Tchah-Sup Kim

Window

1977

Utamaro Kitagawa – active ca. 1753-1806 Woodblock Print title : Awabi Diver with Shell date: Showa era edition size : oban, approx. 9.5 x 14.5 in...

A miniature Indo Persian Mughal Gouache painting on antique manuscript depicting Prince Salim enthroned, the future Jahangir, fourth Mughal emperor. the figure is presented, seated...

A rare mid-19th century Phra Malai illustrated Buddhist Manuscript from Thailand, 19th century Samut khoi accordion-style folding book with lacquered paper cover, narrating the lege...

Fannie Hillsmith (1911-2007) oil on canvas,1967 Exhibited at Peridot Gallery Note : titled 'Blue Plate', numbered on back of canvas '181', signed on canvas, F. Hillsmith 67’, dim...

Acrylic and collage on Cardboard by John Urbain titled “Waverly Consort” dimensions : 20” X 15” Framed Signed and dated 1979 Exhibited several times Provenance : from the estate of...

Figure of a horse , French 1940's , on a marble base appears unsigned finely carved, beautiful rendering, nice patina

’The Parlour’ By Richard Bawden Medium - Etching Signed - Yes Edition - 33/85 Size - 775mm x 570mm Richard Bawden 1936 Painter and printmaker, born in Braintree, Essex, the son of...

Hand Coloured Photopolymer Gravure with Chine Colle on Fine Art Paper. Contemporary Photography, Photomontages, Interior Spaces, Butterfly. Work Title : "Candle" Artist : Suzanne Moxhay...

Work : Original Gravure, Handmade Artwork, Limited Edition of 15. The work is not framed. Medium : Photopolymer Gravure on Fine Art paper 300Gsm Artist : Suzanne Moxhay Subject / Ti...

Photopolymer Photogravure Etching on Fine Art paper. Interior Photography, Abandoned place, Urbex, Nature. Work Title : "Room with Armchair" Artist : Suzanne Moxhay (UK, Born 1976) The work is signed and numbered, delivred with certificate of authenticity issued by the artist. Without Frame. Image H30 x W25 cm H47 xW42 cm with white borders. Limited edition of 15. Year 2019 "I get my inspiration from the sense of place in the locations I photograph and how this can trigger certain associations with other things that I have seen or experienced ; From books, films, memories, things I have witnessed. I work very intuitively in this way and it tends to be that when I start making something it begins to follow it’s own path which might not be what I intended at the outset." The London-based artist Suzanne Moxhay, born in 1976, opens up a dreamlike world of photographs that are out of time. After studying at Chelsea College of Art and the Royal Academy Schools, she thwarted the classic codes of photography in her singular assemblages. At the heart of her practice, the collection of images allows her to build up a rich iconographic library. Be it of her own drawings and photographs, or visuals from contemporary or older works. She draws from these elements patiently cut out, extracted from their original context and then reassembled. To do this, the artist is inspired by cinematographic matte painting...

Work : Original Gravure, Handmade Artwork, Limited Edition of 15. The work is not framed. Medium : Photopolymer Gravure on Fine Art paper 300Gsm Artist : Suzanne Moxhay...

Photopolymer Photogravure Etching on Fine Art paper. Interior Photography, Romantic, Abandoned place, Nature, Window Work Title : "Open Window and Rain" Artist : Suzanne Moxhay (UK) The work is signed and numbered, delivred with certificate of authenticity issued by the artist. Without Frame. Image H21 x W29,5 cm H54 xW39 cm with white borders. Limited edition of 15. Year 2019 "I get my inspiration from the sense of place in the locations I photograph and how this can trigger certain associations with other things that I have seen or experienced ; From books, films, memories, things I have witnessed. I work very intuitively in this way and it tends to be that when I start making something it begins to follow it’s own path which might not be what I intended at the outset." The London-based artist Suzanne Moxhay, born in 1976, opens up a dreamlike world of photographs that are out of time. After studying at Chelsea College of Art and the Royal Academy Schools, she thwarted the classic codes of photography in her singular assemblages. At the heart of her practice, the collection of images allows her to build up a rich iconographic library. Be it of her own drawings and photographs, or visuals from contemporary or older works. She draws from these elements patiently cut out, extracted from their original context and then reassembled. To do this, the artist is inspired by cinematographic matte painting...