Jane B. Grimm

Be Bop I / white wall sculpture

2016

Jane B. Grimm began her artistic career in the 1960’s, when her free-form sculptural jewelry exploded onto the fashion scene in NYC. Her designs spoke to a new generation well into t...

White circular abstract wall sculpture from Pop Art pioneer Jane B. Grimm, who began her artistic career in the 1960’s, when her free-form sculptural jewelry exploded onto the fashio...

Swirl X - Pure white organic Swirl table top freestanding sculpture from Pop Art pioneer Jane B. Grimm, whose artistic career began in the 1960’...

Pale blue and white free standing sculpture from Pop Art pioneer Jane B. Grimm, who began her artistic career in the 1960’s, when her free-form sculptural jewelry exploded onto the f...

White and cool grey ceramic sculpture from Pop Art pioneer Jane B. Grimm, whose artistic career exploded onto the 1960's art and fashion scene in NYC when her free-form sculptural je...

White circular abstract table sculpture from Pop Art pioneer Jane B. Grimm, who began her artistic career in the 1960’s, when her free-form sculptural jewelry exploded onto the fashion scene in NYC. Her designs spoke to a new generation well into the 1970's, when they were regularly featured in, and graced the covers of, Harper's Bazaar and Vogue magazines.In the 1980's, Grimm shifted her focus to clay, while she earned her MFA from the California College of Arts and Crafts, from which she graduated with high distinction. Grimm's contemporary ceramic sculptures, created entirely by hand with a low-fire method, have premiered in galleries and museums worldwide. Swirl Bowl...

Clay relief of abstracted nude couple by California artist Joe Funk (American, 1918-1981). Monogram signature on individual reliefs and signed on verso. included with photograph and description in his catalog. Catalog with photos of sculpture, and artist biography are included. Ceramics: each 7.25"H x 3.25"W. Overall Size: 10.50"H x 14"W x 5.75"D Joe Funk was an American artist and print maker born in Los Angeles, California, to Polish and German immigrant parents. He died in 1981 in Santa Cruz, California. As a young person in Los Angeles, Joe Funk showed an interest in art. He studied at the Otis and Chouinard Art Institutes and worked on several murals throughout Los Angeles in the Works Progress Administration. He served in the United States Army, from 1943 to 1946, in Korea and Okinawa a s a heavy anti-aircraft artillery mechanic and instructor, warehouseman, and artist, publicist, and graphic designer for special events at Headquarters Company, Asiatic Command. At the ASCOM University in Korea, he was an instructor in pencil sketching. It was during his time in Korea that he developed a lifelong interest in Asian art. Using the G.I. Bill, after the Korean War, he earned a Masters Degree in fine art from the University of Southern California. In the 1950s, Joe met Lynton Kistler and worked at Kistler’s facility in Los Angeles, the only lithographic press open for business on the west coast at that time. During his time as an apprentice, Joe printed for many well-known artists, such as Jean Charlot, man Ray, Max Ernst, Emerson Woelffer and June Wayne. When June Wayne opened the Tamarind Lighography Workshop in Los Angeles in 1960, she offered the status of fellow printer to Joe Funk. At Tamarind, he began work printing lithographs for guest artists and training future printmakers. After Tamarind, Joe became the technical director at Kanthos Press from 1961-1962, where he printed for Jose Cuevasand and Aubrey Schwartz. In 1964, he became co-owner of Joseph Press and was printmaker for Sam Francis, Arnold Belkin and Rico Lebrun. From 1962-1964, Joe taught at the Chouinart Art Institute. Joe established a non-profit corporation in Venice, California in the late 1960s, called Joseph Graphics. Here, he trained apprentice printmakers and printed for numerous artists including Joyce Treiman...

Koji Takei works reference synthetic cubism in the most literal of senses. In cubist artworks, the objects are broken up, analyzed and re-assembled in abstracted form. These pieces...

Infused with a tranquil palette, this textile sculpture was crafted to evoke serenity and growth, drawing inspiration from the resilience of nature. Its cerulean hues and wood founda...

Painted maple wood and brass. 27X6X1.75 inches Limited editions out of 8. Sculptures will be signed and numbered on the bottom of the base. Allow 3-4 weeks for the piece to be ma...

Tom Cramer (b.1960). Standing Figure, 1998. Carved wood and polymer paint. Measures 17.5 inches high. Excellent condition. Signed and dated under base. Tom Cramer is an American artist working in Portland, Oregon noted for his intricately carved and painted wood reliefs and ubiquity throughout the city of Portland. Often called the unofficial Artist Laureate of Portland,[2] Cramer is one of the most visible and successful artists in the city. The influences on his work are both organic and technological. He is widely collected and is in many prominent west coast museum and private collections. He is in the permanent collections of the Portland Art Museum[3] in Portland Oregon, the Halle Ford Museum in Salem Oregon, the Jordan Schnitzer Museum in Eugene, Oregon, the Boise Art Museum in Idaho. Cramer made a name for himself in the 1980s and 1990s becoming a bridge between historical Oregon artists like Clifford Gleason and Milton Wilson...

Tom Cramer (b.1960). Standing Figure, 1988. Carved wood and polymer paint. Measures 11.5 inches high. Excellent condition. Signed and dated under base. Tom Cramer is an American artist working in Portland, Oregon noted for his intricately carved and painted wood reliefs and ubiquity throughout the city of Portland. Often called the unofficial Artist Laureate of Portland,[2] Cramer is one of the most visible and successful artists in the city. The influences on his work are both organic and technological. He is widely collected and is in many prominent west coast museum and private collections. He is in the permanent collections of the Portland Art Museum[3] in Portland Oregon, the Halle Ford Museum in Salem Oregon, the Jordan Schnitzer Museum in Eugene, Oregon, the Boise Art Museum in Idaho. Cramer made a name for himself in the 1980s and 1990s becoming a bridge between historical Oregon artists like Clifford Gleason and Milton Wilson...