Jeremy Thomas

Flaring Blue

2016

"These inflated objects are grown more than fabricated. Through the process of inflation, the application of the air to the geometric construction defines form at the moment of infla...

"These inflated objects are grown more than fabricated. Through the process of inflation, the application of the air to the geometric construction defines form at the moment of inflation." It is the pragmatic that draws Thomas. Asked about his influences he asserts that his primary influences do not come from the realm of art but rather from everyday living. “I don’t eat, sleep, and breathe art,” he comments. His discovery of metal-working arose in a similar, practical way. Thomas had been sculpting with stone and asked someone to show him how to forge his own chisel. This was the start of his exploration of forging techniques and after a time he gave up working with stone to work with metal. One of the key aspects of blacksmithing that intrigued Thomas was fact that it isn’t instantly gratifying, and it poses questions that aren’t easily solved. He interned with Tom Joyce...

"These inflated objects are grown more than fabricated. Through the process of inflation, the application of the air to the geometric construction defines form at the moment of inflation." It is the pragmatic that draws Thomas. Asked about his influences he asserts that his primary influences do not come from the realm of art but rather from everyday living. “I don’t eat, sleep, and breathe art,” he comments. His discovery of metal-working arose in a similar, practical way. Thomas had been sculpting with stone and asked someone to show him how to forge his own chisel. This was the start of his exploration of forging techniques and after a time he gave up working with stone to work with metal. One of the key aspects of blacksmithing that intrigued Thomas was fact that it isn’t instantly gratifying, and it poses questions that aren’t easily solved. He interned with Tom Joyce...

Admirers of Jeremy Thomas’ sculpture should be grateful to a thief. Thomas came to the College of Santa Fe to study Studio Arts as a painter and printmaker, both of which he had been...

Admirers of Jeremy Thomas’ sculpture should be grateful to a thief. Thomas came to the College of Santa Fe to study Studio Arts as a painter and printmaker, both of which he had been...

"These inflated objects are grown more than fabricated. Through the process of inflation, the application of the air to the geometric construction defines form at the moment of inflation." It is the pragmatic that draws Thomas. Asked about his influences he asserts that his primary influences do not come from the realm of art but rather from everyday living. “I don’t eat, sleep, and breathe art,” he comments. His discovery of metal-working arose in a similar, practical way. Thomas had been sculpting with stone and asked someone to show him how to forge his own chisel. This was the start of his exploration of forging techniques and after a time he gave up working with stone to work with metal. One of the key aspects of blacksmithing that intrigued Thomas was fact that it isn’t instantly gratifying, and it poses questions that aren’t easily solved. He interned with Tom Joyce...

“Vestiges'' acts as a relic that evokes a nostalgic reminder of a life that once was. The series is deeply associative, attuned to our own sense of place and personal history through an aesthetic of transience, intimacy, and sentiment. The physical properties of “Vestiges” invite a closer look. Kiegel replaces the traditional canvas with a lightweight aerospace structural material that mimics the architecture of a honeycomb. A lateral view of its deep rigid hexagonal structure makes it appear as an abandoned, rusted piece of metal—only allowing its full depth to be seen from a direct view, like a synthetic silk veil...

Cast epoxy resin, fluorescent lights, plexi-glass, steel, 21 mink coats, argon-mercury text on wall Over the course of four decades, Marsha Pels' sculpture practice has drawn both f...

This arwork is a part of Vistiges art series. “Vestiges'' acts as a relic that evokes a nostalgic reminder of a life that once was. The series is deeply associative, attuned to our own sense of place and personal history through an aesthetic of transience, intimacy, and sentiment. The physical properties of “Vestiges” invite a closer look. Kiegel replaces the traditional canvas with a lightweight aerospace structural material that mimics the architecture of a honeycomb. A lateral view of its deep rigid hexagonal structure makes it appear as an abandoned, rusted piece of metal—only allowing its full depth to be seen from a direct view, like a synthetic silk veil...

Tom Nussbaum is known for a variety of work including drawings, paper cuts, prints, sculpture, children’s books, animations, functional design objects, and site-specific commissions....

Tom Nussbaum is known for a variety of work including drawings, paper cuts, prints, sculpture, children’s books, animations, functional design objects, and site-specific commissions....

Tom Nussbaum is known for a variety of work including drawings, paper cuts, prints, sculpture, children’s books, animations, functional design objects, and site-specific commissions....