Vija Celmins-Spider Web-HAND SIGNED
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Vija CelminsVija Celmins-Spider Web-HAND SIGNED2009
2009
About the Item
- Creator:Vija Celmins (1939, American, Latvian)
- Creation Year:2009
- Dimensions:Height: 17.5 in (44.45 cm)Width: 19 in (48.26 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:All items can be inspected in person at our warehouse between Monday and Friday from 10am-5pm. We are located at 135 Plymouth street Suite 412, Brooklyn NY 11201. Special appointments can be made on weekends. Contact us 718\216\6432.
- Gallery Location:Brooklyn, NY
- Reference Number:Seller: LC1196-B1stDibs: LU129415286732
Vija Celmins
Visual artist Vija Celmins is renowned for her extraordinarily detailed Photorealist paintings, prints and drawings of natural phenomena, from the surface of the sea to spiderwebs.
After immigrating to the United States from Latvia with her family in the late 1940s, Celmins found herself drawn to images in American comic books. Their word balloons and narrative captions proved important to the development of her English language skills, and the books' images would also leave a lasting impression as Celmins took to drawing at a young age.
As a budding artist, Celmins studied the fine arts at the John Herron School of Art in Indiana, Yale University and UCLA, where she began drawing everyday objects found around her studio — much like the Pop artists of the era — such as a lamp and a heater as well as photographs from World War II, which haunted her early memories. She visited New York City as a student to see the works of Abstract Expressionists such as Jackson Pollock and Willem de Kooning.
Over time, Celmins developed a fascination with science and, in particular, scientific images, leading to her painting her famous natural subjects, from the night sky to the desert floor. One global event that particularly captivated her was the Apollo 11 moon landing in 1969, which provided the world with photographs of our celestial neighbor. She began drawing the surface of the moon from those images.
“The images are not from observations of nature but are ‘found images’ from old magazines, books and photos,” said Celmins. “Thus they are already flattened and a step removed from nature. My work lies between intimacy and distance.”
Celmins’s first retrospective was held at the Institute of Contemporary Art in Philadelphia in 1962. She has since been the subject of solo exhibitions at the Metropolitan Museum of Art in New York, the Centre Pompidou in Paris and the Menil Collection in Houston. Today, she lives and works in New York.
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