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Tracey Emin
The Kiss Was Beautiful

2012

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  • Two of a Kind by The Connor Brothers
    By The Connor Brothers
    Located in London, GB
    Giclée print on archival Canson Mi-Teinte paper 18.90 x 12.99 in (48.0 x 33.0 cm) From a limited edition of 250. This work is numbered by the artist in pencil (on recto) and signe...
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    2010s Contemporary Figurative Prints

    Materials

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  • Anish Kapoor, Breathing Blue, Offset Lithograph, 2020
    By Anish Kapoor
    Located in London, GB
    Anish Kapoor, Breathing Blue, Digital Print, 2020 Offset lithograph on 350gsm paper From a limited edition of 100. Printed artist’s name and title and numbered in pencil on the reverse. Published by the Hospital Rooms, London. Excellent, 'as new' condition. 11.81 x 16.54 in (30.0 x 42.0 cm) Notes: A beautifully vibrant piece by Sir Anish Kapoor, and one which plays right into the 'classic Kapoor' motif the artist generates by operating on the boundaries of pigment, stone and metal. Kapoor's work has always blurred the boundaries between architecture and sculpture, and his pigment pieces such as this one this continue to do so. His larger works such as his 'Cloud Gate...
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    21st Century and Contemporary Contemporary More Prints

    Materials

    Digital

  • Richard Prince, The Greeting Card Jokes #3: Canada Dry, Foil-Stamped Print, 2011
    By Richard Prince
    Located in London, GB
    Richard Prince, The Greeting Card Jokes #3: Canada Dry, Foil-Stamped Print, 2011 Foil-stamped print, on heavy wove paper, folded. As new condition, never f...
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    21st Century and Contemporary Contemporary More Prints

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  • Richard Prince, The Greeting Card Jokes #2: The Best Friend, 2011
    By Richard Prince
    Located in London, GB
    Richard Prince, The Greeting Card Jokes #2: The Best Friend, 2011 Foil-stamped print, on heavy wove paper, folded. As new condition, never framed or displayed. Hand signed and numbered by the artist, verso. Private collection (UK). From a limited edition of 100. 6.25 x 8.5 in (15.9 x 21.6 cm) Notes: Text image from Richard Prince's iconic Jokes series. Signed and numbered by the artist in ink on interior of card. Incorporating jokes reflective of the “borscht belt” humor prevalent in the 1950's, Prince's Joke works tap into social preoccupations of the national subconscious. Prior to Prince's use of the jokes, many had infiltrated popular culture, gradually losing their original authors to become adopted by a largely oral tradition. Beginning in 1984, Richard Prince began assembling one-line gag cartoons and ‘borscht belt’ jokes from the 1950's which he redrew onto small pieces of paper. "Artists were casting sculptures in bronze, making huge paintings, talking about prices and clothes and cars and spending vast amounts of money. So I wrote jokes on little pieces of paper and sold them for $10 each". Following the hand-written jokes and subsequent works in which cartoon images were silk-screened onto canvas, in 1987 Prince adopted a more radical, formulaic strategy of mechanically reproducing classic one liners and gags onto a flat monochrome canvas. Richard Prince's work has been among the most innovative art produced in the United States during the past 30 years. His deceptively simple act in 1977 of rephotographing advertising images and presenting them as his own ushered in an entirely new, critical approach to art-making — one that questioned notions of originality and the privileged status of the unique aesthetic object. Prince's technique involves appropriation; he pilfers freely from the vast image bank of popular culture to create works that simultaneously embrace and critique a quintessentially American sensibility: the Marlboro Man...
    Category

    21st Century and Contemporary Contemporary More Prints

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    Archival Paper

  • Anish Kapoor, Breathing Blue, Offset Lithograph, 2020
    By Anish Kapoor
    Located in London, GB
    Anish Kapoor, Breathing Blue, 2020 Digital print on 350gsm paper From a limited edition of 100. Printed title and name of the artist on the reverse. Pu...
    Category

    21st Century and Contemporary Contemporary More Prints

    Materials

    Offset, Digital Pigment

  • Richard Prince, The Greeting Card Jokes #1: The Fireman, 2011
    By Richard Prince
    Located in London, GB
    Richard Prince, The Greeting Card Jokes #1: The Fireman, 2011 As new condition, never framed or displayed. Hand signed and numbered by the artist, verso. Private collection (UK). Signed and numbered by artist in ink on interior of card. From a limited edition of 100. 6.25 x 8.5 in (15.9 x 21.6 cm) Notes: Incorporating jokes reflective of the “borscht belt” humor prevalent in the 1950's, Prince's Joke works tap into social preoccupations of the national subconscious. Prior to Prince's use of the jokes, many had infiltrated popular culture, gradually losing their original authors to become adopted by a largely oral tradition. Beginning in 1984, Richard Prince began assembling one-line gag cartoons and ‘borscht belt’ jokes from the 1950's which he redrew onto small pieces of paper. "Artists were casting sculptures in bronze, making huge paintings, talking about prices and clothes and cars and spending vast amounts of money. So I wrote jokes on little pieces of paper and sold them for $10 each". Following the hand-written jokes and subsequent works in which cartoon images were silk-screened onto canvas, in 1987 Prince adopted a more radical, formulaic strategy of mechanically reproducing classic one liners and gags onto a flat monochrome canvas. Richard Prince's work has been among the most innovative art produced in the United States during the past 30 years. His deceptively simple act in 1977 of rephotographing advertising images and presenting them as his own ushered in an entirely new, critical approach to art-making — one that questioned notions of originality and the privileged status of the unique aesthetic object. Prince's technique involves appropriation; he pilfers freely from the vast image bank of popular culture to create works that simultaneously embrace and critique a quintessentially American sensibility: the Marlboro Man...
    Category

    21st Century and Contemporary Contemporary More Prints

    Materials

    Archival Paper

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  • Marshall - large format photograph of iconic cherry red Cadillac automobile
    By Frank Schott
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    large scale photograph of iconic American vintage car with crimson red sheetmetal paint and custom logo tag Marshall by Frank Schott 48 x 75 inches (122 x 191cm) edition of 7 signed 25 x 40 inches (64 x 102cm) edition of 25 signed archival fine art pigment print signed & numbered by artist on certificate label Frank Schott was born in Germany where he spends nights shooting the great bands and musicians of the 80s, while attending the Academy of Arts in Cologne under Professor Arno Jansen. His early photography work focuses on beauty and fashion, later evolving to include conceptual landscapes and large scale environments, while never losing the eye for details. In 1998 Frank moves to California. He draws inspiration from the epic landscapes and distinct architecture of the American West as much as from his travels abroad. Edition EKTAlux offers an evolving curated selection of collectable large-scale photography in strictly limited editions, while working closely with each artist to guarantee state-of-the-art museum level print and framing quality. Custom / larger print sizes available on request Images can be printed with white border [ 2" L prints & 4" XL prints...
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