Brandon Reese

Dalli

2015

Brandon Reese’s focus on experimentation and varying techniques relates to his belief that the best part of life is the process, “My art wears the fingerprints, cuts, dents and other...

Original Hand-built sculptural ceramics to enrich the mind and feed the soul. - Stoneware, Porcelains, Metallic Gold Glaze Artist Statement: As a sculptor, I use clay to bring to li...

Original Hand-built sculptural ceramics to enrich the mind and feed the soul. White And Gold Vessel No 124 • Stoneware/Porcelain, Metallic Gold ...

Original Hand-built sculptural ceramics to enrich the mind and feed the soul. This organic shaped vase has a rough textured surface. - Black & Speckled Stoneware Clay Artist Stateme...

Original Hand-built sculptural ceramics to enrich the mind and feed the soul. - Stoneware, Porcelains, Metallic Gold Glaze Artist Statement: As a sculptor, I use clay to bring to li...

Brandon Reese’s focus on experimentation and varying techniques relates to his belief that the best part of life is the process, “My art wears the fingerprints, cuts, dents and other...

Originally from the Northwest with a B.A. from Stanford University, I have painted, published illuminated books, and lived and traveled extensively in Asia. Now working primarily in ceramics, I draw images from the deep well of past experience, always starting from a strong “mind’s eye” vision. My ceramic pieces are as much about their inside as they are about their sculpted outside. Implied are the dichotomies between the inner and outer, between that which is hidden and that which is seen, between the esoteric and the exoteric, between the soul and the body. I continue to create “Metaphysical Pots” that feature water both inside and outside, becoming metaphorically both the Water of Life and the Infinite Ocean, symbolizing the continuous process between creation and transcendence. Other pieces include shapes that repeat in a pattern that follows the form of the vessel. It is a “bio-geometry” that leads the eye back to the inside of the vessel, a “Jacob’s Ladder” that leads not just up but in. Using sculptural techniques, I cut through the wall of the pot to get more depth and dynamic movement. I continue to push the limits of my medium, taking apart thrown vessels and reconfiguring them in new ways. Outcroppings 02, Repeating Geometric Ceramic Vessel...

"Tool Relief III" is an original conceptual sculpture by David Barnett, signed and dated on the bottom. Made of stoneware and ceramic, the cylinder contains imprints of various tools...

Due to the current situation related to the Novel Coronavirus pandemic, our gallery will donate 10% of our commission from this sale to the Kansas City Artists Coalition, which has b...

Sara Fine-Wilson's "Fold" is a gestural 20 x 9 x 8 inch ceramic sculpture in white and cream with accents of grey and blue. It is constructed out of white stoneware with porcelain...

Sara Fine-Wilson's “Pucker" is a gestural 12.5 x 10 x 10 inch ceramic sculpture in white and cream constructed in white stoneware in a graceful fluid form. Individual slab forms in white are assembled and then layered in glaze in a way that emphasizes the smooth fluid quality of the form. Sara Fine-Wilson is a contemporary sculptor based in the Boston area. In  her work she explores ideas about the emerging form of our subconscious mind. She also explores material, process and pushes boundaries. Fine-Wilson is represented by Fountain Street Gallery...

Sara Fine-Wilson's “Almost" is a gestural 13.5 x 12 x 9 inch ceramic sculpture in white and cream constructed from white stoneware. In this graceful and evocative sculpture individua...