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Sculptures For Sale
Artist: Cal Lane
Artist: Brandon Reese
Storm
Located in Tulsa, OK
BRANDON REESE Storm • glaze stoneware, walnut 10.00w x 16.00h x 6.00d in $1,800.00
Category

2010s Abstract Sculptures

Materials

Stoneware, Glaze, Wood

Champ
Located in Tulsa, OK
BRANDON REESE Champ • Glazed Stoneware and wood 7.00w x 29.50h x 7.00d in $3,800.00
Category

2010s Abstract Sculptures

Materials

Stoneware, Wood, Glaze

Spades
Located in Tulsa, OK
BRANDON REESE Spades • Glazed Stoneware and Pecan 7.00w x 29.50h x 7.00d in $3,800.00
Category

2010s Abstract Sculptures

Materials

Stoneware, Wood, Glaze

Dalli
Located in Tulsa, OK
BRANDON REESE Dalli • glazed stoneware and walnut 10.00w x 14.00h x 8.00d in $1,800.00
Category

2010s Abstract Sculptures

Materials

Stoneware, Wood, Glaze

Atmosphere
Located in Tulsa, OK
BRANDON REESE Atmosphere • glazed stoneware on steel stand 11.00w x 29.00h x 3.00d in $4,200.00
Category

2010s Abstract Sculptures

Materials

Stoneware, Glaze

Whiting
Located in Tulsa, OK
BRANDON REESE Whiting • Glazed stoneware and Sycamore 12.00w x 14.00h x 7.00d in $1,800.00
Category

2010s Abstract Sculptures

Materials

Stoneware, Wood, Glaze

Cumulus Frontier
Located in Tulsa, OK
BRANDON REESE Cumulus Frontier • salt glazed porcelain on stoneware and mid 1800's barn beam oak 60.00w x 65.00h x 16.00d in $67,500.00
Category

2010s Abstract Sculptures

Materials

Stoneware, Wood, Porcelain

Bounce
Located in Tulsa, OK
Brandon Reese’s focus on experimentation and varying techniques relates to his belief that the best part of life is the process, “My art wears the fingerprints, cuts, dents and other...
Category

2010s Abstract Sculptures

Materials

Porcelain, Stoneware, Wood

Rise
Located in Tulsa, OK
Brandon Reese’s focus on experimentation and varying techniques relates to his belief that the best part of life is the process, “My art wears the fingerprints, cuts, dents and other...
Category

2010s Abstract Sculptures

Materials

Stoneware, Wood

HOOP ON BIRCH
Located in Tulsa, OK
Brandon Reese’s focus on experimentation and varying techniques relates to his belief that the best part of life is the process, “My art wears the fingerprints, cuts, dents and other...
Category

2010s Contemporary Sculptures

Materials

Birch, Ceramic, Stoneware

Wall Pantie series
Located in Montreal, Quebec
Cal Lane is an internationally acclaimed sculptor known for turning ordinary objects into lacy artworks. She holds a Bachelor’s degree in Fine Arts from Nova Scotia College of Art an...
Category

2010s Contemporary Sculptures

Materials

Metal

Gutter Snipes
Located in Montreal, Quebec
Cal Lane creates stunning works of art with steel and a blowtorch. The works in her oeuvre are riveting, creating relationships that straddle the line between ornament and function. ...
Category

21st Century and Contemporary Contemporary Sculptures

Materials

Metal

Pantie
Located in Montreal, Quebec
Laughter, discomfort, perplexity: these are all plausible reactions to the work by sculptor Cal Lane. The artist’s most recent body of work is an affective assemblage of incongruous parts that, taken together, violate our mental patterns and expectations. Charged with contradictions, metaphor, sexual undertones, and unsettling associations, Lane’s unlikely combinations use absurdity as a way of pointing to western society’s normalized habits and conventions, often with an emphasis on gender and sexuality. For the exhibition Try Me, Lane installs a basketball court in the gallery. The two basketball hoops on opposing walls are embellished with silver-coated frames and lustrous mirrors, which serve as decorative backboards. In place of nets, women’s black lace underwear delicately hang from hoops. A decorative rug stenciled with court lines performs as the court floor. It is a mise-en-scène set in motion by viewer’s reconciliation of the individual parts to the whole, and to their original function. Panties regard themselves in the mirror or perhaps measure up their opponent, which, not without irony, is the mirror image of itself. Themes of gender and sexuality are performed and imagined in the upward voyeuristic gaze of the viewer and the expected swoosh of the ball into the net. This is further elaborated by phallic impressions formed by court lines and their likeness to a work of modernist abstraction—a movement wrought by notions of masculinity. The decorative rug’s connection to femininity and domesticity juxtaposes the rigid geometry. Lane further explores the historical gendering of technology, industry, and war in her series of wallpaper drawings, which depict war submarines on cloud patterned wallpaper. The innocence of the submarine in popular culture and its reality as a phallic war object...
Category

2010s Contemporary Sculptures

Materials

Metal

Veiled Hood # 9
Located in Montreal, Quebec
Text by Sophie Lynch For the exhibition Veiled Hoods and Stains, Cal Lane combines delicate lacework and discarded steel car and truck hoods to create two series of related works. ...
Category

21st Century and Contemporary Abstract Sculptures

Materials

Metal

Veiled Hood # 1
Located in Montreal, Quebec
Text by Sophie Lynch For the exhibition Veiled Hoods and Stains, Cal Lane combines delicate lacework and discarded steel car and truck hoods to create two series of related works. ...
Category

21st Century and Contemporary Abstract Sculptures

Materials

Metal

Pantie Can
Located in Montreal, Quebec
Cal Lane creates intricate sculptures using religious or mythological imagery and lace-like patterns juxtaposed within industrial materials such as steel beams, oil drums and ammunit...
Category

21st Century and Contemporary Sculptures

Materials

Metal

Hook Ups and Lay Ups
Located in Montreal, Quebec
Laughter, discomfort, perplexity: these are all plausible reactions to the work by sculptor Cal Lane. The artist’s most recent body of work is an affective assemblage of incongruous parts that, taken together, violate our mental patterns and expectations. Charged with contradictions, metaphor, sexual undertones, and unsettling associations, Lane’s unlikely combinations use absurdity as a way of pointing to western society’s normalized habits and conventions, often with an emphasis on gender and sexuality. For the exhibition Try Me, Lane installs a basketball court in the gallery. The two basketball hoops on opposing walls are embellished with silver-coated frames and lustrous mirrors, which serve as decorative backboards. In place of nets, women’s black lace underwear delicately hang from hoops. A decorative rug stenciled with court lines performs as the court floor. It is a mise-en-scène set in motion by viewer’s reconciliation of the individual parts to the whole, and to their original function. Panties regard themselves in the mirror or perhaps measure up their opponent, which, not without irony, is the mirror image of itself. Themes of gender and sexuality are performed and imagined in the upward voyeuristic gaze of the viewer and the expected swoosh of the ball into the net. This is further elaborated by phallic impressions formed by court lines and their likeness to a work of modernist abstraction—a movement wrought by notions of masculinity. The decorative rug’s connection to femininity and domesticity juxtaposes the rigid geometry. Lane further explores the historical gendering of technology, industry, and war in her series of wallpaper drawings, which depict war submarines on cloud patterned wallpaper. The innocence of the submarine in popular culture and its reality as a phallic war object...
Category

2010s Contemporary Sculptures

Materials

Steel

Pantie
Located in Montreal, Quebec
Laughter, discomfort, perplexity: these are all plausible reactions to the work by sculptor Cal Lane. The artist’s most recent body of work is an affective assemblage of incongruous parts that, taken together, violate our mental patterns and expectations. Charged with contradictions, metaphor, sexual undertones, and unsettling associations, Lane’s unlikely combinations use absurdity as a way of pointing to western society’s normalized habits and conventions, often with an emphasis on gender and sexuality. For the exhibition Try Me, Lane installs a basketball court in the gallery. The two basketball hoops on opposing walls are embellished with silver-coated frames and lustrous mirrors, which serve as decorative backboards. In place of nets, women’s black lace underwear delicately hang from hoops. A decorative rug stenciled with court lines performs as the court floor. It is a mise-en-scène set in motion by viewer’s reconciliation of the individual parts to the whole, and to their original function. Panties regard themselves in the mirror or perhaps measure up their opponent, which, not without irony, is the mirror image of itself. Themes of gender and sexuality are performed and imagined in the upward voyeuristic gaze of the viewer and the expected swoosh of the ball into the net. This is further elaborated by phallic impressions formed by court lines and their likeness to a work of modernist abstraction—a movement wrought by notions of masculinity. The decorative rug’s connection to femininity and domesticity juxtaposes the rigid geometry. Lane further explores the historical gendering of technology, industry, and war in her series of wallpaper drawings, which depict war submarines on cloud patterned wallpaper. The innocence of the submarine in popular culture and its reality as a phallic war object...
Category

2010s Contemporary Sculptures

Materials

Metal

Pantie
Located in Montreal, Quebec
Laughter, discomfort, perplexity: these are all plausible reactions to the work by sculptor Cal Lane. The artist’s most recent body of work is an affective assemblage of incongruous parts that, taken together, violate our mental patterns and expectations. Charged with contradictions, metaphor, sexual undertones, and unsettling associations, Lane’s unlikely combinations use absurdity as a way of pointing to western society’s normalized habits and conventions, often with an emphasis on gender and sexuality. For the exhibition Try Me, Lane installs a basketball court in the gallery. The two basketball hoops on opposing walls are embellished with silver-coated frames and lustrous mirrors, which serve as decorative backboards. In place of nets, women’s black lace underwear delicately hang from hoops. A decorative rug stenciled with court lines performs as the court floor. It is a mise-en-scène set in motion by viewer’s reconciliation of the individual parts to the whole, and to their original function. Panties regard themselves in the mirror or perhaps measure up their opponent, which, not without irony, is the mirror image of itself. Themes of gender and sexuality are performed and imagined in the upward voyeuristic gaze of the viewer and the expected swoosh of the ball into the net. This is further elaborated by phallic impressions formed by court lines and their likeness to a work of modernist abstraction—a movement wrought by notions of masculinity. The decorative rug’s connection to femininity and domesticity juxtaposes the rigid geometry. Lane further explores the historical gendering of technology, industry, and war in her series of wallpaper drawings, which depict war submarines on cloud patterned wallpaper. The innocence of the submarine in popular culture and its reality as a phallic war object...
Category

2010s Contemporary Sculptures

Materials

Metal

Pantie
Located in Montreal, Quebec
Laughter, discomfort, perplexity: these are all plausible reactions to the work by sculptor Cal Lane. The artist’s most recent body of work is an affective assemblage of incongruous ...
Category

2010s Contemporary Sculptures

Materials

Metal

Wall Pantie series
Located in Montreal, Quebec
Cal Lane is an internationally acclaimed sculptor known for turning ordinary objects into lacy artworks. She holds a Bachelor’s degree in Fine Arts from Nova Scotia College of Art an...
Category

2010s Contemporary Sculptures

Materials

Metal

Wall Pantie series
Located in Montreal, Quebec
Cal Lane is an internationally acclaimed sculptor known for turning ordinary objects into lacy artworks. She holds a Bachelor’s degree in Fine Arts from Nova Scotia College of Art an...
Category

2010s Contemporary Sculptures

Materials

Metal

Pantie
Located in Montreal, Quebec
Cal Lane is an internationally acclaimed sculptor known for turning ordinary objects into lacy artworks. She holds a Bachelor’s degree in Fine Arts from Nova Scotia College of Art an...
Category

2010s Contemporary Sculptures

Materials

Metal

Willow Warhead II
Located in Montreal, Quebec
Cal Lane creates stunning works of art with steel and a blowtorch. The works in her oeuvre are riveting, creating relationships that straddle the line between ornament and function. ...
Category

21st Century and Contemporary Contemporary Sculptures

Materials

Metal

Pantie
Located in Montreal, Quebec
Cal Lane is an internationally acclaimed sculptor known for turning ordinary objects into lacy artworks. She holds a Bachelor’s degree in Fine Arts from Nova Scotia College of Art an...
Category

2010s Contemporary Sculptures

Materials

Metal

Pantie
Located in Montreal, Quebec
Cal Lane is an internationally acclaimed sculptor known for turning ordinary objects into lacy artworks. She holds a Bachelor’s degree in Fine Arts from Nova Scotia College of Art an...
Category

2010s Contemporary Sculptures

Materials

Metal

Pantie
Located in Montreal, Quebec
Cal Lane is an internationally acclaimed sculptor known for turning ordinary objects into lacy artworks. She holds a Bachelor’s degree in Fine Arts from Nova Scotia College of Art an...
Category

2010s Contemporary Sculptures

Materials

Metal

Pantie Can
Located in Montreal, Quebec
Cal Lane is an internationally acclaimed sculptor known for turning ordinary objects into lacy artworks. She holds a Bachelor’s degree in Fine Arts from Nova Scotia College of Art an...
Category

2010s Contemporary Sculptures

Materials

Metal

Pantie Can
Located in Montreal, Quebec
Cal Lane is an internationally acclaimed sculptor known for turning ordinary objects into lacy artworks. She holds a Bachelor’s degree in Fine Arts from Nova Scotia College of Art an...
Category

2010s Contemporary Sculptures

Materials

Metal

Infrared Illumination
Located in Montreal, Quebec
Cal Lane creates stunning works of art with steel and a blowtorch. The works in her oeuvre are riveting, creating relationships that straddle the line between ornament and function. ...
Category

21st Century and Contemporary Contemporary Sculptures

Materials

Metal

Grace Invasion
Located in Montreal, Quebec
Cal Lane creates stunning works of art with steel and a blowtorch. The works in her oeuvre are riveting, creating relationships that straddle the line between ornament and function. ...
Category

21st Century and Contemporary Contemporary Sculptures

Materials

Metal

Mortar Horses
Located in Montreal, Quebec
Cal Lane creates stunning works of art with steel and a blowtorch. The works in her oeuvre are riveting, creating relationships that straddle the line between ornament and function. ...
Category

21st Century and Contemporary Contemporary Sculptures

Materials

Metal

Oil Tank map of the world
Located in Montreal, Quebec
Cal Lane remembers her grandmother making cupcakes, then covering them with paper doilies and sifting icing sugar on their tops to create a decorative lace pattern. It is an accessible memory from her childhood that is revealing of the cultural inheritance she brings to her practice. In Lane’s series Powdered Tires, large car tires stand upright in the gallery that have been dusted with powdered sugar in latticed designs. The gentle impermanence and frivolity of the sugar seems to oppose the firm practicality and mobility of the tires, suggesting both utilitarian and domestic productions, and stereotypically masculine and feminine roles. Lane not only trained as an artist but also as a welder, and cultivated her skills for fabricating functional objects as an artistic technique. Contrasts are integral to Lane’s tactile 2- and 3-dimensional sculptures. There are elements of hard and soft, strong and delicate, masculine and feminine, art and craft, inside and outside, ancient and contemporary in her pieces. In Sweet Crude, Lane takes industrial objects, including oil cans, and incises them with ornate patterns. These cans are endowed with a completely new, aestheticized purpose. They manage to retain a sense of their former lives since they are identifiable for what they once were. The cans’ familiarity as functional objects and their uniqueness as an artistic medium make them accessible to a wide range of viewers. The cuttings depict power struggles between coupling mythological beings, urban street scenes and animal-studded landscapes, to name a few scenarios. Whole worlds are mapped out and carved from the metal surfaces of these cans. Splayed into cross-shapes, it is easy to discern continents and bodies of water in the tableaux. Up close, there are striking forms and details nestled in the red or black filigree: a pickup truck, a gunman, a maiden in profile.* These silhouetted people and objects reveal as much as they conceal, and they do not amount to a cohesive whole. Consider the exhibition’s title: The term “sweet crude” refers to the most sought-after form of petroleum. It is a vast understatement to say this is a resource that nations have fought to gain and to protect. In examining the power struggles of war or sex, a straightforward narrative is impossible. Clear allegorical expectations will not be met in the tangled tales Lane weaves. And the raw beauty of the objects confuses the complicated issues to which they are alluding. * The work that I am directly referring to is Oil Drum Map of the World...
Category

21st Century and Contemporary Sculptures

Materials

Metal

Oil Drum Map of the World #1
Located in Montreal, Quebec
Cal Lane remembers her grandmother making cupcakes, then covering them with paper doilies and sifting icing sugar on their tops to create a decorative lace pattern. It is an accessible memory from her childhood that is revealing of the cultural inheritance she brings to her practice. In Lane’s series Powdered Tires, large car tires stand upright in the gallery that have been dusted with powdered sugar in latticed designs. The gentle impermanence and frivolity of the sugar seems to oppose the firm practicality and mobility of the tires, suggesting both utilitarian and domestic productions, and stereotypically masculine and feminine roles. Lane not only trained as an artist but also as a welder, and cultivated her skills for fabricating functional objects as an artistic technique. Contrasts are integral to Lane’s tactile 2- and 3-dimensional sculptures. There are elements of hard and soft, strong and delicate, masculine and feminine, art and craft, inside and outside, ancient and contemporary in her pieces. In Sweet Crude, Lane takes industrial objects, including oil cans, and incises them with ornate patterns. These cans are endowed with a completely new, aestheticized purpose. They manage to retain a sense of their former lives since they are identifiable for what they once were. The cans’ familiarity as functional objects and their uniqueness as an artistic medium make them accessible to a wide range of viewers. The cuttings depict power struggles between coupling mythological beings, urban street scenes and animal-studded landscapes, to name a few scenarios. Whole worlds are mapped out and carved from the metal surfaces of these cans. Splayed into cross-shapes, it is easy to discern continents and bodies of water in the tableaux. Up close, there are striking forms and details nestled in the red or black filigree: a pickup truck, a gunman, a maiden in profile.* These silhouetted people and objects reveal as much as they conceal, and they do not amount to a cohesive whole. Consider the exhibition’s title: The term “sweet crude” refers to the most sought-after form of petroleum. It is a vast understatement to say this is a resource that nations have fought to gain and to protect. In examining the power struggles of war or sex, a straightforward narrative is impossible. Clear allegorical expectations will not be met in the tangled tales Lane weaves. And the raw beauty of the objects confuses the complicated issues to which they are alluding. * The work that I am directly referring to is Oil Drum...
Category

21st Century and Contemporary Contemporary Sculptures

Materials

Metal

Ammunition Box
Located in Montreal, Quebec
Cal Lane creates stunning works of art with steel and a blowtorch. The works in her oeuvre are riveting, creating relationships that straddle the line between ornament and function. Her current series, Ammunition, contrasts beautiful patterns and imagery with utilitarian objects that include ammunition boxes...
Category

21st Century and Contemporary Contemporary Sculptures

Materials

Metal

Fossil Fuel
Located in Montreal, Quebec
Cal Lane remembers her grandmother making cupcakes, then covering them with paper doilies and sifting icing sugar on their tops to create a decorative lace pattern. It is an accessi...
Category

21st Century and Contemporary Contemporary Sculptures

Materials

Metal

Veiled Hood # 6
Located in Montreal, Quebec
Text by Sophie Lynch For the exhibition Veiled Hoods and Stains, Cal Lane combines delicate lacework and discarded steel car and truck hoods to create two series of related works...
Category

21st Century and Contemporary Sculptures

Materials

Metal

Moral Mortar
Located in Montreal, Quebec
Cal Lane creates stunning works of art with steel and a blowtorch. The works in her oeuvre are riveting, creating relationships that straddle the line between ornament and function. ...
Category

21st Century and Contemporary Contemporary Sculptures

Materials

Metal

Willow Warhead I
Located in Montreal, Quebec
Cal Lane creates stunning works of art with steel and a blowtorch. The works in her oeuvre are riveting, creating relationships that straddle the line between ornament and function. ...
Category

21st Century and Contemporary Sculptures

Materials

Metal

Car Door
Located in Montreal, Quebec
In his essay “Ornament and Crime,” architect Adolf Loos helped usher in modernist trends with his infamous statement: “the evolution of culture marches with the elimination of orname...
Category

21st Century and Contemporary Contemporary Sculptures

Materials

Metal

Topo Map 5
Located in Montreal, Quebec
Cal Lane remembers her grandmother making cupcakes, then covering them with paper doilies and sifting icing sugar on their tops to create a decorative lace pattern. It is an accessi...
Category

21st Century and Contemporary Contemporary Sculptures

Materials

Metal

16 Oil Can Map of the World #2
Located in Montreal, Quebec
Cal Lane remembers her grandmother making cupcakes, then covering them with paper doilies and sifting icing sugar on their tops to create a decorative lace pattern. It is an accessi...
Category

21st Century and Contemporary Contemporary Sculptures

Materials

Metal

Rug Drum#2
Located in Montreal, Quebec
Cal Lane remembers her grandmother making cupcakes, then covering them with paper doilies and sifting icing sugar on their tops to create a decorative lace pattern. It is an accessi...
Category

21st Century and Contemporary Sculptures

Materials

Metal

Untitled (wheelbarrow)
Located in Montreal, Quebec
Cal Lane remembers her grandmother making cupcakes, then covering them with paper doilies and sifting icing sugar on their tops to create a decorative lace pattern. It is an accessi...
Category

21st Century and Contemporary Contemporary Sculptures

Materials

Metal

Nude, Abstract and Figurative Sculptures for Sale

The history of sculpture as we know it is believed to have origins in Ancient Greece, while small sculptural carvings are among the most common examples of prehistoric art. In short, sculpture as a fine art has been with us forever. A powerful three-dimensional means of creative expression, sculpture has long been most frequently associated with religion — consider the limestone Great Sphinx in Giza, Egypt — while the tradition of collecting sculpture, which has also been traced back to Greece as well as to China, far precedes the emergence of museums.

Technique and materials in sculpture have changed over time. Stone sculpture, which essentially began as images carved into cave walls, is as old as human civilization itself. The majority of surviving sculpted works from ancient cultures are stone. Traditionally, this material and pottery as well as metalbronze in particular — were among the most common materials associated with this field of visual art. Artists have long sought new ways and materials in order to make sculptures and express their ideas. Material, after all, is the vehicle through which artists express themselves, or at least work out the problems knocking around in their heads. It also allows them to push the boundaries of form, subverting our expectations and upending convention. As an influential sculptor as much as he was a revolutionary painter and printmaker, Pablo Picasso worked with everything from wire to wood to bicycle seats.

If you are a lover of art and antiques or are thinking of bringing a work of sculpture into your home for the first time, there are several details to keep in mind. As with all other works of art, think about what you like. What speaks to you? Visit local galleries and museums. Take in works of public art and art fairs when you can and find out what kind of sculpture you like. When you’ve come to a decision about a specific work, try to find out all you can about the piece, and if you’re not buying from a sculptor directly, work with an art expert to confirm the work’s authenticity.

And when you bring your sculpture home, remember: No matter how big or small your new addition is, it will make a statement in your space. Large- and even medium-sized sculptures can be heavy, so hire some professional art handlers as necessary and find a good place in your home for your piece. Whether you’re installing a towering new figurative sculpture — a colorful character by KAWS or hyperreal work by Carole A. Feuerman, perhaps — or an abstract work by Won Lee, you’ll want the sculpture to be safe from being knocked over. (You’ll find that most sculptures should be displayed at eye level, while some large busts look best from below.)

On 1stDibs, find a broad range of exceptional sculptures for sale. Browse works by your favorite creator, style, period or other attribute.

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