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Sculptures For Sale
Artist: Kat Flyn
Artist: Auguste Rodin
Marriage Equality
By Kat Flyn
Located in New Orleans, LA
This work celebrates the passage of the Marriage Equality Act. Two old fashion shaving brushes represent a gay couple sanctifying their union inside a chape...
Category
21st Century and Contemporary Contemporary Sculptures
Materials
Mixed Media
Small head of the Man with the broken nose
Located in PARIS, FR
Petite tête de l'Homme au nez cassé
Small head of the Man with the broken nose
by Auguste RODIN (1840-1917)
Sketch for the Gates of Hell
Variant with symmetric neck
Bronze with blac...
Category
Early 20th Century French School Sculptures
Materials
Bronze
Nobody
By Kat Flyn
Located in New Orleans, LA
KAT FLYN is a self-taught assemblage artist working presently out of San Diego. She began her career as a costume designer in Southern California. Over the years she amassed a trove of artifacts and collectables which she began using to create assemblage art in the 1990’s. In 2000 she sold her business and moved to Cuyamaca, a remote community in the mountains outside of San Diego to devote herself exclusively to her artwork. In 2003 her work was interrupted when the Cedar Fire swept through San Diego county and destroyed the forest, her home & studio along with almost all of her collections and works of art. Following the fire she relocated to San Francisco, where she spent a decade concentrating on her art in her studio in SOMA and exhibiting at galleries in the Bay Area. In 2015 she returned to San Diego and now works out of her studio in La Jolla, exhibiting there and in Los Angeles.
Kat Flyn refers to herself as an Assemblage Sculptor and her works as Political Art or Protest Art. She separates herself from other assemblage artists in that she only employs “saved” as opposed to “found” objects in her work; and her pieces always have a political or cultural narrative to them rather than being surreal or abstract. She also constructs or refashions many of the pieces which she uses in her art, for example she turns a soft drink box...
Category
21st Century and Contemporary Contemporary Sculptures
Materials
Wood, Found Objects, Mixed Media
Wake Up
By Kat Flyn
Located in New Orleans, LA
KAT FLYN is a self-taught assemblage artist working presently out of San Diego. She began her career as a costume designer in Southern California. Over the years she amassed a trove of artifacts and collectables which she began using to create assemblage art in the 1990’s. In 2000 she sold her business and moved to Cuyamaca, a remote community in the mountains outside of San Diego to devote herself exclusively to her artwork. In 2003 her work was interrupted when the Cedar Fire swept through San Diego county and destroyed the forest, her home & studio along with almost all of her collections and works of art. Following the fire she relocated to San Francisco, where she spent a decade concentrating on her art in her studio in SOMA and exhibiting at galleries in the Bay Area. In 2015 she returned to San Diego and now works out of her studio in La Jolla, exhibiting there and in Los Angeles.
Kat Flyn refers to herself as an Assemblage Sculptor and her works as Political Art or Protest Art. She separates herself from other assemblage artists in that she only employs “saved” as opposed to “found” objects in her work; and her pieces always have a political or cultural narrative to them rather than being surreal or abstract. She also constructs or refashions many of the pieces which she uses in her art, for example she turns a soft drink box...
Category
21st Century and Contemporary Contemporary Sculptures
Materials
Wood, Found Objects, Mixed Media
American Story, Tulsa May 30, 1921
By Kat Flyn
Located in New Orleans, LA
KAT FLYN is a self-taught assemblage artist working presently out of San Diego. She began her career as a costume designer in Southern California. Over the years she amassed a trove of artifacts and collectables which she began using to create assemblage art in the 1990’s. In 2000 she sold her business and moved to Cuyamaca, a remote community in the mountains outside of San Diego to devote herself exclusively to her artwork. In 2003 her work was interrupted when the Cedar Fire swept through San Diego county and destroyed the forest, her home & studio along with almost all of her collections and works of art. Following the fire she relocated to San Francisco, where she spent a decade concentrating on her art in her studio in SOMA and exhibiting at galleries in the Bay Area. In 2015 she returned to San Diego and now works out of her studio in La Jolla, exhibiting there and in Los Angeles.
Kat Flyn refers to herself as an Assemblage Sculptor and her works as Political Art or Protest Art. She separates herself from other assemblage artists in that she only employs “saved” as opposed to “found” objects in her work; and her pieces always have a political or cultural narrative to them rather than being surreal or abstract. She also constructs or refashions many of the pieces which she uses in her art, for example she turns a soft drink box...
Category
21st Century and Contemporary Contemporary Sculptures
Materials
Wood, Found Objects, Mixed Media
American Story No.1875
By Kat Flyn
Located in New Orleans, LA
KAT FLYN is a self-taught assemblage artist working presently out of San Diego. She began her career as a costume designer in Southern California. Over the years she amassed a trove of artifacts and collectables which she began using to create assemblage art in the 1990’s. In 2000 she sold her business and moved to Cuyamaca, a remote community in the mountains outside of San Diego to devote herself exclusively to her artwork. In 2003 her work was interrupted when the Cedar Fire swept through San Diego county and destroyed the forest, her home & studio along with almost all of her collections and works of art. Following the fire she relocated to San Francisco, where she spent a decade concentrating on her art in her studio in SOMA and exhibiting at galleries in the Bay Area. In 2015 she returned to San Diego and now works out of her studio in La Jolla, exhibiting there and in Los Angeles.
Kat Flyn refers to herself as an Assemblage Sculptor and her works as Political Art or Protest Art. She separates herself from other assemblage artists in that she only employs “saved” as opposed to “found” objects in her work; and her pieces always have a political or cultural narrative to them rather than being surreal or abstract. She also constructs or refashions many of the pieces which she uses in her art, for example she turns a soft drink box...
Category
21st Century and Contemporary Contemporary Sculptures
Materials
Wood, Found Objects, Mixed Media
American Story No.1776
By Kat Flyn
Located in New Orleans, LA
KAT FLYN is a self-taught assemblage artist working presently out of San Diego. She began her career as a costume designer in Southern California. Over the years she amassed a trove of artifacts and collectables which she began using to create assemblage art in the 1990’s. In 2000 she sold her business and moved to Cuyamaca, a remote community in the mountains outside of San Diego to devote herself exclusively to her artwork. In 2003 her work was interrupted when the Cedar Fire swept through San Diego county and destroyed the forest, her home & studio along with almost all of her collections and works of art. Following the fire she relocated to San Francisco, where she spent a decade concentrating on her art in her studio in SOMA and exhibiting at galleries in the Bay Area. In 2015 she returned to San Diego and now works out of her studio in La Jolla, exhibiting there and in Los Angeles.
Kat Flyn refers to herself as an Assemblage Sculptor and her works as Political Art or Protest Art. She separates herself from other assemblage artists in that she only employs “saved” as opposed to “found” objects in her work; and her pieces always have a political or cultural narrative to them rather than being surreal or abstract. She also constructs or refashions many of the pieces which she uses in her art, for example she turns a soft drink box...
Category
21st Century and Contemporary Contemporary Sculptures
Materials
Found Objects, Mixed Media, Wood
American Story No.1921
By Kat Flyn
Located in New Orleans, LA
KAT FLYN is a self-taught assemblage artist working presently out of San Diego. She began her career as a costume designer in Southern California. Over the years she amassed a trove of artifacts and collectables which she began using to create assemblage art in the 1990’s. In 2000 she sold her business and moved to Cuyamaca, a remote community in the mountains outside of San Diego to devote herself exclusively to her artwork. In 2003 her work was interrupted when the Cedar Fire swept through San Diego county and destroyed the forest, her home & studio along with almost all of her collections and works of art. Following the fire she relocated to San Francisco, where she spent a decade concentrating on her art in her studio in SOMA and exhibiting at galleries in the Bay Area. In 2015 she returned to San Diego and now works out of her studio in La Jolla, exhibiting there and in Los Angeles.
Kat Flyn refers to herself as an Assemblage Sculptor and her works as Political Art or Protest Art. She separates herself from other assemblage artists in that she only employs “saved” as opposed to “found” objects in her work; and her pieces always have a political or cultural narrative to them rather than being surreal or abstract. She also constructs or refashions many of the pieces which she uses in her art, for example she turns a soft drink box...
Category
21st Century and Contemporary Contemporary Sculptures
Materials
Mixed Media, Wood, Found Objects
Locked & Loaded
By Kat Flyn
Located in New Orleans, LA
KAT FLYN is a self-taught assemblage artist working presently out of San Diego. She began her career as a costume designer in Southern California. Over the years she amassed a trove of artifacts and collectables which she began using to create assemblage art in the 1990’s. In 2000 she sold her business and moved to Cuyamaca, a remote community in the mountains outside of San Diego to devote herself exclusively to her artwork. In 2003 her work was interrupted when the Cedar Fire swept through San Diego county and destroyed the forest, her home & studio along with almost all of her collections and works of art. Following the fire she relocated to San Francisco, where she spent a decade concentrating on her art in her studio in SOMA and exhibiting at galleries in the Bay Area. In 2015 she returned to San Diego and now works out of her studio in La Jolla, exhibiting there and in Los Angeles.
Kat Flyn refers to herself as an Assemblage Sculptor and her works as Political Art or Protest Art. She separates herself from other assemblage artists in that she only employs “saved” as opposed to “found” objects in her work; and her pieces always have a political or cultural narrative to them rather than being surreal or abstract. She also constructs or refashions many of the pieces which she uses in her art, for example she turns a soft drink box...
Category
21st Century and Contemporary Contemporary Sculptures
Materials
Wood, Found Objects, Mixed Media
Open Carry
By Kat Flyn
Located in New Orleans, LA
KAT FLYN is a self-taught assemblage artist working presently out of San Diego. She began her career as a costume designer in Southern California. Over the years she amassed a trove of artifacts and collectables which she began using to create assemblage art in the 1990’s. In 2000 she sold her business and moved to Cuyamaca, a remote community in the mountains outside of San Diego to devote herself exclusively to her artwork. In 2003 her work was interrupted when the Cedar Fire swept through San Diego county and destroyed the forest, her home & studio along with almost all of her collections and works of art. Following the fire she relocated to San Francisco, where she spent a decade concentrating on her art in her studio in SOMA and exhibiting at galleries in the Bay Area. In 2015 she returned to San Diego and now works out of her studio in La Jolla, exhibiting there and in Los Angeles.
Kat Flyn refers to herself as an Assemblage Sculptor and her works as Political Art or Protest Art. She separates herself from other assemblage artists in that she only employs “saved” as opposed to “found” objects in her work; and her pieces always have a political or cultural narrative to them rather than being surreal or abstract. She also constructs or refashions many of the pieces which she uses in her art, for example she turns a soft drink box...
Category
21st Century and Contemporary Contemporary Sculptures
Materials
Wood, Found Objects, Mixed Media
Death of a Spirit Guide
By Kat Flyn
Located in New Orleans, LA
"This narrative questions the storyline that the wolf was the threat; but rather the Huntsman was the predator."
KAT FLYN is a self-taught assemblage artist working presently out of San Diego. She began her career as a costume designer in Southern California. Over the years she amassed a trove of artifacts and collectables which she began using to create assemblage art in the 1990’s. In 2000 she sold her business and moved to Cuyamaca, a remote community in the mountains outside of San Diego to devote herself exclusively to her artwork. In 2003 her work was interrupted when the Cedar Fire swept through San Diego county and destroyed the forest, her home & studio along with almost all of her collections and works of art. Following the fire she relocated to San Francisco, where she spent a decade concentrating on her art in her studio in SOMA and exhibiting at galleries in the Bay Area. In 2015 she returned to San Diego and now works out of her studio in La Jolla, exhibiting there and in Los Angeles.
Kat Flyn refers to herself as an Assemblage Sculptor and her works as Political Art or Protest Art. She separates herself from other assemblage artists in that she only employs “saved” as opposed to “found” objects in her work; and her pieces always have a political or cultural narrative to them rather than being surreal or abstract. She also constructs or refashions many of the pieces which she uses in her art, for example she turns a soft drink box into a tenement building in Affordable Housing 2017, a jewelry box into a wheelchair in Last Lily Foot 2016, an old shoe shine box...
Category
21st Century and Contemporary Contemporary Sculptures
Materials
Wood, Found Objects, Mixed Media
Peeping Tom
By Kat Flyn
Located in New Orleans, LA
"Modern surveillance techniques, and its impact on our right to privacy."
KAT FLYN is a self-taught assemblage artist working presently out of San Diego. She began her career as a costume designer in Southern California. Over the years she amassed a trove of artifacts and collectables which she began using to create assemblage art in the 1990’s. In 2000 she sold her business and moved to Cuyamaca, a remote community in the mountains outside of San Diego to devote herself exclusively to her artwork. In 2003 her work was interrupted when the Cedar Fire swept through San Diego county and destroyed the forest, her home & studio along with almost all of her collections and works of art. Following the fire she relocated to San Francisco, where she spent a decade concentrating on her art in her studio in SOMA and exhibiting at galleries in the Bay Area. In 2015 she returned to San Diego and now works out of her studio in La Jolla, exhibiting there and in Los Angeles.
Kat Flyn refers to herself as an Assemblage Sculptor and her works as Political Art or Protest Art. She separates herself from other assemblage artists in that she only employs “saved” as opposed to “found” objects in her work; and her pieces always have a political or cultural narrative to them rather than being surreal or abstract. She also constructs or refashions many of the pieces which she uses in her art, for example she turns a soft drink box into a tenement building in Affordable Housing 2017, a jewelry box into a wheelchair in Last Lily Foot 2016, an old shoe shine box...
Category
21st Century and Contemporary Contemporary Sculptures
Materials
Wood, Found Objects, Mixed Media
Blinded by Beauty
By Kat Flyn
Located in New Orleans, LA
"Every year around the world, thousands of animals suffer and die for Beauty product testing. Millions more animals die in other lab tests."
KAT FLYN is a self-taught assemblage artist working presently out of San Diego. She began her career as a costume designer in Southern California. Over the years she amassed a trove of artifacts and collectables which she began using to create assemblage art in the 1990’s. In 2000 she sold her business and moved to Cuyamaca, a remote community in the mountains outside of San Diego to devote herself exclusively to her artwork. In 2003 her work was interrupted when the Cedar Fire swept through San Diego county and destroyed the forest, her home & studio along with almost all of her collections and works of art. Following the fire she relocated to San Francisco, where she spent a decade concentrating on her art in her studio in SOMA and exhibiting at galleries in the Bay Area. In 2015 she returned to San Diego and now works out of her studio in La Jolla, exhibiting there and in Los Angeles.
Kat Flyn refers to herself as an Assemblage Sculptor and her works as Political Art or Protest Art. She separates herself from other assemblage artists in that she only employs “saved” as opposed to “found” objects in her work; and her pieces always have a political or cultural narrative to them rather than being surreal or abstract. She also constructs or refashions many of the pieces which she uses in her art, for example she turns a soft drink box...
Category
21st Century and Contemporary Contemporary Sculptures
Materials
Canvas, Wood, Mixed Media
Frankenstein
By Kat Flyn
Located in New Orleans, LA
"Trans Youth - Body of a boy/girl, mind of a monster, soul of an unearthly thing. Prejudice against transgender people is widespread."
KAT FLYN is a self-taught assemblage artist working presently out of San Diego. She began her career as a costume designer in Southern California. Over the years she amassed a trove of artifacts and collectables which she began using to create assemblage art in the 1990’s. In 2000 she sold her business and moved to Cuyamaca, a remote community in the mountains outside of San Diego to devote herself exclusively to her artwork. In 2003 her work was interrupted when the Cedar Fire swept through San Diego county and destroyed the forest, her home & studio along with almost all of her collections and works of art. Following the fire she relocated to San Francisco, where she spent a decade concentrating on her art in her studio in SOMA and exhibiting at galleries in the Bay Area. In 2015 she returned to San Diego and now works out of her studio in La Jolla, exhibiting there and in Los Angeles.
Kat Flyn refers to herself as an Assemblage Sculptor and her works as Political Art or Protest Art. She separates herself from other assemblage artists in that she only employs “saved” as opposed to “found” objects in her work; and her pieces always have a political or cultural narrative to them rather than being surreal or abstract. She also constructs or refashions many of the pieces which she uses in her art, for example she turns a soft drink box...
Category
21st Century and Contemporary Contemporary Sculptures
Materials
Found Objects, Wood, Mixed Media
Bus to Safe Harbor
By Kat Flyn
Located in New Orleans, LA
"With the Supreme Court's repeal of Roe v. Wade many women & girls now have to travel across state lines to exercise their reproductive rights."
KAT FLYN is a self-taught assemblage artist working presently out of San Diego. She began her career as a costume designer in Southern California. Over the years she amassed a trove of artifacts and collectables which she began using to create assemblage art in the 1990’s. In 2000 she sold her business and moved to Cuyamaca, a remote community in the mountains outside of San Diego to devote herself exclusively to her artwork. In 2003 her work was interrupted when the Cedar Fire swept through San Diego county and destroyed the forest, her home & studio along with almost all of her collections and works of art. Following the fire she relocated to San Francisco, where she spent a decade concentrating on her art in her studio in SOMA and exhibiting at galleries in the Bay Area. In 2015 she returned to San Diego and now works out of her studio in La Jolla, exhibiting there and in Los Angeles.
Kat Flyn refers to herself as an Assemblage Sculptor and her works as Political Art or Protest Art. She separates herself from other assemblage artists in that she only employs “saved” as opposed to “found” objects in her work; and her pieces always have a political or cultural narrative to them rather than being surreal or abstract. She also constructs or refashions many of the pieces which she uses in her art, for example she turns a soft drink box...
Category
21st Century and Contemporary Contemporary Sculptures
Materials
Wood, Found Objects, Mixed Media
Bride
By Kat Flyn
Located in New Orleans, LA
assemblage sculpture: old wood mantle clock box refashioned to resemble a Morocco Riad mansion, 6 antique painted skittles pins, antique photo with ...
Category
21st Century and Contemporary Contemporary Sculptures
Materials
Found Objects, Mixed Media
In the Line of Fire
By Kat Flyn
Located in New Orleans, LA
KAT FLYN is a self-taught assemblage artist working presently out of San Diego. She began her career as a costume designer in Southern California. Over the years she amassed a trove ...
Category
21st Century and Contemporary Contemporary Sculptures
Materials
Metal
Shell Game
By Kat Flyn
Located in New Orleans, LA
KAT FLYN is a self-taught assemblage artist working presently out of San Diego. She began her career as a costume designer in Southern California. Over the years she amassed a trove ...
Category
21st Century and Contemporary Contemporary Sculptures
Materials
Metal
Underwater
By Kat Flyn
Located in New Orleans, LA
KAT FLYN is a self-taught assemblage artist working presently out of San Diego. She began her career as a costume designer in Southern California. Over the years she amassed a trove ...
Category
21st Century and Contemporary Contemporary Sculptures
Materials
Wood, Mixed Media
Ozymandias
By Kat Flyn
Located in New Orleans, LA
It's not just about racism. The movement to remove statues of past slave owners is at root a battle being waged in the present about who gets to define our past's founding narrative....
Category
21st Century and Contemporary Contemporary Sculptures
Materials
Wood, Mixed Media
The Great Replacement
By Kat Flyn
Located in New Orleans, LA
KAT FLYN is a self-taught assemblage artist working presently out of San Diego. She began her career as a costume designer in Southern California. Over the years she amassed a trove ...
Category
21st Century and Contemporary Contemporary Sculptures
Materials
Wood, Mixed Media
Greek Chorus
By Kat Flyn
Located in New Orleans, LA
KAT FLYN is a self-taught assemblage artist working presently out of San Diego. She began her career as a costume designer in Southern California. Over the years she amassed a trove ...
Category
21st Century and Contemporary Contemporary Sculptures
Materials
Wood, Mixed Media
Quotas
By Kat Flyn
Located in New Orleans, LA
KAT FLYN is a self-taught assemblage artist working presently out of San Diego. She began her career as a costume designer in Southern California. Over the years she amassed a trove ...
Category
21st Century and Contemporary Contemporary Sculptures
Materials
Wood, Mixed Media
Divided We Stand
By Kat Flyn
Located in New Orleans, LA
KAT FLYN is a self-taught assemblage artist working presently out of San Diego. She began her career as a costume designer in Southern California. Over the years she amassed a trove ...
Category
21st Century and Contemporary Contemporary Sculptures
Materials
Wood, Mixed Media
Walk-ins Welcome
By Kat Flyn
Located in New Orleans, LA
KAT FLYN is a self-taught assemblage artist working presently out of San Diego. She began her career as a costume designer in Southern California. Over the years she amassed a trove ...
Category
21st Century and Contemporary Contemporary Sculptures
Materials
Wood, Mixed Media
Death of a Racist Stereotype
By Kat Flyn
Located in New Orleans, LA
assemblage sculpture: Antique large handmade wood racist “Dancing Dan” puppet with exaggerated lips and distressed clothes, handmade trumpet, old wood handmade coffin. Can be a wall object or shelf...
Category
21st Century and Contemporary Contemporary Sculptures
Materials
Mixed Media
Beyond the Wall
By Kat Flyn
Located in New Orleans, LA
Medium: Unusual antique racist carnival baseball toss game-head of racist stereotype Mexican man (hat knocks off when hit with ball), Wall constructed of wood with acrylic paintings & drawings of Mexican asylum seekers and Gandhi's shadow, vintage metal toy...
Category
21st Century and Contemporary Contemporary Sculptures
Materials
Found Objects, Mixed Media
Karen
By Kat Flyn
Located in New Orleans, LA
assemblage sculpture: Handmade old wood throne, hand carved wood puppet in old dress and boat flag sash, real pearls, vintage Rolex watch, probably fake, vintage painted pictures girls' career game pieces, handmade wood controller, antique sterling silver hand mirror...
Category
21st Century and Contemporary Contemporary Sculptures
Materials
Mixed Media
Iris little study, Auguste Rodin, Bronze, Sculpture, Modern Art, 1970's, Nudes
Located in Geneva, CH
Iris little study, Auguste Rodin, Bronze, Sculpture, Modern Art, 1970's, Nudes
Petite etude pour Iris, douzième épreuve
Ed. 12/12 pcs
1973
Bronze with brown and black patina
Marked...
Category
1970s Modern Sculptures
Materials
Bronze
Born on Third
By Kat Flyn
Located in New Orleans, LA
The title refers to the well known baseball metaphor about the advantages that come to a person in our society who is born white.
Category
21st Century and Contemporary Contemporary Sculptures
Materials
Wood, Mixed Media
All Aboard
By Kat Flyn
Located in New Orleans, LA
Systemic racism is so much easier to observe if we step back in time. In this piece, we can easily assume the central figure – the oh so very white guy – believes the scene depicted is the natural order of things. But as we move closer to today, we can see there is a slow train coming around the bend, as more and more of us recognize that the depicted scene is not the natural order of things at all, but is rather the result of cultural decisions we now know as systemic racism. All Aboard.
Category
21st Century and Contemporary Contemporary Sculptures
Materials
Wood, Mixed Media
Auguste Rodin "Main Droite Feminine" Bronze Sculpture by Alexis Rudier Foundry
Located in San Francisco, CA
Auguste Rodin French, 1840-1917
"Main Droite Feminine, doigts semi replies, annulaire leve"
Feminine Right Hand, semi-folded fingers, raised ring finger
Conceived circa 1890-1900; cast circa 1930-1940
Signed "A Rodin" on the right side of the wrist and with the foundry mark "Alexis Rudier...
Category
Early 20th Century Academic Sculptures
Materials
Bronze
Noah's Slaughterhouse
By Kat Flyn
Located in New Orleans, LA
assemblage sculpture: painted wood building refashioned out of an old seed box, constructed old wood toy boat to resemble the Ark, vintage carved & painted an...
Category
21st Century and Contemporary Contemporary Sculptures
Materials
Found Objects, Mixed Media
The Last Stand
By Kat Flyn
Located in New Orleans, LA
assemblage sculpture: wood stadium-like stands with 13 hand-carved & painted people, 1 resin & wood figure, painted reversible wood carnival game clown with one side a smile and the reverse a frown, hand-painted wood flag...
Category
21st Century and Contemporary Contemporary Sculptures
Materials
Found Objects, Mixed Media
Shooting Gallery
By Kat Flyn
Located in New Orleans, LA
This takes dead aim at how being Black in our culture is a very dangerous game. The imagery is of an old arcade shooting gallery. Throughout the 1800s, right up until the 1960s, carnival games...
Category
21st Century and Contemporary Contemporary Sculptures
Materials
Mixed Media
Room Service
By Kat Flyn
Located in New Orleans, LA
assemblage sculpture: Antique carved & painted wood racist stereotype maid holding vintage toy cap hand grenade in grenade canister used in Afghanistan
"Supreme Court Justice Louis Brandeis...
Category
21st Century and Contemporary Contemporary Sculptures
Materials
Mixed Media
The Doll House
By Kat Flyn
Located in New Orleans, LA
Kat Flyn is a self-taught assemblage artist working presently out of San Diego. She began her career as a costume designer in Southern California. Over the years she amassed a trove ...
Category
21st Century and Contemporary Contemporary Sculptures
Materials
Mixed Media
White Man's Burden
By Kat Flyn
Located in New Orleans, LA
assemblage sculpture: antique water-buffalo trophy horns with attached wood American flag crest from the Filipino/American War period (1899-1902). Large vintage rifle box...
Category
21st Century and Contemporary Contemporary Sculptures
Materials
Mixed Media
Under Repair
By Kat Flyn
Located in New Orleans, LA
assemblage sculpture: Three vintage wood handmade and jointed dancing racist stereotype figures painted as Uncle Sam, one handmade vintage painted wood stereotype cutout. Handmade painted wood American...
Category
21st Century and Contemporary Contemporary Sculptures
Materials
Mixed Media
The Science is Not Settled
By Kat Flyn
Located in New Orleans, LA
Of course, the Science is settled with regards to the connection between tobacco and lung cancer. In response to the impact this had on the tobacco industry, big corporations began v...
Category
21st Century and Contemporary Contemporary Sculptures
Materials
Mixed Media
Butch
By Kat Flyn
Located in New Orleans, LA
Here's to all the girls who risked disapproval and ridicule from their peers and parents as they shunned dolls and dresses for the toys and lives their brothers had.
---
Kat Flyn i...
Category
21st Century and Contemporary Contemporary Sculptures
Materials
Mixed Media
Hymnal (The)
By Kat Flyn
Located in New Orleans, LA
In this series, titled Ghost Portraits, an individual, long deceased, is represented through a collection of “saved” items – old photographs, a lock of hai...
Category
21st Century and Contemporary Contemporary Sculptures
Materials
Mixed Media
Being Harveyed
By Kat Flyn
Located in New Orleans, LA
This work is a crude – but of course that is the point – depiction of Harvey Weinstein's alleged serial acts of sexual harassment, assault, and even rape; acts long and shamefully ig...
Category
21st Century and Contemporary Contemporary Sculptures
Materials
Mixed Media
Fortress America
By Kat Flyn
Located in New Orleans, LA
assemblage sculpture: vintage wood fort with hand-painted graffiti, a vintage handmade wood carving of Uncle Sam & Trump, confederate flag scrap blindfold, metal chains, 4 vintage fl...
Category
21st Century and Contemporary Contemporary Sculptures
Materials
Mixed Media
The American Way
By Kat Flyn
Located in New Orleans, LA
assemblage sculpture: vintage wood boxes containing 20 vintage handmade & painted wood toy game men, vintage handheld dexterity game that reads “The American Way – Liberty and Justice for All...
Category
21st Century and Contemporary Contemporary Sculptures
Materials
Mixed Media
Trailer Park
By Kat Flyn
Located in New Orleans, LA
The election of Donald Trump placed a spotlight on lower-class white families. This work lampoons the stereotypes we often have of those families. The piece is intentionally whimsical. The point is that until we see beyond superficial (and misleading) stereotypes, we have little hope of making any progress toward solving issues related to this, or any, class of individuals.
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Kat Flyn is a self-taught assemblage artist working presently out of San Diego. She began her career as a costume designer in Southern California. Over the years she amassed a trove of artifacts and collectables, which she began using to create assemblage art in the 1990's. In 2000 she sold her business and moved to Cuyamaca, a remote community in the mountains outside of San Diego to devote herself exclusively to her artwork. In 2003 her work was interrupted when the Cedar Fire swept through San Diego county and destroyed the forest, her home & studio along with almost all of her collections and works of art. Following the fire she relocated to San Francisco, where she spent a decade concentrating on her art in her studio in SOMA and exhibiting at galleries in the Bay Area. In 2015 she returned to San Diego and now works out of her studio in La Jolla, exhibiting there and in Los Angeles.
Kat Flyn refers to herself as an Assemblage Sculptor and her works as Political Art or Protest Art. She separates herself from other assemblage artists in that she only employs “saved” as opposed to “found” objects in her work; and her pieces always have a political or cultural narrative to them rather than being surreal or abstract. She also constructs or refashions many of the pieces which she uses in her art – a soft drink box into a tenement building (Affordable Housing 2017), a jewelry box into a wheelchair (Last Lily Foot 2016), an old shoe shine box into a hearse (Katrina 2018). The result is her work is closer in appearance to Folk Art than Assemblage Art.
STATEMENT:
Strictly speaking I am an assemblage artist, but in fact I construct more than assemble my works. I search out collectables, artifacts and woodcarvings and then build scenes to make statements regarding American society. Even when using artifacts from earlier centuries, my theme is almost always about contemporary America. Social injustice, racism, sexism, and violence - aspects of our national psyche – exist in the present but have their seeds planted in our past. Additionally, the artifacts I use often are meant to amplify the meaning of the work. For instance, the Black stereotype wood figures I use in many of my pieces were almost certainly crafted by a White person. By using such artifacts I ask: what kind of society produces such items in the first place?
In my art I make a strict distinction between found objects and saved objects.. A found object - which most assemblage artists use in their works - is devoid of intrinsic or emotional value, having been discarded by its owner as worthless or broken. A saved object on the other hand has retained value, either because it was intrinsically valuable or because emotional value had been added to it (such as a photograph, an old shoe, a vintage toy) and consequently it was saved rather than discarded. The fact that I only use “saved objects” often results in viewers being attracted to the individual pieces within my works rather than seeing the narrative I am attempting to portray.
The pieces on display in this exhibit are from my American Home Series. I have assembled an array of old artifacts, carved figures, and iconic symbols, each spotlighting an aspect of living conditions within our borders; and as is consistent with my art, focus is placed on failings in our social contract – overcrowded tenements, trailer parks...
Category
21st Century and Contemporary Contemporary Sculptures
Materials
Mixed Media
Visitors
By Kat Flyn
Located in New Orleans, LA
assemblage sculpture: old wood dugout made from an antique stool, hand-painted graffiti on all sides & back & roof under old wood painted and distressed scoreboard with graffiti bench inside.
"I like using baseball...
Category
21st Century and Contemporary Contemporary Sculptures
Materials
Mixed Media
Washerwoman's Daughter
By Kat Flyn
Located in New Orleans, LA
This work pays homage to the sacrifices that were made – especially by African-American women working menial labor jobs – so that the next generation could have a chance for a better...
Category
21st Century and Contemporary Contemporary Sculptures
Materials
Mixed Media
The Wall
By Kat Flyn
Located in New Orleans, LA
This work references “The Wall” that Trump made a central part of his campaign for president and which, at the date of this piece's completion, still looms large in his demands for i...
Category
21st Century and Contemporary Contemporary Sculptures
Materials
Mixed Media
The Greatest Show On Earth
By Kat Flyn
Located in New Orleans, LA
It is a sign of an unhealthy society when fringe personalities are increasingly found not on the fringe but in its mainstream. They bring with them ignorance, prejudice, and irration...
Category
21st Century and Contemporary Contemporary Sculptures
Materials
Found Objects, Mixed Media
Hail Mary
By Kat Flyn
Located in New Orleans, LA
I am paying homage to all those Black single parent moms who work menial jobs, often more than one, so their children can have a better life…Saints.
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Kat Flyn is a self-taught a...
Category
21st Century and Contemporary Contemporary Sculptures
Materials
Mixed Media
Sentinel Species
By Kat Flyn
Located in New Orleans, LA
It is now 2020 and Covid-19 is loose in the world. Medical personnel are our first line of defense against this out-of-control pandemic. We seem able to provide weapons and protective gear for the police as they battle protestors, who are marching against racial injustice, but not able to provide PPE clothing and other medical equipment...
Category
21st Century and Contemporary Contemporary Sculptures
Materials
Mixed Media
It's Only a Game
By Kat Flyn
Located in New Orleans, LA
Medium: very old hand-carved bat, old handmade ball, hand-carved wood toy plane, Old wood handmade toolbox, one photo of young men gathered to play baseball ...
Category
21st Century and Contemporary Contemporary Sculptures
Materials
Found Objects, Mixed Media
Repressed Memories
By Kat Flyn
Located in New Orleans, LA
assemblage sculpture: Hand carved wood woman tied to hand carved staff of woman with snake used as handle of old wood toolbox, old rolls of string, twine & rope, hand made wood & gesso articulated man...
Category
21st Century and Contemporary Contemporary Sculptures
Materials
Mixed Media
Street Walker
By Kat Flyn
Located in New Orleans, LA
Much has been written about women who walk the streets looking for men to pay them for sex. Is this anyone's first career choice? A Victorian corset a...
Category
21st Century and Contemporary Contemporary Sculptures
Materials
Mixed Media
Hard Time
By Kat Flyn
Located in New Orleans, LA
Mass Incarceration has become a civil rights issue in our country. People of color are dramatically overrepresented in our prison system, mainly due to nonviolent crimes stemming fro...
Category
21st Century and Contemporary Contemporary Sculptures
Materials
Mixed Media
Lady Parts
By Kat Flyn
Located in New Orleans, LA
This work is fashioned as a cash register, including brothel coins, to signify how our culture cashes in on the female anatomy. (Note: It includes a Playboy Bunny Manual from the 196...
Category
21st Century and Contemporary Contemporary Sculptures
Materials
Mixed Media
Nude, Abstract and Figurative Sculptures for Sale
The history of sculpture as we know it is believed to have origins in Ancient Greece, while small sculptural carvings are among the most common examples of prehistoric art. In short, sculpture as a fine art has been with us forever. A powerful three-dimensional means of creative expression, sculpture has long been most frequently associated with religion — consider the limestone Great Sphinx in Giza, Egypt — while the tradition of collecting sculpture, which has also been traced back to Greece as well as to China, far precedes the emergence of museums.
Technique and materials in sculpture have changed over time. Stone sculpture, which essentially began as images carved into cave walls, is as old as human civilization itself. The majority of surviving sculpted works from ancient cultures are stone. Traditionally, this material and pottery as well as metal — bronze in particular — were among the most common materials associated with this field of visual art. Artists have long sought new ways and materials in order to make sculptures and express their ideas. Material, after all, is the vehicle through which artists express themselves, or at least work out the problems knocking around in their heads. It also allows them to push the boundaries of form, subverting our expectations and upending convention. As an influential sculptor as much as he was a revolutionary painter and printmaker, Pablo Picasso worked with everything from wire to wood to bicycle seats.
If you are a lover of art and antiques or are thinking of bringing a work of sculpture into your home for the first time, there are several details to keep in mind. As with all other works of art, think about what you like. What speaks to you? Visit local galleries and museums. Take in works of public art and art fairs when you can and find out what kind of sculpture you like. When you’ve come to a decision about a specific work, try to find out all you can about the piece, and if you’re not buying from a sculptor directly, work with an art expert to confirm the work’s authenticity.
And when you bring your sculpture home, remember: No matter how big or small your new addition is, it will make a statement in your space. Large- and even medium-sized sculptures can be heavy, so hire some professional art handlers as necessary and find a good place in your home for your piece. Whether you’re installing a towering new figurative sculpture — a colorful character by KAWS or hyperreal work by Carole A. Feuerman, perhaps — or an abstract work by Won Lee, you’ll want the sculpture to be safe from being knocked over. (You’ll find that most sculptures should be displayed at eye level, while some large busts look best from below.)
On 1stDibs, find a broad range of exceptional sculptures for sale. Browse works by your favorite creator, style, period or other attribute.
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