Pumpkin 2000
View Similar Items
Yayoi KusamaPumpkin 20002000
2000
About the Item
- Creator:Yayoi Kusama (1929, Japanese)
- Creation Year:2000
- Medium:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU470483802
Yayoi Kusama
Widely inspirational and innovative artist Yayoi Kusama has a body of work that is exceptionally varied, ranging from graphic prints and paintings to polka-dot pumpkin sculptures, hypnotic collages, large-scale installations and fashion design.
Even if you don’t know her name, you’ve likely experienced Kusama’s art — or have seen it on Instagram. Her soft sculptures and dazzling “Infinity Mirrors” are the stuff of selfie-takers’ dreams, but Kusama’s impressive decades-long career certainly holds far more cachet than it does fodder for today’s aspiring social-media influencers.
Born in Matsumoto, Japan, in 1929, Kusama has worked with her signature polka dots since the age of 10, when she began to experience vivid hallucinations and claimed that patterns and dots were moving around her, swallowing up everything in view. She started to incorporate them into her paintings as a child. Kusama saw circular forms and nets on every surface and became especially fascinated with the pebbles that lined the bottom of the creek near her childhood home. Her family was sternly opposed to her art and her mother physically abused Kusama and discouraged her at a very early age. She has suffered psychological turmoil her whole life and is vocal about her mental illness. Today, Kusama is a voluntary resident at a psychiatric facility in Tokyo, and she calls her work “art medicine.”
At the Kyoto School of Arts and Crafts, Kusama trained in Nihonga, a traditional style of Japanese painting that originated during the Meiji period. On advice she solicited from painter Georgia O'Keeffe, a pioneer of modernism in America whom she greatly admired, she subsequently moved to New York City in 1958. There, Kusama flourished, creating prescient sculptures and large-scale monochrome paintings that bridged current styles with minimalism, which hadn’t yet achieved any kind of prominence as an art movement. She pushed boundaries with her “Accumulations” series, which saw her transforming found furniture pieces into sexualized objects, as well as with an avant-garde staging of theatrical orgies on the street — both stemming from her anxieties about sex as well as an endeavor to make a feminist statement about patriarchal authority and sexism.
Kusama was captivated by Surrealists as well as the Abstract Expressionists and greatly influenced the Pop artists who followed, befriending such icons as Donald Judd — who called her work “the best paintings being done” — and Andy Warhol, with whom she exhibited and later accused of stealing her ideas. Kusama moved with ease through artistic circles and made a point to draw attention to her “otherness” as a Japanese woman by wearing kimonos to her openings.
In 2021, Kusama brought her floral and vegetal sculptures to the New York Botanical Garden and her works can be found in the collections of many of the world’s top museums, including the Museum of Modern Art in New York, the Centre Pompidou in Paris and the National Museum of Modern Art in Tokyo. She famously collaborated with Louis Vuitton in 2012, and she created a 34-foot-tall balloon for the Macy’s Thanksgiving Day Parade in Manhattan in 2019, becoming the first female artist to design a work for the event. In addition to her visual artwork, Kusama is a writer, publishing poetry, novels and an autobiography.
Find a collection of Yayoi Kusama art on 1stDibs.
- Ifafa IBy Frank StellaLocated in London, GBLithograph with varnish, 1968, with LC Varnish on Lowell paper, signed, dated and numbered from the edition of 100, published by Gemini G.E.L., Los Angeles., sheet: 41.3 x 56.8 cm. (...Category
1960s Abstract Prints
MaterialsScreen
$13,137 - Referendum '70By Frank StellaLocated in London, GBScreenprint, 1970, signed, dated and numbered an AP aside the edition of 200 (there were 15 AP in total), published by Gemini G. E. L., Los Angeles., sheet: 99.5 x 98 cm (39¼ x 38½ i...Category
1970s Abstract Geometric Abstract Prints
MaterialsScreen
- Ahab, from The Waves SeriesBy Frank StellaLocated in London, GBScreenprint, lithograph and linocut in colours with collage, marbling and hand-colouring, 1989, on T. H. Saunders and Somerset papers, signed and dated ‘88’ in pencil, numbered 'AP I...Category
1980s Abstract Abstract Prints
MaterialsLithograph, Screen
- RiallaroBy Frank StellaLocated in London, GBEtching, aquatint, collagraph, lithograph and screenprint in colours, 1995, from Frank Stella's series Imaginary Places. Titled after an imaginary archipelago in John Macmillan Brown...Category
Late 20th Century Abstract Prints
MaterialsScreen
$34,776 - York Factory IIBy Frank StellaLocated in London, GBScreenprint, 1974, on Arches Cover Black paper, signed, dated and numbered an AP aside from the edition of 100, published by Gemini G.E.L., Los Angeles., sheet: 46.9 x 112.8cm (18½ x...Category
1970s Abstract Prints
MaterialsScreen
- DespairiaBy Frank StellaLocated in London, GBOver a period of four years, Stella created a body of prints whose titles all came from ‘The Dictionary of Imaginary Places’ by Alberto Mangual and Gianni Guadalupi. Each work from t...Category
1990s Abstract Abstract Prints
MaterialsEngraving, Mezzotint, Etching, Aquatint, Lithograph, Screen
$50,232
- Untitled (Calvesi 46)By Alberto BurriLocated in New York, NY1973-1976 Screenprint in colors, on wove paper 16 3/4 x 13 5/8 in. (42.5 x 34.6 cm) Edition of 90 Signed, dated, and numbered in pencil, lower marginCategory
1970s Color-Field Abstract Prints
MaterialsPaper, Screen
Price Upon Request - A Pumpkin (T)By Yayoi KusamaLocated in New York, NY2003 Screenprint in colors, on Vérin d'Arches paper 17 7/8 x 15 1/8 in. (45.4 x 38.4 cm) Edition of 150 Signed, titled, dated, and numbered in pencil, lower margin FramedCategory
Early 2000s Pop Art Still-life Prints
MaterialsPaper, Screen
Price Upon Request - Yellow Colored PumpkinBy Yayoi KusamaLocated in New York, NY1994 Screenprint in colors, on Verin d’Arches paper Sheet: 55 x 63.5 cm Edition of 98 Signed, titled, dated, and numbered in pencil, lower margin Unframed, excellent conditionCategory
1990s Pop Art Still-life Prints
MaterialsPaper, Screen
Price Upon Request - Sweet Dreams Baby!, from 11 Pop Artists Volume III (C. 39)By Roy LichtensteinLocated in New York, NY1965 Screenprint in colors, on wove paper 37 5/8 x 27 5/8 in. (95.6 x 70.2 cm) Edition of 200 Signed and numbered in pencil, lower margin Framed, excellent conditionCategory
1960s Pop Art Figurative Prints
MaterialsPaper, Screen
- Ups and DownsBy KAWSLocated in New York, NY2013 The complete set of 10 screenprints in colors, on Saunders Waterford High White paper 35 x 23 inches, each Edition of 100 + 20AP All signed, dated and numbered in pencilCategory
2010s Pop Art Abstract Prints
MaterialsScreen
Price Upon Request - Pumpkin (2)By Yayoi KusamaLocated in New York, NY1990 Screenprint in colors, on Izumi paper Sheet: 63 x 53 cm Edition of 150 Signed, titled, dated, and numbered in pencil, lower margin Framed, excellent conditionCategory
1990s Pop Art Figurative Prints
MaterialsPaper, Screen
Price Upon Request
Recently Viewed
View AllRead More
This Hypnotic Yayoi Kusama Collage Seems to Reach beyond the Canvas
In Repetition GL.A, polka-dotted protuberances rise from a surface of rippling net. Here’s what makes the piece so rare.
Shapero Modern’s Director Tells Us All about 20th-Century Prints
Tabitha Philpott-Kent knows a lot of art multiples. Here, the London gallery director talks about what makes printmaking so fabulous.