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Sculptures For Sale
Artist: Nicholas Crombach
Artist: Auguste Rodin
Old Bitch 2/8 - small, rustic, figurative, female cow, bronze interior sculpture
Located in Bloomfield, ON
"Old Bitch" figures the female cow in posture that could be interpreted as either playful and canine-like, or troublingly docile and submissive. Relying on traditional skills of repr...
Category

2010s Contemporary Sculptures

Materials

Bronze

Espalier: Candelabrum
Located in Montreal, Quebec
Nicholas Crombach (BFA, 2012) is an artist working in Kingston Ontario. Crombach has been awarded the Elizabeth Greenshields Foundation Award. His solo exhibition, Behind Elegantly Carved Wooden Doors, was presented at Art Mûr...
Category

2010s Contemporary Sculptures

Materials

Stone, Metal

Boar Mount
Located in Montreal, Quebec
Nicholas Crombach is interested in the complex interactions between humans and animals. Using sporting and hunting as markers of longstanding traditions of both adversarial and collaborative relationships between humans and animals, Crombach examines the cultural significance and the complex issues percolating domestication and domination, play and survival in the 21st century. Crombach combines references to mythology via a striking aesthetic, creating works which revel in their contradictions and contrasts. Notably, the artist draws from the myth of Diana and Actaeon, which provides a poignant framework for this new series. In Ovid’s tale Actaeon, a hunter and grandson of King Cadmus, is in the forest with his dogs when he spies Artemis (Diana), the venerated goddess of the hunt, in her bath attended by her nymphs. Diana’s nymphs try to cover her modesty as the goddess feels violated by Actaoen’s brash curiosity. Diana splashes water upon Actaeon, robbing him from his ability to speak and turning him from a mortal man into a stag who flees into the forest only to be hunted down and killed by his own dogs. The hunter becomes the hunted. Crombach’s Fetch (2018) refers to the mythology of Diana and Actaeon in its last tragic hour, but the classical story of metamorphoses is presented as a game of fetch in the local park. Crombach creates a hybrid between the art historical imagery from paintings of hounds...
Category

2010s Contemporary Sculptures

Materials

Nylon, Resin, Mixed Media, Acrylic

Hunter #2
Located in Montreal, Quebec
Nicholas Crombach has a BFA from OCAD University with a major in Sculpture and Installation. In 2016-17 he participated in a year-long studio residency at The Florence Trust in Londo...
Category

2010s Contemporary Sculptures

Materials

Plaster

Victim
Located in Montreal, Quebec
Nicholas Crombach has a BFA from OCAD University with a major in Sculpture and Installation. In 2016-17 he participated in a year-long studio residency at The Florence Trust in Londo...
Category

2010s Contemporary Sculptures

Materials

Plaster

Small head of the Man with the broken nose
Located in PARIS, FR
Petite tête de l'Homme au nez cassé Small head of the Man with the broken nose by Auguste RODIN (1840-1917) Sketch for the Gates of Hell Variant with symmetric neck Bronze with blac...
Category

Early 20th Century French School Sculptures

Materials

Bronze

End of the Chase (Dark Version) 1 of 6 - figurative, resin and wood sculpture
Located in Bloomfield, ON
It is a powerful image—at once compelling and provocative—an old-fashioned rocking horse, collapsed. This is the work of Nicholas Crombach. The Kingston based artist creates sculptu...
Category

2010s Contemporary Sculptures

Materials

Bronze

Chariot Burial
Located in Montreal, Quebec
A collision. A landslide. A tectonic shift and a tumbling of boulders reveal geological strata that have been hidden for centuries. Nicholas Crombach’s Landslip is a slow unfurling o...
Category

2010s Contemporary Sculptures

Materials

Mixed Media

Xenolith V
Located in Montreal, Quebec
A collision. A landslide. A tectonic shift and a tumbling of boulders reveal geological strata that have been hidden for centuries. Nicholas Crombach’s Landslip is a slow unfurling o...
Category

2010s Contemporary Sculptures

Materials

Mixed Media

Xenolith IV
Located in Montreal, Quebec
A collision. A landslide. A tectonic shift and a tumbling of boulders reveal geological strata that have been hidden for centuries. Nicholas Crombach’s Landslip is a slow unfurling o...
Category

2010s Contemporary Sculptures

Materials

Mixed Media

Xenolith VI
Located in Montreal, Quebec
A collision. A landslide. A tectonic shift and a tumbling of boulders reveal geological strata that have been hidden for centuries. Nicholas Crombach’s Landslip is a slow unfurling o...
Category

2010s Contemporary Sculptures

Materials

Mixed Media

Xenolith VIII
Located in Montreal, Quebec
A collision. A landslide. A tectonic shift and a tumbling of boulders reveal geological strata that have been hidden for centuries. Nicholas Crombach’s Landslip is a slow unfurling o...
Category

2010s Contemporary Sculptures

Materials

Mixed Media

Xenolith VII
Located in Montreal, Quebec
A collision. A landslide. A tectonic shift and a tumbling of boulders reveal geological strata that have been hidden for centuries. Nicholas Crombach’s Landslip is a slow unfurling o...
Category

2010s Contemporary Sculptures

Materials

Mixed Media

Xenolith III
Located in Montreal, Quebec
A collision. A landslide. A tectonic shift and a tumbling of boulders reveal geological strata that have been hidden for centuries. Nicholas Crombach’s Landslip is a slow unfurling o...
Category

2010s Contemporary Sculptures

Materials

Mixed Media

Xenolith II
Located in Montreal, Quebec
A collision. A landslide. A tectonic shift and a tumbling of boulders reveal geological strata that have been hidden for centuries. Nicholas Crombach’s Landslip is a slow unfurling o...
Category

2010s Contemporary Sculptures

Materials

Mixed Media

Xenolith I
Located in Montreal, Quebec
A collision. A landslide. A tectonic shift and a tumbling of boulders reveal geological strata that have been hidden for centuries. Nicholas Crombach’s Landslip is a slow unfurling o...
Category

2010s Contemporary Sculptures

Materials

Mixed Media

Accoutrements
Located in Montreal, Quebec
A collision. A landslide. A tectonic shift and a tumbling of boulders reveal geological strata that have been hidden for centuries. Nicholas Crombach’s Landslip is a slow unfurling o...
Category

2010s Contemporary Sculptures

Materials

Mixed Media

Ambivalence 1/4 - figurative, male, animal, narrative, bronze sculpture
Located in Bloomfield, ON
Ambivalence is cast in bronze, and in an edition of 4. The figure stands in his underwear, one rubber boot on, one off, a beaver dangling from his hand. Nicholas Crombach (b.1989, K...
Category

2010s Contemporary Sculptures

Materials

Bronze

Woman Wearing Wilting Laurels - edgy, life size, nude, female, wall sculpture
Located in Bloomfield, ON
Edgy life size wall sculpture of a nude female torso and head. This sculpture is part of his "trapped" series. This is edition 2 of 3, available by commission. Nicholas Crombach (b...
Category

2010s Contemporary Sculptures

Materials

Steel

Fleuron II
Located in Montreal, Quebec
Nicholas Crombach (BFA, 2012) is an artist working in Kingston Ontario. Crombach has been awarded the Elizabeth Greenshields Foundation Award. His solo exhibition, Behind Elegantly Carved Wooden Doors, was presented at Art Mûr...
Category

2010s Contemporary Sculptures

Materials

Concrete

Fleuron I
Located in Montreal, Quebec
Nicholas Crombach (BFA, 2012) is an artist working in Kingston Ontario. Crombach has been awarded the Elizabeth Greenshields Foundation Award. His solo exhibition, Behind Elegantly Carved Wooden Doors, was presented at Art Mûr...
Category

2010s Contemporary Sculptures

Materials

Concrete

Iris little study, Auguste Rodin, Bronze, Sculpture, Modern Art, 1970's, Nudes
Located in Geneva, CH
Iris little study, Auguste Rodin, Bronze, Sculpture, Modern Art, 1970's, Nudes Petite etude pour Iris, douzième épreuve Ed. 12/12 pcs 1973 Bronze with brown and black patina Marked...
Category

1970s Modern Sculptures

Materials

Bronze

Auguste Rodin "Main Droite Feminine" Bronze Sculpture by Alexis Rudier Foundry
Located in San Francisco, CA
Auguste Rodin French, 1840-1917 "Main Droite Feminine, doigts semi replies, annulaire leve" Feminine Right Hand, semi-folded fingers, raised ring finger Conceived circa 1890-1900; cast circa 1930-1940 Signed "A Rodin" on the right side of the wrist and with the foundry mark "Alexis Rudier...
Category

Early 20th Century Academic Sculptures

Materials

Bronze

Garden Wall
Located in Montreal, Quebec
Nicholas Crombach (BFA, 2012) is an artist working in Kingston Ontario. Crombach has been awarded the Elizabeth Greenshields Foundation Award. His solo exhibition, Behind Elegantly Carved Wooden Doors, was presented at Art Mûr...
Category

2010s Contemporary Sculptures

Materials

Concrete, Metal

Peacock No 1 - small, cast aluminum, male, bird, interior tabletop sculpture
Located in Bloomfield, ON
Cast in aluminum, this sculpture of a poised male peacock reflects the artist Nicholas Crombach's primary theme of human and animal interaction. This sculpture is number 1 from an ed...
Category

2010s Contemporary Sculptures

Materials

Metal

Boar
Located in Montreal, Quebec
Nicholas Crombach is interested in the complex interactions between humans and animals. Using sporting and hunting as markers of longstanding traditions of both adversarial and collaborative relationships between humans and animals, Crombach examines the cultural significance and the complex issues percolating domestication and domination, play and survival in the 21st century. Crombach combines references to mythology via a striking aesthetic, creating works which revel in their contradictions and contrasts. Notably, the artist draws from the myth of Diana and Actaeon, which provides a poignant framework for this new series. In Ovid’s tale Actaeon, a hunter and grandson of King Cadmus, is in the forest with his dogs when he spies Artemis (Diana), the venerated goddess of the hunt, in her bath attended by her nymphs. Diana’s nymphs try to cover her modesty as the goddess feels violated by Actaoen’s brash curiosity. Diana splashes water upon Actaeon, robbing him from his ability to speak and turning him from a mortal man into a stag who flees into the forest only to be hunted down and killed by his own dogs. The hunter becomes the hunted. Crombach’s Fetch (2018) refers to the mythology of Diana and Actaeon in its last tragic hour, but the classical story of metamorphoses is presented as a game of fetch in the local park. Crombach creates a hybrid between the art historical imagery from paintings of hounds...
Category

2010s Contemporary Sculptures

Materials

Resin, Mixed Media, Acrylic

Rat Trapper 1 of 3 - life size, male, figurative, narrative resin wall sculpture
Located in Bloomfield, ON
Edgy life size wall sculpture of a somber faced man, with both rat and trap dangling from his neck. (b.1989, Kingston, ON) Nicholas Crombach graduated from OCAD University’s Sculpt...
Category

2010s Contemporary Sculptures

Materials

Steel

Macaw - large, rustic, figurative, animal, bird, bronze, outdoor sculpture
Located in Bloomfield, ON
A large, bronze baby macaw struggles and screeches from an awkward position on the ground. Loud, self-confident and active, macaws are the symbol of creative intelligence, inspiratio...
Category

2010s Contemporary Sculptures

Materials

Bronze

Pheasant
Located in Montreal, Quebec
Nicholas Crombach is interested in the complex interactions between humans and animals. Using sporting and hunting as markers of longstanding traditions of both adversarial and collaborative relationships between humans and animals, Crombach examines the cultural significance and the complex issues percolating domestication and domination, play and survival in the 21st century. Crombach combines references to mythology via a striking aesthetic, creating works which revel in their contradictions and contrasts. Notably, the artist draws from the myth of Diana and Actaeon, which provides a poignant framework for this new series. In Ovid’s tale Actaeon, a hunter and grandson of King Cadmus, is in the forest with his dogs when he spies Artemis (Diana), the venerated goddess of the hunt, in her bath attended by her nymphs. Diana’s nymphs try to cover her modesty as the goddess feels violated by Actaoen’s brash curiosity. Diana splashes water upon Actaeon, robbing him from his ability to speak and turning him from a mortal man into a stag who flees into the forest only to be hunted down and killed by his own dogs. The hunter becomes the hunted. Crombach’s Fetch (2018) refers to the mythology of Diana and Actaeon in its last tragic hour, but the classical story of metamorphoses is presented as a game of fetch in the local park. Crombach creates a hybrid between the art historical imagery from paintings of hounds...
Category

2010s Contemporary Sculptures

Materials

Resin, Mixed Media, Acrylic

Hound
Located in Montreal, Quebec
Nicholas Crombach is interested in the complex interactions between humans and animals. Using sporting and hunting as markers of longstanding traditions of both adversarial and collaborative relationships between humans and animals, Crombach examines the cultural significance and the complex issues percolating domestication and domination, play and survival in the 21st century. Crombach combines references to mythology via a striking aesthetic, creating works which revel in their contradictions and contrasts. Notably, the artist draws from the myth of Diana and Actaeon, which provides a poignant framework for this new series. In Ovid’s tale Actaeon, a hunter and grandson of King Cadmus, is in the forest with his dogs when he spies Artemis (Diana), the venerated goddess of the hunt, in her bath attended by her nymphs. Diana’s nymphs try to cover her modesty as the goddess feels violated by Actaoen’s brash curiosity. Diana splashes water upon Actaeon, robbing him from his ability to speak and turning him from a mortal man into a stag who flees into the forest only to be hunted down and killed by his own dogs. The hunter becomes the hunted. Crombach’s Fetch (2018) refers to the mythology of Diana and Actaeon in its last tragic hour, but the classical story of metamorphoses is presented as a game of fetch in the local park. Crombach creates a hybrid between the art historical imagery from paintings of hounds hunting...
Category

2010s Contemporary Sculptures

Materials

Resin, Mixed Media, Acrylic

Carousel
Located in Montreal, Quebec
Nicholas Crombach is interested in the complex interactions between humans and animals. Using sporting and hunting as markers of longstanding traditions of both adversarial and collaborative relationships between humans and animals, Crombach examines the cultural significance and the complex issues percolating domestication and domination, play and survival in the 21st century. Crombach combines references to mythology via a striking aesthetic, creating works which revel in their contradictions and contrasts. Notably, the artist draws from the myth of Diana and Actaeon, which provides a poignant framework for this new series. In Ovid’s tale Actaeon, a hunter and grandson of King Cadmus, is in the forest with his dogs when he spies Artemis (Diana), the venerated goddess of the hunt, in her bath attended by her nymphs. Diana’s nymphs try to cover her modesty as the goddess feels violated by Actaoen’s brash curiosity. Diana splashes water upon Actaeon, robbing him from his ability to speak and turning him from a mortal man into a stag who flees into the forest only to be hunted down and killed by his own dogs. The hunter becomes the hunted. Crombach’s Fetch (2018) refers to the mythology of Diana and Actaeon in its last tragic hour, but the classical story of metamorphoses is presented as a game of fetch in the local park. Crombach creates a hybrid between the art historical imagery from paintings of hounds...
Category

2010s Contemporary Sculptures

Materials

Mixed Media, Wood, Archival Paper, Graphite

Fetch
Located in Montreal, Quebec
In his recent works sculptor Nicholas Crombach uses the markers of tradition to critique social rituals. Through the employment of the mythology and the rich visual culture of the hunt, Crombach assembles works which revel in contradiction. He has created a series of unexpected juxtapositions that examine the cultural significance and the complex issues percolating around hunting and sporting traditions in the 21st century. For this exhibition, Crombach riffs off the myth of Diana and Actaeon, which provides a poignant framework for his theme. In the original story, Actaeon, the hunter and grandson of King Cadmus, is in the forest with his dogs, when he spies Artemis (Diana) in her bath attended by her nymphs. Diana was the goddess of the hunt, but when the mortal Actaeon sees her, her nymphs try to cover her modesty. She splashes him with water, turning him from a mortal man into a stag, who flees into the forest only to be hunted down and killed by his own dogs. The hunter becomes the hunted. Crombach’s Fetch (2018) refers to the mythology of Diana and Actaeon as he transforms the lofty and classical story of metamorphoses into a game of fetch in the local park, constructed on a grand scale. In Fetch (2018), Crombach creates a hybrid between the art historical imagery from paintings of hounds hunting stags with the flashy colours and synthetic materials of modern day dog chew toys. The sculpture is displayed alongside a variety of chew toys that act as an index for the sculptures interpretation, some transformed into porcelain that has been marked with the aristocratic hunting motifs found on antique English pottery. Here, the assembly of works create a conversation on the blurred boundaries between: histories of domestication, the working relationships we have with animals, contemporary issues of hunting as “play”, tradition and survival. A second major new sculpture “End of the Chase” is a collapsed version of a Victorian period rocking horse housed in London’s V&A Museum Of Childhood. The sculpture responds to the 2014 hunting act that passed in Britain which in turn attempts to obliterate the tradition of hunting with hounds, most commonly associated with the fox hunt...
Category

2010s Contemporary Sculptures

Materials

Acrylic, Polyurethane, Nylon, Resin

Chew Toys 1
Located in Montreal, Quebec
In his recent works sculptor Nicholas Crombach uses the markers of tradition to critique social rituals. Through the employment of the mythology and the rich visual culture of the hunt, Crombach assembles works which revel in contradiction. He has created a series of unexpected juxtapositions that examine the cultural significance and the complex issues percolating around hunting and sporting traditions in the 21st century. For this exhibition, Crombach riffs off the myth of Diana and Actaeon, which provides a poignant framework for his theme. In the original story, Actaeon, the hunter and grandson of King Cadmus, is in the forest with his dogs, when he spies Artemis (Diana) in her bath attended by her nymphs. Diana was the goddess of the hunt, but when the mortal Actaeon sees her, her nymphs try to cover her modesty. She splashes him with water, turning him from a mortal man into a stag, who flees into the forest only to be hunted down and killed by his own dogs. The hunter becomes the hunted. Crombach’s Fetch (2018) refers to the mythology of Diana and Actaeon as he transforms the lofty and classical story of metamorphoses into a game of fetch in the local park, constructed on a grand scale. In Fetch (2018), Crombach creates a hybrid between the art historical imagery from paintings of hounds hunting stags with the flashy colours and synthetic materials of modern day dog chew toys. The sculpture is displayed alongside a variety of chew toys that act as an index for the sculptures interpretation, some transformed into porcelain that has been marked with the aristocratic hunting motifs found on antique English pottery. Here, the assembly of works create a conversation on the blurred boundaries between: histories of domestication, the working relationships we have with animals, contemporary issues of hunting as “play”, tradition and survival. A second major new sculpture “End of the Chase” is a collapsed version of a Victorian period rocking horse housed in London’s V&A Museum Of Childhood. The sculpture responds to the 2014 hunting act that passed in Britain which in turn attempts to obliterate the tradition of hunting with hounds, most commonly associated with the fox hunt...
Category

2010s Contemporary Sculptures

Materials

Found Objects

Budgies
Located in Montreal, Quebec
Nicholas Crombach has a BFA from OCAD University with a major in Sculpture and Installation. In 2016-17 he participated in a year-long studio residency at The Florence Trust in Londo...
Category

2010s Contemporary Sculptures

Materials

Resin, Paint, Polyurethane

Chew Toys 2
Located in Montreal, Quebec
In his recent works sculptor Nicholas Crombach uses the markers of tradition to critique social rituals. Through the employment of the mythology and the rich visual culture of the hunt, Crombach assembles works which revel in contradiction. He has created a series of unexpected juxtapositions that examine the cultural significance and the complex issues percolating around hunting and sporting traditions in the 21st century. For this exhibition, Crombach riffs off the myth of Diana and Actaeon, which provides a poignant framework for his theme. In the original story, Actaeon, the hunter and grandson of King Cadmus, is in the forest with his dogs, when he spies Artemis (Diana) in her bath attended by her nymphs. Diana was the goddess of the hunt, but when the mortal Actaeon sees her, her nymphs try to cover her modesty. She splashes him with water, turning him from a mortal man into a stag, who flees into the forest only to be hunted down and killed by his own dogs. The hunter becomes the hunted. Crombach’s Fetch (2018) refers to the mythology of Diana and Actaeon as he transforms the lofty and classical story of metamorphoses into a game of fetch in the local park, constructed on a grand scale. In Fetch (2018), Crombach creates a hybrid between the art historical imagery from paintings of hounds hunting stags with the flashy colours and synthetic materials of modern day dog chew toys. The sculpture is displayed alongside a variety of chew toys that act as an index for the sculptures interpretation, some transformed into porcelain that has been marked with the aristocratic hunting motifs found on antique English pottery. Here, the assembly of works create a conversation on the blurred boundaries between: histories of domestication, the working relationships we have with animals, contemporary issues of hunting as “play”, tradition and survival. A second major new sculpture “End of the Chase” is a collapsed version of a Victorian period rocking horse housed in London’s V&A Museum Of Childhood. The sculpture responds to the 2014 hunting act that passed in Britain which in turn attempts to obliterate the tradition of hunting with hounds, most commonly associated with the fox hunt...
Category

2010s Contemporary Sculptures

Materials

Found Objects, Porcelain

Self
Located in Bloomfield, ON
SELF is a compelling and ambiguous bronze sculpture by this talented young Canadian sculptor. (b.1989, Kingston, ON) Nicholas Crombach graduated from OCAD University’s sculpture...
Category

2010s Contemporary Sculptures

Materials

Bronze

Squirrel Skin
Located in Montreal, Quebec
Nicholas Crombach has a BFA from OCAD University with a major in Sculpture and Installation. In 2016-17 he participated in a year-long studio residency at The Florence Trust in Londo...
Category

2010s Contemporary Sculptures

Materials

Resin, Paint

Bird Watcher
Located in Montreal, Quebec
Nicholas Crombach has a BFA from OCAD University with a major in Sculpture and Installation. In 2016-17 he participated in a year-long studio residency at The Florence Trust in Londo...
Category

2010s Contemporary Sculptures

Materials

Plaster

Diana & Actaeon
Located in Montreal, Quebec
Nicholas Crombach has a BFA from OCAD University with a major in Sculpture and Installation. In 2016-17 he participated in a year-long studio residency at The Florence Trust in Londo...
Category

2010s Contemporary Sculptures

Materials

Wood, Polymer

Sparrows
Located in Montreal, Quebec
Nicholas Crombach has a BFA from OCAD University with a major in Sculpture and Installation. In 2016-17 he participated in a year-long studio residency at The Florence Trust in Londo...
Category

2010s Contemporary Sculptures

Materials

Resin, Paint, Polyurethane

Momento
Located in Montreal, Quebec
Nicholas Crombach has a BFA from OCAD University with a major in Sculpture and Installation. In 2016-17 he participated in a year-long studio residency at The Florence Trust in Londo...
Category

2010s Contemporary Sculptures

Materials

Plastic, Wood, Paint

Predator, Prey & Victim
Located in Montreal, Quebec
Nicholas Crombach is currently an artist in residence at The Florence Trust in London, UK. Crombach graduated from OCAD University’s Sculpture and Installation program in 2012. He h...
Category

2010s Contemporary Sculptures

Materials

Animal Skin, Resin, Acrylic

Teddy
Located in Montreal, Quebec
Nicholas Crombach has a BFA from OCAD University with a major in Sculpture and Installation. In 2016-17 he participated in a year-long studio residency at The Florence Trust in Londo...
Category

2010s Contemporary Sculptures

Materials

Plaster

After da Vinci, Holbein, Claese, Cézanne, Klimpt, Van Cough, Picasso, Dali...
Located in Montreal, Quebec
After da Vinci, Holbein, Claese, Cézanne, Klimpt, Van Cough, Picasso, Dali, Warhol, Hurst & Everyone Else That I Have Forgotten. Nicholas Crombach has ...
Category

2010s Contemporary Sculptures

Materials

Gold Leaf

Hunter #1
Located in Montreal, Quebec
Nicholas Crombach is currently an artist in residence at The Florence Trust in London, UK. Crombach graduated from OCAD University’s Sculpture and Installation program in 2012. He h...
Category

2010s Contemporary Sculptures

Materials

Plaster

Nature Morte
Located in Montreal, Quebec
Nicholas Crombach has a BFA from OCAD University with a major in Sculpture and Installation. In 2016-17 he participated in a year-long studio residency at The Florence Trust in Londo...
Category

2010s Contemporary Sculptures

Materials

Resin, Paint, Polyurethane

Unnamed
Located in Montreal, Quebec
Nicholas Crombach graduated from OCAD University’s Sculpture and Installation program in 2012. He has been awarded the Hayden Davies Memorial Award, Samuel Lazar Kagan Award, Abraham...
Category

2010s Contemporary Sculptures

Materials

Resin, Paint

Inanimate Beings
Located in Montreal, Quebec
Nicholas Crombach is currently an artist in residence at The Florence Trust in London, UK. Crombach graduated from OCAD University’s Sculpture and Installation program in 2012. He h...
Category

2010s Contemporary Sculptures

Materials

Resin, Wood, Acrylic

Hound 2/8 - small, grey, white, blue, figurative, dog, wildlife, resin sculpture
Located in Bloomfield, ON
A cast resin figurine of a hound who has hunted a fox, which in turn has hunted a goose is patinated in indigo, black and white by emerging sculptor Nicholas Crombach. The work refl...
Category

2010s Contemporary Sculptures

Materials

Resin, Paint

Boar 2/8 - small, grey, blue, figurative, animal, cast resin, tabletop sculpture
Located in Bloomfield, ON
Cast in resin, this figurine of a boar in a stance used in taxidermy reveals the artist's themes of human-animals relationships, domestication and conquest. These multi-layered meani...
Category

2010s Contemporary Sculptures

Materials

Resin, Paint

Still Life
Located in Montreal, Quebec
Nicholas Crombach graduated from OCAD University’s Sculpture and Installation program in 2012. He has been awarded the Hayden Davies Memorial Award, Samuel Lazar Kagan Award, Abraham and Malka Green Award, and a BMO 1st Art Nomination. His work has been seen at Word On The Street, Katharine Mulherin Contemporary Art Projects, the Al Green...
Category

21st Century and Contemporary Abstract Sculptures

Materials

Ceramic, Resin, Wood, Acrylic

Tête Tragique
Located in Saratoga Springs, NY
Auguste Rodin (French, 1840 - 1917) Tête Tragique 6 ½ high x 4 x 4 1/2 inches 9 ½ inches high with base Bronze, inscribed in three places: Near top of head signed “Rodin” “No 4” Inscribed with foundry mark “Georges Rudier...
Category

1960s Modern Sculptures

Materials

Bronze

Nude, Abstract and Figurative Sculptures for Sale

The history of sculpture as we know it is believed to have origins in Ancient Greece, while small sculptural carvings are among the most common examples of prehistoric art. In short, sculpture as a fine art has been with us forever. A powerful three-dimensional means of creative expression, sculpture has long been most frequently associated with religion — consider the limestone Great Sphinx in Giza, Egypt — while the tradition of collecting sculpture, which has also been traced back to Greece as well as to China, far precedes the emergence of museums.

Technique and materials in sculpture have changed over time. Stone sculpture, which essentially began as images carved into cave walls, is as old as human civilization itself. The majority of surviving sculpted works from ancient cultures are stone. Traditionally, this material and pottery as well as metalbronze in particular — were among the most common materials associated with this field of visual art. Artists have long sought new ways and materials in order to make sculptures and express their ideas. Material, after all, is the vehicle through which artists express themselves, or at least work out the problems knocking around in their heads. It also allows them to push the boundaries of form, subverting our expectations and upending convention. As an influential sculptor as much as he was a revolutionary painter and printmaker, Pablo Picasso worked with everything from wire to wood to bicycle seats.

If you are a lover of art and antiques or are thinking of bringing a work of sculpture into your home for the first time, there are several details to keep in mind. As with all other works of art, think about what you like. What speaks to you? Visit local galleries and museums. Take in works of public art and art fairs when you can and find out what kind of sculpture you like. When you’ve come to a decision about a specific work, try to find out all you can about the piece, and if you’re not buying from a sculptor directly, work with an art expert to confirm the work’s authenticity.

And when you bring your sculpture home, remember: No matter how big or small your new addition is, it will make a statement in your space. Large- and even medium-sized sculptures can be heavy, so hire some professional art handlers as necessary and find a good place in your home for your piece. Whether you’re installing a towering new figurative sculpture — a colorful character by KAWS or hyperreal work by Carole A. Feuerman, perhaps — or an abstract work by Won Lee, you’ll want the sculpture to be safe from being knocked over. (You’ll find that most sculptures should be displayed at eye level, while some large busts look best from below.)

On 1stDibs, find a broad range of exceptional sculptures for sale. Browse works by your favorite creator, style, period or other attribute.

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