Hsu Yun Chin

Dummy no6 Clear Resin and Hand Color Dyed Scuplture

2014

"Aesthetic of Fear Fear is like a paper cut on the fingertip, it itches, affects you if you try to ignore it. Hsu draw her research on understanding fears in psychology and how to u...

"Aesthetic of Fear Fear is like a paper cut on the fingertip, it itches, affects you if you try to ignore it. Hsu draw her research on understanding fears in psychology and how to u...

"Aesthetic of Fear Fear is like a paper cut on the fingertip, it itches, affects you if you try to ignore it. Hsu draw her research on understanding fears in psychology and how to u...

"Aesthetic of Fear Fear is like a paper cut on the fingertip, it itches, affects you if you try to ignore it. Hsu draw her research on understanding fears in psychology and how to u...

"Aesthetic of Fear Fear is like a paper cut on the fingertip, it itches, affects you if you try to ignore it. Hsu draw her research on understanding fears in psychology and how to u...

Hsu Yun Chin is an artist who lives and works in London, Glasgow and Taipei. Her practice is multifaceted and primarily focused on sculpture and photography. She combines her learned...

This series of sculptures is called Emotional States. It was created in 2023 in Kyiv (Ukraine). I lived and worked all year in my hometown in the middle of a Big war. I experienced a...

This series of sculptures is called Emotional States. It was created in 2023 in Kyiv (Ukraine). I lived and worked all year in my hometown in the middle of a Big war. I experienced a...

The sculpture, Banquet II - Time Capsule Project , is one of the pivotal pieces in Shizico Yi's sculpture casting project. By engaging with raw materials, familial possessions, and t...

The art market confirms that Robert Combas is the most successful living French artist with Pierre Soulages. During the last two years, the value of his works has multiplied by 5 , proof with the last Artcurial auction sale from December 4th 2019. This sculpture "The Cannon Dancer" is one of the most interesting of his major works from the 90s where he touched on themes dear to him like: battles, war, religion, love, sex, women, mythology, music, genre scenes... - "Le danseur au canon", The Cannon Dancer Painted polychrome resin sculpture. This is a limited édition signed Combas, dated 95 and numbered 4/8 on the base. - Is it a carnival ? a character, a buffoon representing power by a cannon exhibited as a phallic object that symbolizes power. "The moment when the official hierarchies collapse, where the powerful become ridiculous and the fools the only wise respected. The moment of inversions, negations, derision and extravagance. Abel and Cain, Salome and Saint John the Baptist : whatever the time and the weapons, it is almost always the same story", said Combas. Robert Combas love to Deforms when, allowing itself disproportions, exaggerations and deletions, it gives birth to creatures with noses, lips or feet disproportionately inflated or stretched, even monstrous and comic. In this case, Combas flirts with satire, farce, the grotesque. Make love better than a war ! Robert COMBAS has been pursuing a unique approach since the 1980s. His eccentric and powerful representations of the world make this genius one of the emblematic figures of French contemporary art. The artist's work is now the subject of numerous retrospectives and institutional exhibitions. The enthusiasm of collectors becomes more important with each new public sale and its rating climbs which confirms the sustainable nature of the art of Robert COMBAS. He brought at the dawn of the 80s a new figurative painting. Present on the artistic scene since 1979 he is the creator of a movement that the artist Ben called the Free Figuration, movement comprising: Rémi...

"Born Wild" Resin Sculpture 71" x 20" x 20" inch Ed. 3/4 by Richard Orlinski Provenance: Private collection Comes with original COA Richard Orlinski has been the biggest-selling ...

Sylvia Schwartz In her structures, silicone molds are cast from both natural and hand-made forms, including clay coils, volcanic rock patterns, seaweed, and the artist’s own fingerprints. Leaving the human trace evident through the repetition of shapes and textures in both the natural and man-made elements, provides a measure of stability, a reference point. These manmade and natural forms merge, revealing our inexplicable dependence on nature. Through this melding of two entities, new life is breathed into the art object. Paper as a primary medium allows Schwartz to sculpt, draw and paint simultaneously. The flow of the pulp (a natural phenomenon in itself) meshes with the molded forms creating a structure that seems to rest on the edge between painting and sculpture. The duality between light and heavy, interior and exterior, planned and accidental, order and chaos, leading ultimately to a sense of life. Red...