Skip to main content
Video Loading
Want more images or videos?
Request additional images or videos from the seller
1 of 22

Gillie and Marc Schattner
"Lolly Dogman (Clear)" Pop Art Clear Polyresin Sculpture of Dogman Sitting Down

2016

About the Item

A whimsical yet very strong piece depicting the Weim from Gillie and Marc's iconic figures of the Dog/Bunny Human Hybrid, which has picked up much esteem across the globe. Here we find Weim sitting in a very sophisticated but yet relaxed position from the Lolly Collection, or Lollies as they are affectionately known, showcases the brighter side of the artists’ sensibilities. The clear resin has been created to capture and play with the light in a room and to brighten any space. This piece is made from clear Polyresin and is a limited edition 17 of 100. The clear polyresin makes an attractive statement piece and will invigorate any space. Signed and editioned by the artists. Sculpture measures 13.5 x 8 x 11 inches ‘The world depends on contemporary artists to challenge life as we know it. We, the contemporary artist pull apart the world, so it can be put back together as something different.’ As husband and wife, Gillie and Marc are Australian contemporary artists who collaborate to create art as one, applying the iconic imagery of the dog/human hybrid to celebrate the powerful spiritual relationship that exists between man and animal. Gillie and Marc reference their own remarkable love story in their works, perpetuating a pursuit of happiness and encouraging us to challenge the status quo and the perceived safety of societal convention. Gillie and Marc’s unparalleled love is the cornerstone of what they are and of what they create. Gillie and Marc first met in Hong Kong. She was a nurse from England and he was a boy from the ‘burbs’ of Melbourne. Instantly they realized they’d found their soulmate, someone to start a journey encompassing their mutual love for art and adventure. Seven days later they were married in the foothills of Mount Everest. They not only share an unsurpassed dedication to their art but also love for their two children, whom Gillie describes as their ‘best friends’ — along with their fur-baby Indie, of course. With a 20 year history of collaboration, Gillie and Marc’s works (paintings and sculptures) have received acclaim worldwide and are held in collections both nationally and internationally. 'We are two people working as one, with a single vision — something no one else is doing in art’. Initially, Gillie and Marc painted and designed, but have now become very interested in sculpture, creating commissioned works for venues such as Australia Zoo; Sydney Children’s Hospital; Australian Red Cross Blood Service; Hilton Hotel Singapore; McDonald’s Corporate Headquarters in Singapore; and the Ying Ren Four Seasons Hotel in Beijing. The artists produce sculptures in a variety of mediums including bronze, brass, steel, wood, fiberglass, and polyresin. Awards and accolades are numerous for the Schattners. In 2006 they were Archibald Prize finalists. The painting 'He’ll never be famous but he doesn’t give a damn, he’s a musician,' earned them first prize at the 2009 Chianciano Biennale in Tuscany, Italy. Their life-like fiberglass sculptural piece, Bondi Coffee Dog, appeared in the Florence Biennale in the same year. Stretching controversy further is their work, If Jesus was alive today he would be a skateboarder, which featured in the inaugural 2009 Blake Prize Director’s Cut, an online exhibition. Gillie and Marc have also featured work in 2012, 2015 and 2016 Sculptures by the Sea at Bondi Beach where they won the People’s Choice and Kids Choice Awards in 2016, for Sandhu, Buried Rhino. With over 20 years of collaboration, Gillie and Marc’s works have received acclaim worldwide and are held in collections both nationally and internationally. PROVENANCE: Lilac Gallery Collection. Acquired by the gallery directly from Gillie and Marc Studio.
  • Creator:
  • Creation Year:
    2016
  • Dimensions:
    Height: 13.5 in (34.29 cm)Width: 8 in (20.32 cm)Depth: 11 in (27.94 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    As each polyresin sculpture is unique and poured by hand it might show some slight imperfections, all when this sculpture was originally created by the artists. For a condition report or more detailed information, please feel free to contact us.
  • Gallery Location:
    New York, NY
  • Reference Number:
    Seller: 0025431stDibs: LU9823769581
More From This SellerView All
You May Also Like
  • DONALD Dollars - Pop Art Sculptures
    By Alben
    Located in New York, NY
    Cheeky references to pop culture and the societal context. Donald Duck is cast in resin with banknotes inside. Grounded in a postmodern vernacular, Alben’s paintings and sculptures ...
    Category

    2010s Pop Art Figurative Sculptures

    Materials

    Epoxy Resin, Mixed Media

  • Contemporary Spanish Artist, Pop Art Sculpture Vanitas Skulls by Demo 2022
    Located in BARCELONA, ES
    Eladio de Mora-Granados, dEmo, is one of the most original creators on the Spanish art scene. Born in Mora, Toledo, in 1960. A self-taught artist, dEmo's concerns began when he conc...
    Category

    2010s Pop Art Abstract Sculptures

    Materials

    Resin, Fiberglass

  • CONTEMPORARY Artwork, Clown Skull Sculpture by Demo 2022
    Located in BARCELONA, ES
    Eladio de Mora-Granados, dEmo, is one of the most original creators on the Spanish art scene. Born in Mora, Toledo, in 1960. A self-taught artist, dEmo's concerns began when he conce...
    Category

    2010s Pop Art Abstract Sculptures

    Materials

    Resin, Fiberglass, Acrylic

  • Contemporary Artist Demo Sculpture Gummy Bear, Red 2023
    Located in BARCELONA, ES
    Eladio de Mora-Granados, dEmo, is one of the most original creators on the Spanish art scene. Born in Mora, Toledo, in 1960. A self-taught artist, dEmo's concerns began when he conc...
    Category

    2010s Pop Art Figurative Sculptures

    Materials

    Resin, Fiberglass

  • Contemporary Spanish Artist, Pop Art Sculpture. Pink Bear by Demo 2023
    Located in BARCELONA, ES
    Eladio de Mora-Granados, dEmo, is one of the most original creators on the Spanish art scene. Born in Mora, Toledo, in 1960. A self-taught artist, dEmo's concerns began when he conc...
    Category

    2010s Pop Art Abstract Sculptures

    Materials

    Acrylic, Resin, Fiberglass

  • Horse and Rider Sculpture Maquette
    By Tom Otterness
    Located in New York, NY
    TOM OTTERNESS Horse and Rider Maquette, 2003 White Resin Sculpture held in original box 5 1/2 × 3 1/2 × 2 inches Signed Tom Otterness Incised signature on the feet (see photos) Limited Edition (exact number produced unknown) This 2004 Horse and Rider black resin maquette is a miniature of famed American public sculptor Tom Otterness's large bronze "Horse and Rider" sculpture located at Texas Tech University's Student Union Gathering Pavilion. Rarely found in the original vintage box - this is a collectors item! The original piece was commissioned by the Student Union to celebrate Texas Tech's famous mascot - "The Masked Rider". Otterness' version of the mascot depicts the Masked Rider atop of the horse, kicking its “feet triumphantly in the quest for truth,” as he describes. (The tradition of the Masked Rider started as a dare in 1936 when an unidentified masked or ghost rider would circle the football field during home games. The Masked Rider became an official Texas Tech mascot in 1954.) The artist made a limited series of white and black resin multiples back in 2003 as a result of numerous requests by students for affordable models of the Horse and Rider. They were only available for sale by the Texas Tech student union and sold out very quickly. Although there is no stated edition, it was a one-off offering, produced by the artist just for Texas Tech students, with no second editions ever made. Once they sold out - that was it. Now Otterness' "Horse & Rider" is a highly desirable vintage collectors item. Created in an unknown but very limited first edition only back in 2003. Horse and Rider is difficult to find, - so if you're an Otterness (or Texas Tech) fan, we recommend you snag this one! About Tom Otterness: Tom Otterness was born in Wichita, Kansas in 1952. He came to New York City in 1970 to study at the Arts Students League, and in 1973 took part in the Whitney Independent Study Program. In 1977 he became a member of Collaborative Projects, a pioneering community of independent artists, and took a leading role in organizing Colab’s 1980 Times Square Show, which was called “the first avant-garde art show of the ‘80s” by the Village Voice. Otterness is one of a handful of contemporary artists invited to design a balloon for the Macy’s Thanksgiving Day Parade, for which he devised a tumbling Humpty-Dumpty in 2005. Otterness lives and works in New York. Otterness may well be “the world’s best public sculptor,” as the art critic Ken Johnson opined in the New York Times in 2002. Public art is his focus, and Otterness has had major outdoor exhibitions of his sculptures on the Park Avenue Mall in New York (2003), in more than a dozen sites in downtown Indianapolis (2005), on the grounds of the Beverly Hills city hall (2005-06) and throughout Grand Rapids, Michigan (2006). His first solo exhibition, held at Brooke Alexander Gallery in New York in 1983, featured elements of The New World (1991), a white plaster frieze of 250 nude “Ur-people,” as essayist Hayden Herrera called them, eventually destined for the plaza of the Edward R. Roybal Federal Building in Los Angeles, a General Services Administration commission. In the U.S., Otterness has completed at least three dozen public commissions, including Life Underground (2004), his celebrated multi-figural bronze sculpture installation for the New York Metropolitan Transportation Agency at the 14th Street station on the Eighth Avenue subway lines. His international commissions include public plazas in Münster, Germany (1993), Toronto, Canada (2007), and Seoul, South Korea (2010), and a large public park in Scheveningen, the Netherlands (2004). In 2013, Creation Myth, a gateway park for the Memorial Art Gallery in Rochester, N.Y., was dedicated. Otterness has exhibited his work at John Berggruen Gallery in San Francisco, and other important contemporary art galleries. His most recent exhibition, Metal on Paper: Silverpoint, Copperpoint & Steelpoint Drawings, opened at Marlborough in September 2015. Works by Otterness are included in the collections of the Museum of Modern Art, the Whitney Museum of American Art, the Guggenheim Museum, the Eli Broad Family Foundation, the Brooklyn Museum, the San Francisco Museum of Modern Art, the Carnegie Museum, the Museo Tamayo in Mexico City, the Israel Museum in Jerusalem, and others. He was elected a member of the National Academy in 1994. Most recently, Otterness has installed The Tables from the collection of the Whitney and 50 new sculptures in niches at the Cathedral of Saint John the Divine, as part of the group exhibition, The Value of Food. On a personal note, Otterness has practiced Tai Chi, martial arts, and boxing in the school of William C. C. Chen since the 1970s, and his studio features a boxing bag...
    Category

    Early 2000s Pop Art Figurative Sculptures

    Materials

    Resin, Mixed Media, Cardboard

Recently Viewed

View All