Post-Impressionist Prints and Multiples
POSTIMPRESSIONIST STYLE
In the revolutionary wake of Impressionism, artists like Vincent van Gogh, Georges Seurat, Paul Cézanne and Paul Gauguin advanced the style further while firmly rejecting its limitations. Although the artists now associated with Postimpressionist art did not work as part of a group, they collectively employed an approach to expressing moments in time that was even more abstract than that of the Impressionists, and they shared an interest in moving away from naturalistic depictions to more subjective uses of vivid colors and light in their paintings.
The eighth and final Impressionist exhibition was held in Paris in 1886, and Postimpressionism — also spelled Post-Impressionism — is usually dated between then and 1905. The term “Postimpressionism” was coined by British curator and art critic Roger Fry in 1910 at the “Manet and the Postimpressionists” exhibition in London that connected their practices to the pioneering modernist art of Édouard Manet. Many Postimpressionist artists — most of whom lived in France — utilized thickly applied, vibrant pigments that emphasized the brushstrokes on the canvas.
The Postimpressionist movement’s iconic works of art include van Gogh’s The Starry Night (1889) and Seurat’s A Sunday on La Grande Jatte (1884). Seurat’s approach reflected the experimental spirit of Postimpressionism, as he used Pointillist dots of color that were mixed by the eye of the viewer rather than the hand of the artist. Van Gogh, meanwhile, often based his paintings on observation, yet instilled them with an emotional and personal perspective in which colors and forms did not mirror reality. Alongside Mary Cassatt, Cézanne, Henri Matisse and Gauguin, the Dutch painter was a pupil of Camille Pissarro, the groundbreaking Impressionist artist who boldly organized the first independent painting exhibitions in late-19th-century Paris.
The boundary-expanding work of the Postimpressionist painters, which focused on real-life subject matter and featured a prioritization of geometric forms, would inspire the Nabis, German Expressionism, Cubism and other modern art movements to continue to explore abstraction and challenge expectations for art.
Find a collection of original Postimpressionist paintings, mixed media, prints and other art on 1stDibs.
Style: Post-Impressionist
Color: Black
Henri Toulouse Lautrec, Original Lithograph 1897
Located in Saint Augustine, FL
Artist: Toulouse Lautrec (1864 -1901) French
Title: The Chestnut Vendor
Medium: Lithograph,
Year: 1897
Signature: Signed in Plate (TL) Lower Left
Dimensions: 20” x 17” Framed, 11” x 8.5” Unframed
A lithograph of a Toulouse Lautrec drawing...
Category
Late 19th Century Post-Impressionist Prints and Multiples
Materials
Lithograph
"Path, " Original Color Lithograph Park View signed by Harold Altman
Located in Milwaukee, WI
"Path" is an original color lithograph by Harold Altman. The artist signed the piece lower right, wrote the title of the piece in the lower center, and wrote the edition number (30/2...
Category
1990s Post-Impressionist Prints and Multiples
Materials
Lithograph
Dors mon amour
Located in New York, NY
A superb impression of this color aquatint. From an unnumbered edition of 280. Printed by Lacouriere, Paris. Published by Vollard, Paris. From "Cirque de l'Étoile Filante."
Catalogu...
Category
1930s Post-Impressionist Prints and Multiples
Materials
Color, Aquatint
"Doorway To The Garden" Contemporary Impressionist Serigraph of Provence
Located in Laguna Beach, CA
"Doorway To The Garden" is an beautiful hand pulled serigraph created from the oil painted on location in Provence by Maria Bertran. This Contemporary Impressionist painting captures...
Category
2010s Post-Impressionist Prints and Multiples
Materials
Screen
Paroles Dans un Parc
Located in San Francisco, CA
This art work titled "Paroles Dans un Parc (Words in the Park)" 1989 is an original color lithograph on Arches paper by French artist, Jean Pierre Cassigneul, born 1935. It is hand signed and inscribed E.A. (Artist Proof in French) in pencil by the artist. The image size is 22.15 x 30.25 inches, sheet size is 24.75 x 32.85 inches. It is in excellent condition, has never been framed.
About the artist:
Jean-Pierre Cassigneul is a French painter known for his serene portraits of women in hats that recall the French Post-Impressionist avant-garde, including the works of Pierre Bonnard and Edouard Vuillard. He was born on July 13, 1935, in Paris.
He studied at the École des Beaux-Arts in Paris and went on to exhibit in various group exhibitions, including the Salon d' Automne in Paris (of which he was member), the Salon de la Jeune Peinture, He exhibited at the Beaubourg Center in Paris in 1977 and solo as of 1952, on a regular basis in France but also in New York, and Tokyo and worldwide
Jean PierreCassigneul is known for his charming and extremely popular Van Dongen-influenced paintings of women in floral hats, complete with frequent allusions to other aspects of the Années Folles.
1952 First private exhibition at the Galerie Lucy Kroge in Paris aged 17.
1954 Enters into the Académie Charpentier and then decides to study under Jean Souverbie
at the Ecole des Beaux-Arts de Paris.
1955 He passes his entrance exam a year later and enrolls at the "Ecole Nationale Superieure"
des Beaux-Arts de Paris. Works in Chapelain-Midy’s studio.
1958 First exhibition at the Galerie des Beaux-Arts.
1959 Appointed member of the Salon d’Automne.
1956–1960 Instructed by the French painter Roger Chapelain-Midy.
1963 Present at the Salon de la Jeune Peinture for the first time.
1964 Private exhibition at the Galerie Tivey-Faucon, Paris.
Meets Kiyoshi Tamenaga, who becomes his art dealer for Japan.
1965 Creation of his first lithographic works.
Exhibition at the Galerie Bellechasse, Paris.
1966 Present at the International Exhibition of Figurative Art, Tokyo.
Exhibition at the Galerie Bellechasse, Paris.
1968 Exhibition at the Galerie Juarez in Palm Beach, USA.
Private exhibition at la Galerie Vital, Paris.
1969 Exhibition of lithographic works at the Mitsukoshi Gallery, Tokyo.
1970 January : Exhibition at the Wally Findlay Gallery, Palm Beach, then in New York.
First trip to Japan, where he stays for three months.
Important private exhibition at the Mitsukoshi Gallery, Tokyo.
1973 Exhibition at the Wally Findlay Gallery in Palm Beach, then in New York.
Private exhibition at the Tamenaga Gallery, Tokyo. Meets art publisher Alain Mazo.
1974 Private exhibition at the Galerie Wally Findlay, Paris, then in New York.
1975 Exhibition at the Wally Findlay Gallery, New York.
1976 Private exhibition at the Mitsukoshi Gallery, Tokyo.
Publication of the album “Parcs” by Editions Mazo-Paris.
1977 June : Private exhibition at the Galerie René Kieffer, Paris
Private show of paintings and pastels at the Galerie Wally Findlay, Paris.
1978 Retrospective exhibition of lithographic works at Vision Nouvelle.
June-July : Exhibition at the Wally Findlay Gallery, New York.
Important private showat the Mitsukoshi Gallery, Tokyo.
1980 Designs his first tapestry, executed by Atelier 3...
Category
Late 20th Century Post-Impressionist Prints and Multiples
Materials
Lithograph
L'enfant et les Violons - Fauvist Abstracted Figurative
Located in Soquel, CA
"L'enfant et les violons" - colorful signed original lithography by Theo Tobiasse (Lithuanian, 1927 - 2012). He was born in Israel of Lithuanian parents. Signed lower right. Numbered...
Category
1970s Post-Impressionist Prints and Multiples
Materials
Paper, Lithograph
"Le Lac du Bois de Boulogne" Large original color lithograph
Located in San Francisco, CA
This art work titled "Le Lac du Bois de Boulogne" 1991 is an original color lithograph on wove paper by French artist, Jean Pierre Cassigneul, born 1935. It is hand signed and numbered 7/200 in pencil by the artist. The image size is 34 x 23.5 inches, sheet size is 39 x 27.75 inches. It is in excellent condition, has never been framed.
About the artist:
Jean-Pierre Cassigneul is a French painter known for his serene portraits of women in hats that recall the French Post-Impressionist avant-garde, including the works of Pierre Bonnard and Edouard Vuillard. He was born on July 13, 1935, in Paris.
He studied at the École des Beaux-Arts in Paris and went on to exhibit in various group exhibitions, including the Salon d' Automne in Paris (of which he was member), the Salon de la Jeune Peinture, He exhibited at the Beaubourg Center in Paris in 1977 and solo as of 1952, on a regular basis in France but also in New York, and Tokyo and worldwide
Jean PierreCassigneul is known for his charming and extremely popular Van Dongen-influenced paintings of women in floral hats, complete with frequent allusions to other aspects of the Années Folles.
1952 First private exhibition at the Galerie Lucy Kroge in Paris aged 17.
1954 Enters into the Académie Charpentier and then decides to study under Jean Souverbie
at the Ecole des Beaux-Arts de Paris.
1955 He passes his entrance exam a year later and enrolls at the "Ecole Nationale Superieure"
des Beaux-Arts de Paris. Works in Chapelain-Midy’s studio.
1958 First exhibition at the Galerie des Beaux-Arts.
1959 Appointed member of the Salon d’Automne.
1956–1960 Instructed by the French painter Roger Chapelain-Midy.
1963 Present at the Salon de la Jeune Peinture for the first time.
1964 Private exhibition at the Galerie Tivey-Faucon, Paris.
Meets Kiyoshi Tamenaga, who becomes his art dealer for Japan.
1965 Creation of his first lithographic works.
Exhibition at the Galerie Bellechasse, Paris.
1966 Present at the International Exhibition of Figurative Art, Tokyo.
Exhibition at the Galerie Bellechasse, Paris.
1968 Exhibition at the Galerie Juarez in Palm Beach, USA.
Private exhibition at la Galerie Vital, Paris.
1969 Exhibition of lithographic works at the Mitsukoshi Gallery, Tokyo.
1970 January : Exhibition at the Wally Findlay Gallery, Palm Beach, then in New York.
First trip to Japan, where he stays for three months.
Important private exhibition at the Mitsukoshi Gallery, Tokyo.
1973 Exhibition at the Wally Findlay Gallery in Palm Beach, then in New York.
Private exhibition at the Tamenaga Gallery, Tokyo. Meets art publisher Alain Mazo.
1974 Private exhibition at the Galerie Wally Findlay, Paris, then in New York.
1975 Exhibition at the Wally Findlay Gallery, New York.
1976 Private exhibition at the Mitsukoshi Gallery, Tokyo.
Publication of the album “Parcs” by Editions Mazo-Paris.
1977 June : Private exhibition at the Galerie René Kieffer, Paris
Private show of paintings and pastels at the Galerie Wally Findlay, Paris.
1978 Retrospective exhibition of lithographic works at Vision Nouvelle.
June-July : Exhibition at the Wally Findlay Gallery, New York.
Important private showat the Mitsukoshi Gallery, Tokyo.
1980 Designs his first tapestry, executed by Atelier 3...
Category
Late 20th Century Post-Impressionist Prints and Multiples
Materials
Lithograph
Erinnerung (Remembrance) — Turn-of-the Century Romantic Etching
By Max Klinger
Located in Myrtle Beach, SC
Max Klinger, 'Erinnerung (Remembrance)', etching and aquatint, 1896. A fine, richly inked impression, on off white, wove paper, with full margins (1 3/4 to 3 1/8 inches), in excellen...
Category
1890s Post-Impressionist Prints and Multiples
Materials
Aquatint, Etching
"By the Woodstove, " Pola Gauguin, woodcut, figurative, nude
By Paul Rollon "Pola" Gauguin
Located in Wiscasset, ME
Born in Paris, France in 1883, Paul Rollon "Pola" Gauguin was the youngest of artist Paul Gauguin's (1848-1903) five legitimate children. Gauguin studied at the Royal Danish Academy of Fine Arts in 1905, and from 1906 to 1909 was an assistant to architects Hermann Baagøe Storck and Anton Rosen. He debuted as an artist at Blomqvist Kunsthandal and Kunstnerforbundet in Oslo in 1913, and exhibited in the Oslo Autumn Exhibition in 1914.
Gauguin started his own artist school in Oslo which he ran until 1924. He also worked as an author and critic for Dagbladet, Tidens Tegn, Verdens Gang and Ekstrabladet. Among his books are biographies of Henrik Lund, Christian Krohg...
Category
Early 20th Century Post-Impressionist Prints and Multiples
Materials
Woodcut
Composition from Derriere Le Miroir - Lithograph after George Braque - 1964
Located in Roma, IT
Composition from Derriere Le Miroir is a splendid lithograph realized after George Braque in 1964
The artwork is from Derriere Le Miroir. La Fondation Marguerite et Aimè Maeght, n.148. Printed by Ateliers de Maeght, Paris, 1964
Special issue of the magazine, published on the occasion of the inauguration of the Marguerite et Aimé Maeght Foundation...
Category
1960s Post-Impressionist Prints and Multiples
Materials
Lithograph
Bride & Groom - Fauvist Figurative Landscape
Located in Soquel, CA
Colorful Fauvist screen print of a bride and groom with flowers in front of a colorful cityscape by Zamy Steynovitz (Polish, 1951-2000). Numbered "104/...
Category
Late 20th Century Post-Impressionist Prints and Multiples
Materials
Screen, Paper, Ink
The White Horse - Lithograph - Numbered / 250
Located in Paris, FR
Paul GAUGUIN (after)
The White Horse
Stone lithograph after a painting
Printed signature in the plate
Numbered /250 copies
On vellum 76 x 56 cm (c. 30 x 22 in)
Information : This l...
Category
1970s Post-Impressionist Prints and Multiples
Materials
Lithograph
L’Ane - Original Etching and Aquatint by G. Rouault - 1927
Located in Roma, IT
L’Ane is an original lithograph, realized by Georges Rouault in 1927, hand signed, Ambroise Vollard's stamp, trial proof of the first state, printed in 10 copies.
Included a frame.
In very good conditions.
The artwork demonstrates a man-donkey creature dressed in suit formally and with a glasses.
Georges Henri Rouault (1871-1958) was a French painter, print-maker artist, his artworks are often associated with Fauvism and Expressionism. He is well-known for paintings dedicated to courts, clowns and prostitutes. He was inspired by spirituality and knowledge of medieval stained glass...
Category
1920s Post-Impressionist Prints and Multiples
Materials
Etching, Aquatint
pomegranate, Digital on Canvas
Located in Yardley, PA
abstract still life of a composition. color, spots, spring, impression, gift, mood. The composition is written under the influence of mood and the desire to produce something that co...
Category
2010s Post-Impressionist Prints and Multiples
Materials
Digital
Au Bois de Boulogne - Original Etching by H. Farge - Mid 20th Century
Located in Roma, IT
Image dimensions: 16 x 11 cm.
Au Bois de Boulogne is an original modern artwork realized in the first decades of the XX Century by the French artist Henri Farge...
Category
Mid-20th Century Post-Impressionist Prints and Multiples
Materials
Etching
Femme Affranchie A' Quatorze Heures Chante Midi - Georges Rouault
Located in Roma, IT
Signed on plate.
Edition of 450 prints, belonging to the suite “Miserere”, considered as the most important religious graphic work of XX century. The single prints, realized with a s...
Category
1940s Post-Impressionist Prints and Multiples
Materials
Etching
The Horsewoman - Original Lithograph by G. Rouault - 1926
Located in Roma, IT
Hand signed. Edition of 25 prints.
Includes passepartout : 70x50 cm
Image Dimensions : 33 x 22cm
Third state, edited in 25 pieces numbered and hand signed, the definitive one, befor...
Category
1920s Post-Impressionist Prints and Multiples
Materials
Lithograph
Jesus Sera en Agonie Jusqu'a la Fin Du Monde - Etching by G. Rouault
Located in Roma, IT
Aquatint, Drypoint, Burnisher and Roulette.
Image dimensions: 58x41 cm
Monogram on plate - final state on 5.
Edition of 450 prints, belonging to the suite “Miserere”, considered as ...
Category
1940s Post-Impressionist Prints and Multiples
Materials
Etching
Debout les Morts - Etching and Aquatint by G. Rouault - 1948
Located in Roma, IT
Debout les morts is an original etching, drypoint, burnisher and roulette realized by Georges Rouault in 1948, signed in plate, watermark Ambroise Vollard, plate 54 from “Miserere”, edition 450 copies.
Included a frame.
In very good conditions.
The artwork demonstrates three skeletons that are scared and in miserable expression, two of them in the fear of third one, who stands with a hand upward in the air.
Georges Henri Rouault (1871-1958) was a French painter, print maker artist, his artworks are often associated with Fauvism and Expressionism. He is well known for paintings dedicated to courts, clowns and prostitutes. He was inspired by spirituality and knowledge of medieval stained glass...
Category
1940s Post-Impressionist Prints and Multiples
Materials
Aquatint, Etching
Le Petit Pont ( A Lithograph from Notre Pain Quotidien)
Located in New York, NY
Maurice de Vlaminck (French 1876 - 1958), "Le Petit Pont" ( A Lithograph from Notre Pain Quotidien)" Abstract/ Post-Impressionist Lithograph, 17 x 20, Late 20th Century, 1963
Colors: Black and White
Maurice was three years old when his family moved from Paris to Vésinet. He first pursued the same musical career as his parents, who were both musicians, leaving his home as a trained double-bass player in 1892 to move to Chatou near Versailles. After absolving his military service in Vitré Maurice Vlaminck worked as a musician until he accidentally met André Derain in 1900. It was Derain who kindled Vlaminck's artistic ambitions. He decided to become a painter and rented an old hut in which he and Derain shared a studio. A crucial turning point in Vlaminck's artistic development was a visit to a van Gogh exhibition...
Category
1960s Post-Impressionist Prints and Multiples
Materials
Lithograph
"Car La Race, Became the Race..., " Woodcut on Blue Paper by Louis Lepere
Located in Milwaukee, WI
"Car La Race" is an original woodcut on blue paper by Louis Auguste LePere. It depicts a centaur capturing a nude human woman in a flurry of motion and muscle.
16" x 13 3/8" art
16...
Category
1890s Post-Impressionist Prints and Multiples
Materials
Paper, Woodcut
Des Ongles Et Du Bec
Located in Roma, IT
Edition of 450 prints, belonging to the suite “Miserere”, considered as the most important religious graphic work of XX century.
The single prints, realized with a sophisticated mixe...
Category
1940s Post-Impressionist Prints and Multiples
Materials
Etching
Nude "Torso"
Located in New York, NY
2016
Dye Sublimation Print on Aluminum
29 7/8 x 54 1/4 in.
Edition of 35, AP
Signed and numbered on the reverse
Category
2010s Post-Impressionist Prints and Multiples
Materials
Dye Transfer
Automne
Located in New York, NY
Vibrantly colorful work by Fauve master Georges Rouault from a limited unnumbered edition of 175, widely-considered the artist's most iconic printed work. Printed by Lacourière, Par...
Category
1930s Post-Impressionist Prints and Multiples
Materials
Aquatint
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The Dohány Street Synagogue (Hungarian: Dohány utcai zsinagóga / nagy zsinagóga; Hebrew: בית הכנסת הגדול של בודפשט, Bet ha-Knesset ha-Gadol shel Budapesht), also known as the Great Synagogue or Tabakgasse Synagogue, is a historical building in Erzsébetváros, the 7th district of Budapest, Hungary. It is the largest synagogue in Europe and the second largest in the world. It seats 3,000 people and is a centre of Neolog Judaism.
The synagogue was built between 1854 and 1859 in the Moorish Revival style, with the decoration based chiefly on Islamic models from North Africa and medieval Spain (the Alhambra). The synagogue's Viennese architect, Ludwig Förster, believed that no distinctively Jewish architecture could be identified, and thus chose "architectural forms that have been used by oriental ethnic groups that are related to the Israelite people, and in particular the Arabs] The interior design is partly by Frigyes Feszl.
The Dohány Street Synagogue complex consists of the Great Synagogue, the Heroes' Temple, the graveyard, the Memorial and the Jewish Museum, which was built on the site on which Theodor Herzl's house of birth stood. Dohány Street itself, a leafy street in the city center, carries strong Holocaust connotations as it constituted the border of the Budapest Ghetto. Franz Liszt and Camille Saint-Saëns played the original 5,000 pipe organ built in 1859. The Central Synagogue in Manhattan, New York City is a near-exact copy of the Dohány Street Synagogue
In the tradition of the Jewish European artists of the 19th and early 20th centuries, such as Moritz Oppenheim, Max Liebermann, Lesser Ury, Jakob Steinhardt, Jehudo Epstein...
Category
Early 20th Century Post-Impressionist Prints and Multiples
Materials
Oil, Board
Post-impressionist prints and multiples for sale on 1stDibs.
Find a wide variety of authentic Post-Impressionist prints and multiples available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add prints and multiples created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of orange, blue, purple, yellow and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Luc-Albert Moreau, Henri Matisse, (after) André Derain, and Maria Bertrán. Frequently made by artists working with Lithograph, and Etching and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Post-Impressionist prints and multiples, so small editions measuring 3.55 inches across are also available. Prices for prints and multiples made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $50 and tops out at $250,000, while the average work sells for $761.
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