph on Magnani paper. Embossed stamp with limited edition numbers in pencil to lower left, and having artist pencil signature to lower right. (from a limited edition of 80 with 15 artist's proofs) Published by Stamperia 2RC, Rome Italy and Marlborough Gallery, Rome, Italy. Abstract Modernist work in colors, produced in the style of the Forma art movement of Postwar Italy, of which the artist was a prominent member. Pietro Consagra (1920 – 2005) was an Italian Post war artist working in painting, printmaking and sculpture. In 1947 he was among the founding members of the Forma 1 group of artists, proponents of structured abstraction. (similar to the Art Informel and Art Brut in France and the Brutalist artists) Consagra was born on 6 October 1920 in Mazara del Vallo, in the province of Trapani in south-western Sicily, to Luigi Consagra and Maria Lentini. From 1931 he enrolled in a trade school for sailors, studying first to become a mechanic, and later to become a captain. In 1938 he moved to Palermo, where he enrolled in the liceo artistico; despite an attack of tuberculosis, he graduated in 1941, and in the same year signed up at the Accademia di Belle Arti, where he studied sculpture under Archimede Campini. After the Invasion of Sicily and the Allied occupation of Palermo in 1943, Consagra found work as a caricaturist for the American Red Cross club of the city; he also joined the Italian Communist Party. Early in 1944, armed with a letter of introduction from an American officer, he travelled to Rome. There he came into contact with the Sicilian artist Concetto Maugeri, and through him with Renato Guttuso, who was also Sicilian and who introduced him to the intellectual life of the city and to other postwar artists such as Leoncillo Leonardi, Mario Mafai and Giulio Turcato. Consagra signed up at the Accademia di Belle Arti di Roma in September 1944 and studied sculpture there under Michele Guerrisi, but left before completing his diploma. In 1947, with Carla Accardi, Ugo Attardi, Piero Dorazio, Mino Guerrini, Achille Perilli, Antonio Sanfilippo and Giulio Turcato, Consagra started the artist's group Forma 1, which advocated both Marxism and structured abstraction. Steadily Consagra's work began to find an audience. Working primarily in metal, and later in marble and wood, his thin, roughly carved reliefs, began to be collected by Peggy Guggenheim and other important patrons of the arts. He showed at the Venice Biennale eleven times between 1950 and 1993, and in 1960 won the sculpture prize at the exhibition. During the 1960s he was associated with the Continuità group, an offshoot of Forma I, and in 1967 taught at the School of Arts in Minneapolis. Large commissions allowed him to begin working on a more monumental scale, and works of his were installed in the courtyard of the Foreign Ministry in Rome and in the European Parliament, Strasbourg. His work is found in the collections of The Tate Gallery, London, in Museo Cantonale d'Arte of Lugano and the Museum of Modern Art, Paris, and the National Gallery of Art in Washington, D.C.. Consagra returned to Sicily where he sculpted a number of significant works during the 1980s. With Senator Ludovico Corrao, he helped created an open-air museum in the new town of Gibellina, after the older town had been destroyed in the earthquake of 1968. Consagra designed the gates to the town's entrance, the building named "Meeting" and the gates to the cemetery, where he was later buried. In 1952 Consagra published La necessità della scultura ("the need for sculpture"), a response to the essay La scultura lingua morta ("sculpture, a dead language"), published in 1945 by Arturo Martini. Other works include L'agguato c'è ("the snare exists", 1960), and La città frontale ("the frontal city", 1969). His autobiography, Vita Mia, was published by Feltrinelli in 1980. In 1989 a substantial retrospective exhibition of work by Consagra was shown at the Galleria Nazionale d'Arte Moderna in Rome; in 1993 a permanent exhibition of his work was installed there. In 1991 his work was shown in the Hermitage Museum in St. Petersburg. In 2002 the Galerie der Stadt Stuttgart opened a permanent exhibition of his work. He was one of ten artists invited by Giovanni Carandente, along with David Smith, Alexander Calder, Arnaldo Pomodoro, Lynn Chadwick, and Beverly Pepper, to fabricate works in Italsider factories in Italy for an outdoor exhibition, "Sculture nella città", held in Spoleto during the summer of 1962. He was included in the The 1962 International Prize for Sculpture the jury included Argan, Romero Brest and James Johnson Sweeney the former director of the Solomon R. Guggenheim Museum in New York. The participants included Louise Nevelson and John Chamberlain for the United States; Lygia Clark for Brazil; Pietro Consagra, Lucio Fontana, Nino Franchina, and Gió Pomodoro for Italy; Pablo Serrano for Spain; and Eduardo Paolozzi, William Turnbull, and Kenneth Armitage for England. Gyula Kosice, Noemí Gerstein, Julio Gero, Naum Knop...

This unframed, signed, limited edition pigment print printed on natural cotton rag paper by world renown artist Robert Kelly exists in an edition of 30 that is available as a single ...

Karl Ludwig Mordstein (1937 Füssen - 2006 Wilszhofen), Field 1983. Color etching, copy 13/65, 22.5 x 28 cm (image), 40 x 45 cm (sheet), 43 x 48 cm (frame), titled, numbered, monogram...

Thomas Nozkowski (b. 1944, Teaneck, New Jersey; d. 2019, New York) was recognized for his richly colored and intimately scaled abstract paintings, drawings, and prints that push the...

Color lithograph, edited in 1970 Limited edition of 125 copies , numbered 59/125 Hand signed by Wifredo Lam in pencil in the lower right margin paper size: 57 x 44.5 cm A copy of th...

Artist: Jules Engel, Hungarian/American (1909 - 2003) Title: Rainbow X Year: 1969-70 Medium: Acrylic on Paper, signed verso Size: 13.5 x 13.5 inches (34.3 x 34.3 cm)

An original lithograph in six colors by Henry Moore, created in 1978. It is hand signed and numbered in Roman numerals from an edition of 15 proofs, aside the edition of 50 on Rives...

Antoni tàpies, 1968 "Marron diagonal" lithography Signed and numbered by hand print run of 75 copies Catalogue Raisonné Tàpies Vol.I - Galfetti nº156

Lithograph from four aluminium plates using tusche and washes, printed in transparent red, orange and a red to orange blend, with hand colouring in ivory black watercolour and blue and green gouache. On two sheets of buff BFK Rives mould-made paper (300 gsm) Hand-signed by artist, Signed with initials and dated 1980 in pencil, in the lower left on the left-hand sheet. Numbered in pencil in the lower right, verso Published by Bernard Jacobson Ltd. Exhibition History: 'Howard Hodgkin: Views. An Exhibition of Early Prints', Bernard Jacobson Gallery, London, 02 March - 02 April 2013; 'Howard Hodgkin Recollections’, Bernard Jacobson Gallery, London, 21 April - 14 May 2022 Literature: Pat Gilmour, 'Howard Hodgkin', The Print Collector's Newsletter, vol. 12, no. 1, March-April 1981, p. 5 (ill. front cover); Deborah Phillips, 'New Editions: Howard Hodgkin', ARTnews, vol. 80, no. 7, September 1981, p. 161; 'Prints by Six British Painters: Stephen Buckley...

This original lithographic poster was created for Max Bill's 1974 exhibition at Marlborough Galerie Zürich. A leading figure in the Concrete Art movement, Bill's work is celebrated f...

This original lithograph in colours is hand signed in pencil by the artist "Miró" at the lower right corner. It is also hand numbered in pencil from the edition of 125, at the lower ...

Frank Stella Frank Stella The Circuit Prints (Hand Signed), 1988 Color offset lithograph poster (hand signed by Frank Stella) Signed and dated 88 in ink by Frank Stella directly unde...

Archival pigment ink print on paper, edition of 15 - artwork can be shipped in a tube or framed in a crate Sumit Mehndiratta is an Indian artist born in 1986 who lives & works in Ne...

Nick Thomm 'After Dark' (Blue) 69cm x 92cm (27"×36″) Limited Edition of 125 Hand Signed and Numbered #104 Archival Pigment Print on Hahnemühle 308gsm Fine Art Paper. Condition: NEW...

Artist: Charlie Hewitt, American (1946 - ) Title: Untitled - L Year: circa 1995 Medium: Woodblock, Signed and Numbered in Pencil Edition: 100 Image Size: 16 x 20 inches Size: 20 in. ...

Heavily textured abstract print in a serigraph and terragraph technique. It has a raised texture to the surface, A beautiful piece. This listing is for the one print, the cover justification sheet and the photograph are just included for provenance. This is from the limited edition of 100. Hand signed and numbered on colophon page. (They are not signed and numbered on each print) Arches paper. Dimensions: 15.75 X 15.25 These have a texture that feels like a painting. Done in Jaffa Israel based on the Hebrew Bible. Jewish, Judaica interest. Emil Schumacher is among the best-known exponents of Art Informel in Germany. His painting style, which he initially developed in the 1950s under the influence of Wols, is marked by dark, brownish black or brilliant thick red colours and a graffiti like sign language that endow the pictures the expressive character of old cracked masonry. Emil Schumacher (29 August 1912 in Hagen, Westfalen – 4 October 1999 in San José, Ibiza) was a German artist and painter. He was an important representative of abstract expressionism in post-war Germany. As an 18-year-old, Emil Schumacher undertakes a four-week-long bicycle tour to Paris, France. 1932–1935: Studies graphic design at the School of Applied Arts in Dortmund intending to become a graphic designer in advertising. 1935–1939: Independent artist without participating in exhibits. He undertakes study trips by bicycle to the Netherlands and Belgium. 1939–1945: Service obligation as draftsman in an arms factory, the Akkumulatoren–Werke of Hagen. Since 1945: Immediately after end of war, new start as independent artist. 1947: First solo exhibit in the Studio für neue Kunst. Co-founder of the artist group Junger Westen. 1954: Participates in the Willem Sandberg...

Artist: Takesada Matsutani Title: Fly Medium: Screenprint Signed: Hand Signed Edition: 13/175 Measurements: 23" x 28.5" Year: 1971 Note: This piece is sold UNFRAMED Condition:...

Alexander Calder Balloons and spirals, 1965 Lithograph in colors Unsigned as usual On light vellum 32 x 23 cm (c. 12,5 x 9 in) Published in 1965 by National Museum of Modern Art, Pa...

This abstract landscape limited edition print by Elwood Howell features a cool, green and pale blue palette. The artist's signature high horizon line forms a very slight valley at th...

A very good impression of this color aquatint on J. B. Green paper. Signed and numbered 5/50 in pencil by Motherwell. Printed by Catherine Mousley in the artist's studio, Greenwich, ...

(after) Alberto Magnelli - Composition - Pochoir Conditions: excellent 32 x 24 cm 1957 From XXe siècle, San Lazzaro Unsigned and unumbered as issued

Artist: Lloyd Fertig, American (1943 - 1995) Title: Untitled - Red Abstract Year: 1970 Medium: Screenprint, signed and numbered in pencil Edition: 100 Size: 22 in. x 22 in. (55.88 cm...

Thomas Nozkowski Untitled #5, 2008 Color etching with aquatint on Hahnemühle paper Signed, dated and numbered 5/35 in graphite pencil on the back. Bears original Deutsche Bank collec...

An abstract Lithograph by Lebadang , known as Hoi ( Vietnamese , French 1921 - 2015) of a horse in red with a hint of blue, yellow and black. The art work is signed by the artist " ...

Artist: Jean-Marie Haessle, American (1939 - ) Title: Elena's Dream Year: 1980 Medium: Serigraph, signed and numbered in pencil Edition: 295 Paper Size: 23 in. x 29 in. (58.42 cm x 7...

Artist: Helmut Barnett Medium: Mixed Media Lithograph Sheet Size: 12" x 10" Framing: Framed Condition: Excellent

This limited edition abstract landscape print by Elwood Howell features a light, serene palette. The artist's signature horizon line is high up on the canvas, with what looks like a ...

This limited edition print is an abstract landscape by Elwood Howell. Below a high horizon line, a blend of earth colors are layered together with specks of colorful shapes throughou...

This Limited Edition abstract print, "Lemon Lime Goodness," by Sofie Swann measures 50" x 40" and is an edition of 95. Printed on canvas, this gicl...

Joan Miro - I Work Like a Gardener - Original Handsigned Lithograph Year: 1964 Handsigned and numbered in pencil Edition: 2 / 30 Printer : Mourlot, Paris Dimensions: 22.5 x 23 cm Ref...

Blohm studied painting at the Academy of Fine Arts in Munich, Germany and moved to New York in 1984, later establishing a second studio in Berlin. She is in numerous international co...

"Hommage á Miró, Le Monde de Miró, Lithographies, Aquarelles, Gravures, Dessins, et Gauches 1924-1972, Gabos Art Center, Univ. Heights, Ohio. June 2-30 1974" Event Poster; After JOA...

Lithograph, 1971 Handsigned by the artist in pencil and numbered 102/150 75.50 cm. x 56.00 cm. 29.72 in. x 22.05 in. (paper) 46.00 cm. x 46.00 cm. 18.11 in. x 18.11 in. (image) Arc...

"Lithographie Originale V" is an original color lithograph by Joan Miro, published in "Miro Lithographs IV, Maeght Publisher" in 1981. It depicts Miro's signature biomorphic abstract...

Robert Kushner Paris Review, 1982 Lithograph with Deckled Edges. Hand signed and numbered 142/200 by the artist on the front 30 × 44 inches Unframed This work was part of a series o...

NEVELSON, LOUISE (1899-1988) "Dusk in August" Lithograph in colors, 1967 Signed, dated, titled, and numbered in pencil lower margin This impression is XVIII/XX Sheet Size: 17” x 22” Published by Hollander’s Workshop with their blindstamp This lithograph by Louise Nevelson was made in collaboration with eight other artists in 1967. The other artists included in this portfolio collaboration are Roy Lichtenstein, Louise Nevelson, Willem de Kooning, Robert Motherwell, Henry Pearson, Sam Francis, Richard Lindner, and Saul Steinberg. Louise Nevelson is one of American’s foremost artists, Nevelson’s sculpted wood assemblages transcended space and transformed the viewer’s perception of art. She was an American sculptor best known for her monochromatic wooden assemblages. During the 1950s, she began to create unique arrangements contained in wooden frames amassed from a range of found objects—usually woodcuts or bits of furniture—that were then painted a uniform black, white, or gold, as seen in her seminal work Royal Tide I (1960). Louise Nevelson emerged in the art world amidst the dominance of the Abstract Expressionist movement. In her most iconic works, she utilized wooden objects that she gathered from urban debris piles to create her monumental installations - a process clearly influenced by the precedent of Marcel Duchamp's found object sculptures and "readymades." Nevelson’s prints share with her sculpture an interest in silhouetted forms and the layering of elements, but distinguish themselves by their vivid color, depth and movement.. Louise Nevelson experimented in several different print mediums. A 1963 Ford Foundation grant enabled June Wayne of the Tamarind Lithography Workshop, Los Angeles, to extend an invitation to Nevelson. This initial collaboration led to twenty six lithographs, mostly black with dark blue or red, which combined hand-drawn elements with printed lace. Nevelson returned to Tamarind in 1967 to complete sixteen large scale lithographs know as Double Imagery. In these lithographs Nevelson played with landscapes of shadows and reflections using irregular shaped papers and a limited palette of black, red, grey and blue. For her brilliant compositions in varied mediums critics hailed her as the leading sculptor of the twentieth century. A pioneering grand dame of the art works, Nevelson’s iconic persona was characterized by her skilled mixing and matching of ethnic clothing...

Four Bar Rhythm, 2020 Idris Khan Screenprint in colours with varnish overlay On 410gsm Somerset Satin White paper Signed and numbered from the edition of 125 Sheet: 56 × 43.5 cm (22...

Keith Haring Mickey Mouse Bearbrick: Set of two (400% & 100%): A unique, timeless collectible trademarked & licensed by the Estate of Keith Haring. The partnered collectible reveals Keith Haring's Mickey Mouse artwork...

Artist: Elba Alvarez, Venezuelan (1944 - ) Title: Prima I Year: circa 1975 Medium: Triptych of Screenprints on Panel, Signed, Titled, and Numbered in pencil Edition: 10/25 Image Size...

Donald Sultan is an American painter, sculptor, and printmaker. He is particularly well-known for large-scale still life paintings, and one of the first to employ a wide range of ind...

Lithograph, 1966 Handsigned by the artist in pencil and annotated "Epreuve artiste" Artist proof Edition : 100+ 30 EA Publisher : Musée de Grenoble (Grenoble) Printer : Mourlot (Pari...

Lithograph, 1971 Handsigned by the artist in pencil and annotated II/XXIV Publisher : Le Soleil noir (Paris) Printer : Arte Adrien Maeght (Paris) Catalog : [Maeght 748, p.131] 47.00 ...

Etching and aquatint, 1975 Handsigned by the artist in pencil and annoted "EA" Edition : 30 ex. sur papier Japon Publisher : Editions Georges Visat (Paris) 54.50 cm. x 41.50 cm. 21....

John Kato's print, titled "Still Thinking of Her: Orange Breakfast," captures a poignant yet cheery scene. The composition centers on a cut-up orange placed ...

Seven-color lithograph , edited in 1957 Limited edition of 175 copies , numbered 83/175 in lower left Hand signed by artist in pencil in the lower right margin paper size: : 66.2 x 5...

Pedro Friedeberg signed lithograph featuring a fantastical architectural scene inspired by “Struwwelpeter.” includes whimsical figures, optical art elements, and surreal details. fra...

Lithograph, 1968 Handsigned by the artist in pencil and numbered 9/75 Publisher : XXe siècle (Paris) Printer : Mourlot (Paris) Catalog : [Schneider 68] 32.00 cm. x 26.00 cm. 12.6...

Signed, dated, titled and numbered in pencil Edition: 100 (55/100) Image: 8 x 12" Sheet: 11 x 14 3/4" Provenance: Estate of the Artist By decent

Colour lithograph on Arches paper 
Published in 1975 Limited edition of 50 copes plus 13 HC ( Hors Commerce ) Artist's signature and numbering in pencil
 Numbered copy: HC ( Hors Com...