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Curtis Kulig
Curtis Kulig Love Me Bearbrick 400% Signed by artist (Love Me BE@RBRICK)

2020

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  • Futura 'Johnny' vinyl art figure (Futura Mindstyle)
    By Futura
    Located in NEW YORK, NY
    'Johnny' by Futura: Futura Figurative Pop Art Sculpture. The ‘Johnny’ vinyl art figure from NYC graffiti legend Futura is inspired by a classic 80s horror...
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    21st Century and Contemporary Pop Art Figurative Sculptures

    Materials

    Resin, Vinyl

  • KAWS Companion 2016 (set of 3 KAWS Flayed companions)
    By KAWS
    Located in NEW YORK, NY
    KAWS Flayed Companion 2016: Set of 3 individual works. KAWS Black Flayed, KAWS Brown Flayed & KAWS Grey Flayed Companions - each, new and sealed in origin...
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    21st Century and Contemporary Pop Art Figurative Sculptures

    Materials

    Vinyl, Resin

  • KAWS Along The Way: complete set of 3 (KAWS Companion Along The Way set)
    By KAWS
    Located in NEW YORK, NY
    KAWS Along The Way: Complete Set of 3 works: new and unopened in original packaging. The KAWS Along The Way figurine is a rendition of the artist's 2013 18 foot wood sculpture origin...
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    21st Century and Contemporary Pop Art Figurative Sculptures

    Materials

    Resin, Vinyl

  • Basquiat Bearbrick 400% Companion (Basquiat BE@RBRICK)
    By after Jean-Michel Basquiat
    Located in NEW YORK, NY
    Jean-Michel Basquiat Bearbrick Vinyl Figures: Set of two (400% & 100%): A unique, timeless collectible trademarked & licensed by the Estate of Jean-Michel Basquiat. The partnered co...
    Category

    21st Century and Contemporary Street Art Abstract Sculptures

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    Resin, Vinyl

  • KAWS Along The Way Grey (KAWS grey Along The Way)
    By KAWS
    Located in NEW YORK, NY
    KAWS Along The Way (Grey). New and unopened in its original box. The KAWS Along The Way figurine is a rendition of the artist's 2013 18 foot wood sculpture originally exhibited at Mary Boone gallery New York. The KAWS Along The Way figurine is a rendition of the artist's 2013 18 foot wood sculpture originally exhibited at Mary Boone gallery NY. Along the Way presents a unique pose for KAWS’s signature Companion characters. KAWS' design features two of his iconic companions leaning on each other for emotional support, hands heavy, and eyes cast downward. Two years later, KAWS supersized the composition, installing an 18-foot-tall wooden version of Along the Way in the lobby of the Brooklyn Museum, which the museum also acquired for its permanent collection. Large scale versions of Along the Way have also been exhibited at the Rijksmuseum in Amsterdam, Yorkshire Sculpture Park in England, the Yuz Museum in Shanghai, and the Modern Art Museum of Fort Worth in Texas. Medium: Painted Vinyl Cast Resin. 10.5 x 9 inches. New/sealed in original box; excellent condition. Stamped on the underside of foot. From a sold out edition of unknown. KAWS: KAWS is an American graffiti artist and designer known for his toys, paintings, and prints. Born Brian Donnelly on November 4, 1974 in Jersey City, NJ, KAWS graduated with a BFA from the School of Visual Arts in New York and went on to work in animation. “When your whole art is based on the lettering you choose, you kinda figure out what ones work together. I just liked the shapes of the k, a, w, s,” he explained of his moniker. Having started as a graffiti artist in New York in the early 1990s, KAWS began reworking advertisements in his distinctive style. Pop Art and culture permeate his cartoonish Companion series of figurines, which share a resemblance to the works of Takashi Murakami. KAWS worked together with Nike in 2017 to produce an Air Jordan 4 shoe and has done multiple collaborations with the clothing brand Uniqlo, continuing to blur the boundaries between fine and commercial art. The artist is known for his large scale public installations, such as 2019’s KAWS: Holiday which was installed in the Hong Kong harbor during Basel Hong Kong. In 2019, THE KAWS ALBUM (2005) sold at auction for a record $14.8 million, breaking his previous record of $2.7 million which was set in 2018. This work is a take on the Beatles' famous 1967 album cover for Sgt. Pepper's Lonely Hearts Club Band, but instead replaced with characters from The Simpsons with the artist's signature Xs drawn across their eyes and skull. After years in the industry, KAWS gained approval from his peers in the street art world and more recently prestige from the museum and gallery worlds. His work today can be found in the collections at the High Museum of Art in Atlanta, the Modern Art Museum of Fort Worth, and the Rosenblum Collection in Paris. KAWS currently lives and works in Brooklyn, NY. Related Categories Retna. Shepard Fairey. Street Art. Damien Hirst. Art toys. Kaws Companion. Kaws toys...
    Category

    21st Century and Contemporary Street Art Figurative Sculptures

    Materials

    Resin, Vinyl

  • Basquiat Bearbrick 400% Companion (Basquiat BE@RBRICK)
    By after Jean-Michel Basquiat
    Located in NEW YORK, NY
    Jean-Michel Basquiat Bearbrick Vinyl Figures: Set of two (400% & 100%): A unique, timeless collectible trademarked & licensed by the Estate of Jean-Michel Basquiat. The partnered co...
    Category

    21st Century and Contemporary Street Art Abstract Sculptures

    Materials

    Resin, Vinyl

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  • Horse and Rider Sculpture Maquette
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    TOM OTTERNESS Horse and Rider Maquette, 2003 White Resin Sculpture held in original box 5 1/2 × 3 1/2 × 2 inches Signed Tom Otterness Incised signature on the feet (see photos) Limited Edition (exact number produced unknown) This 2004 Horse and Rider black resin maquette is a miniature of famed American public sculptor Tom Otterness's large bronze "Horse and Rider" sculpture located at Texas Tech University's Student Union Gathering Pavilion. Rarely found in the original vintage box - this is a collectors item! The original piece was commissioned by the Student Union to celebrate Texas Tech's famous mascot - "The Masked Rider". Otterness' version of the mascot depicts the Masked Rider atop of the horse, kicking its “feet triumphantly in the quest for truth,” as he describes. (The tradition of the Masked Rider started as a dare in 1936 when an unidentified masked or ghost rider would circle the football field during home games. The Masked Rider became an official Texas Tech mascot in 1954.) The artist made a limited series of white and black resin multiples back in 2003 as a result of numerous requests by students for affordable models of the Horse and Rider. They were only available for sale by the Texas Tech student union and sold out very quickly. Although there is no stated edition, it was a one-off offering, produced by the artist just for Texas Tech students, with no second editions ever made. Once they sold out - that was it. Now Otterness' "Horse & Rider" is a highly desirable vintage collectors item. Created in an unknown but very limited first edition only back in 2003. Horse and Rider is difficult to find, - so if you're an Otterness (or Texas Tech) fan, we recommend you snag this one! About Tom Otterness: Tom Otterness was born in Wichita, Kansas in 1952. He came to New York City in 1970 to study at the Arts Students League, and in 1973 took part in the Whitney Independent Study Program. In 1977 he became a member of Collaborative Projects, a pioneering community of independent artists, and took a leading role in organizing Colab’s 1980 Times Square Show, which was called “the first avant-garde art show of the ‘80s” by the Village Voice. Otterness is one of a handful of contemporary artists invited to design a balloon for the Macy’s Thanksgiving Day Parade, for which he devised a tumbling Humpty-Dumpty in 2005. Otterness lives and works in New York. Otterness may well be “the world’s best public sculptor,” as the art critic Ken Johnson opined in the New York Times in 2002. Public art is his focus, and Otterness has had major outdoor exhibitions of his sculptures on the Park Avenue Mall in New York (2003), in more than a dozen sites in downtown Indianapolis (2005), on the grounds of the Beverly Hills city hall (2005-06) and throughout Grand Rapids, Michigan (2006). His first solo exhibition, held at Brooke Alexander Gallery in New York in 1983, featured elements of The New World (1991), a white plaster frieze of 250 nude “Ur-people,” as essayist Hayden Herrera called them, eventually destined for the plaza of the Edward R. Roybal Federal Building in Los Angeles, a General Services Administration commission. In the U.S., Otterness has completed at least three dozen public commissions, including Life Underground (2004), his celebrated multi-figural bronze sculpture installation for the New York Metropolitan Transportation Agency at the 14th Street station on the Eighth Avenue subway lines. His international commissions include public plazas in Münster, Germany (1993), Toronto, Canada (2007), and Seoul, South Korea (2010), and a large public park in Scheveningen, the Netherlands (2004). In 2013, Creation Myth, a gateway park for the Memorial Art Gallery in Rochester, N.Y., was dedicated. Otterness has exhibited his work at John Berggruen Gallery in San Francisco, and other important contemporary art galleries. His most recent exhibition, Metal on Paper: Silverpoint, Copperpoint & Steelpoint Drawings, opened at Marlborough in September 2015. Works by Otterness are included in the collections of the Museum of Modern Art, the Whitney Museum of American Art, the Guggenheim Museum, the Eli Broad Family Foundation, the Brooklyn Museum, the San Francisco Museum of Modern Art, the Carnegie Museum, the Museo Tamayo in Mexico City, the Israel Museum in Jerusalem, and others. He was elected a member of the National Academy in 1994. Most recently, Otterness has installed The Tables from the collection of the Whitney and 50 new sculptures in niches at the Cathedral of Saint John the Divine, as part of the group exhibition, The Value of Food. On a personal note, Otterness has practiced Tai Chi, martial arts, and boxing in the school of William C. C. Chen since the 1970s, and his studio features a boxing bag...
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