Pueblo Mother
View Similar Items
Want more images or videos?
Request additional images or videos from the seller
1 of 2
Allan HouserPueblo Mother1980
1980
About the Item
- Creator:Allan Houser (1914 - 1994, Native American, Apache)
- Creation Year:1980
- Dimensions:Height: 22.25 in (56.52 cm)Width: 14 in (35.56 cm)Depth: 5 in (12.7 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Santa Fe, NM
- Reference Number:1stDibs: LU1912512522
About the Seller
5.0
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 1966
1stDibs seller since 2015
Typical response time: 2 hours
More From This SellerView All
- Abstract Geometric, small abstract bronze, dark brown patina, life cast, marbleBy Allan HouserLocated in Santa Fe, NMAbstract Geometric, small abstract bronze, dark brown patina, life cast, marble limited edition Allan Houser (Haozous), Chiricahua Apache (1914-1994) Selec...Category
1980s Contemporary Abstract Sculptures
MaterialsMarble, Bronze
- Las Tres Cabesas, Eduardo Oropeza bronze sculpture brown Three heads Four legsBy Eduardo OropezaLocated in Santa Fe, NMLas Tres Cabezas, bronze sculpture Eduardo Oropeza brown Three heads Four legs Bronze and straw Sculptor, painter, printmaker, & photographer, Eduardo Oropeza remains a commanding presence in contemporary art. He applied a high level of devotion and integrity to his artwork. After the many years he had been working at his chosen profession, he saw being an artist as a tremendous gift, which honored and humbled him. A native of California's San Joaquin Valley and long time resident of East Los Angeles, Oropeza's academic training began with the study of Sociology. After taking an art course, he ultimately changed majors and received a Master of Fine Arts degree in sculpture from San Jose State. Postgraduate work followed at San Jose, San Diego State at Long Beach, and Palomar College. Oropeza’s contribution to public art in Los Angeles can be seen in a ceramic mosaic covering the 2 story Self Help Graphics Workshop building located at Ceasar Chavez and Gage streets in East Los Angeles. Oropeza donated his time and artistic talent to complete this multi-year project. The second phase of this project was the creation of a Virgin of Guadalupe shrine, shown here, for the community. Selected collections: Los Angeles County Museum of Art (LACMA), Hispanic Research Center, Arizona State University, City of Sacramento, California, Mary Tyler Moore...Category
1990s Contemporary Abstract Sculptures
MaterialsBronze
- Hesot Kachin Mana, by Dan Namingha, bronze, kachina, Hopi, brown, sculptureBy Dan NaminghaLocated in Santa Fe, NMHesot Kachin Mana, by Dan Namingha, bronze, kachina, Hop,i brown, sculpture #1/18 bronze edition signed and numbered by the artist We present paintings, prints, and sculptures by Sou...Category
1980s Contemporary Abstract Sculptures
MaterialsBronze
- Henge, sculpture by Kerry Green, copper, bronze, abstract, figures, metal sculptBy Kerry GreenLocated in Santa Fe, NMHenge, sculpture by Kerry Green, copper, bronze, abstract, figures, metal sculpture Since childhood, Kerry Green has always been creative; painting, drawing, sculpting, and sewing. Her family provided her with materials and encouraged her efforts. She literally grew up in her parents’ art galleries, and with them toured the U.S., Europe, Mexico, Japan, and New Zealand, seeing museums and visiting artists’ studios. Growing up in Arizona and New Mexico gave her the opportunity to explore the Native reservations there where she has made life-long friendships. Several of her very early influences were Dr. Harry Wood...Category
2010s Contemporary Abstract Sculptures
MaterialsBronze, Copper
- Buffalo Dance, bronze, sculpture, by Allan Houser, brown, casting, Pueblo, dancerLocated in Santa Fe, NMBuffalo Dance, bronze, sculpture, by Allan Houser, brown, casting, Pueblo,dancer limited edition bronze casting of 20 lifetime castingCategory
1980s Contemporary Figurative Sculptures
MaterialsBronze
- Oh, by John Reeves, rotating, bronze, sculpture, shape shift, granite, editionBy John ReevesLocated in Santa Fe, NMOh, by John Reeves, rotating, bronze, sculpture, shape shift, granite, edition Oh, John Reeves rotating, bronze, sculpture, shape shift, granite, edition Oh, rotating bronze sculpt...Category
21st Century and Contemporary Contemporary Abstract Sculptures
MaterialsGranite, Bronze
You May Also Like
- Hommage à NadarBy ArmanLocated in New York, NYArman Hommage à Nadar, 1986 Bronze with black patina, sliced movie camera 22 x 9 x 12.63 inches AP from edition of 75Category
1980s Contemporary Abstract Sculptures
MaterialsBronze
$15,000 - Widows and Maidens #6By Sherry OwensLocated in New Orleans, LASherry Owens Windows and Maidens #6, 2019 Bronze, patina, crepe myrtle, dye, milk paint, wax 11 x 14 3/4 x 11 3/4 inches For over 30 years, sculptor Sherry Owens has used the sinewy crepe myrtle tree to tell her story of the Texas landscape, death, renewal, beauty, and of today’s growing environmental concerns. Remnants of personal stories, visions and observations in nature are the driving forces in her work. She believes that what we see and do in our daily lives leaves a mark on our planet. It is the direct impact of human activities on the natural world, which is visualized in her artistic practice. She creates connections with nature using crepe myrtle trees found along the side of the road. Each stick is hand-carved and cut to fit, then laid in place and secured with a small myrtle peg. What takes precedence in the laborious process is the importance of detail and evidence of the artist’s hand and her interaction with the materials. Sherry Owens is a native Texan, currently living and working in Dallas, TX. She received a BFA from Southern Methodist University. Recent Texas solo exhibitions include The Grace Museum; Cris Worley Fine Arts; Martin Museum of Art; Art Museum of Southeast Texas; and a two-person site-specific installation at the Umlauf Sculpture Garden & Museum. She was also included in recent exhibitions at the Amon Carter Museum of American Art, TX and the Ogden Museum of Southern Art, LA. She has exhibited internationally in Austria, Denmark, Germany, Greece, India, Japan, Peru, and Turkey. Her work is currently on view in the Ground Zero 360 Remembrance Exhibition at the Museum of Biblical Art...Category
2010s Contemporary Abstract Sculptures
MaterialsBronze
Price Upon Request - Widows and Maidens #5By Sherry OwensLocated in New Orleans, LASherry Owens Windows and Maidens #5, 2019 Bronze, patina, crepe myrtle, dye, milk paint, wax 9 1/4 x 14 1/4 x 9 inches For over 30 years, sculptor Sherry Owens has used the sinewy crepe myrtle tree to tell her story of the Texas landscape, death, renewal, beauty, and of today’s growing environmental concerns. Remnants of personal stories, visions and observations in nature are the driving forces in her work. She believes that what we see and do in our daily lives leaves a mark on our planet. It is the direct impact of human activities on the natural world, which is visualized in her artistic practice. She creates connections with nature using crepe myrtle trees found along the side of the road. Each stick is hand-carved and cut to fit, then laid in place and secured with a small myrtle peg. What takes precedence in the laborious process is the importance of detail and evidence of the artist’s hand and her interaction with the materials. Sherry Owens is a native Texan, currently living and working in Dallas, TX. She received a BFA from Southern Methodist University. Recent Texas solo exhibitions include The Grace Museum; Cris Worley Fine Arts; Martin Museum of Art; Art Museum of Southeast Texas; and a two-person site-specific installation at the Umlauf Sculpture Garden & Museum. She was also included in recent exhibitions at the Amon Carter Museum of American Art, TX and the Ogden Museum of Southern Art, LA. She has exhibited internationally in Austria, Denmark, Germany, Greece, India, Japan, Peru, and Turkey. Her work is currently on view in the Ground Zero 360 Remembrance Exhibition at the Museum of Biblical Art...Category
2010s Contemporary Abstract Sculptures
MaterialsBronze
Price Upon Request - Grandfather's LandBy Sherry OwensLocated in New Orleans, LASherry Owens Grandfather's Land, 2021 Bronze, patina, crepe myrtle, paint, wax 30 x 46 x 18 inches For over 30 years, sculptor Sherry Owens has used the sinewy crepe myrtle tree to tell her story of the Texas landscape, death, renewal, beauty, and of today’s growing environmental concerns. Remnants of personal stories, visions and observations in nature are the driving forces in her work. She believes that what we see and do in our daily lives leaves a mark on our planet. It is the direct impact of human activities on the natural world, which is visualized in her artistic practice. She creates connections with nature using crepe myrtle trees found along the side of the road. Each stick is hand-carved and cut to fit, then laid in place and secured with a small myrtle peg. What takes precedence in the laborious process is the importance of detail and evidence of the artist’s hand and her interaction with the materials. Sherry Owens is a native Texan, currently living and working in Dallas, TX. She received a BFA from Southern Methodist University. Recent Texas solo exhibitions include The Grace Museum; Cris Worley Fine Arts; Martin Museum of Art; Art Museum of Southeast Texas; and a two-person site-specific installation at the Umlauf Sculpture Garden & Museum. She was also included in recent exhibitions at the Amon Carter Museum of American Art, TX and the Ogden Museum of Southern Art, LA. She has exhibited internationally in Austria, Denmark, Germany, Greece, India, Japan, Peru, and Turkey. Her work is currently on view in the Ground Zero 360 Remembrance Exhibition at the Museum of Biblical Art...Category
2010s Contemporary Abstract Sculptures
MaterialsBronze
Price Upon Request - Queen of the NightBy Sherry OwensLocated in New Orleans, LASherry Owens Queen of the Night, 2019 Bronze, patina 8 x 19 x 11 1/2 inches For over 30 years, sculptor Sherry Owens has used the sinewy crepe myrt...Category
2010s Contemporary Abstract Sculptures
MaterialsBronze
Price Upon Request - Almost a SymphonyBy Sherry OwensLocated in New Orleans, LASherry Owens Almost a Symphony, 2019 Bronze, patina, brass nails, paint 16 5/8 x 12 1/4 x 11 3/4 inches For over 30 years, sculptor Sherry Owens has used the sinewy crepe myrtle tree to tell her story of the Texas landscape, death, renewal, beauty, and of today’s growing environmental concerns. Remnants of personal stories, visions and observations in nature are the driving forces in her work. She believes that what we see and do in our daily lives leaves a mark on our planet. It is the direct impact of human activities on the natural world, which is visualized in her artistic practice. She creates connections with nature using crepe myrtle trees found along the side of the road. Each stick is hand-carved and cut to fit, then laid in place and secured with a small myrtle peg. What takes precedence in the laborious process is the importance of detail and evidence of the artist’s hand and her interaction with the materials. Sherry Owens is a native Texan, currently living and working in Dallas, TX. She received a BFA from Southern Methodist University. Recent Texas solo exhibitions include The Grace Museum; Cris Worley Fine Arts; Martin Museum of Art; Art Museum of Southeast Texas; and a two-person site-specific installation at the Umlauf Sculpture Garden & Museum. She was also included in recent exhibitions at the Amon Carter Museum of American Art, TX and the Ogden Museum of Southern Art, LA. She has exhibited internationally in Austria, Denmark, Germany, Greece, India, Japan, Peru, and Turkey. Her work is currently on view in the Ground Zero 360 Remembrance Exhibition at the Museum of Biblical Art...Category
2010s Contemporary Abstract Sculptures
MaterialsBronze
Price Upon Request