Mary Giles

Fire Field, wall installation with iron, copper, brass wire

2017

Cast and hand-collaged sculpture of phosphor bronze and silver by Richard Filipowski (1923-2008), executed circa 1960-1965. Untitled, of a naturalistic, topiary form. With a certific...

Cast and hand-collaged sculpture of phosphor bronze and silver by Richard Filipowski (1923-2008), executed, circa 1960-1965. Titled "Venus." Unsigned, with a certificate of authentic...

Cast and hand-collaged sculpture of phosphor bronze and silver by Richard Filipowski (1923-2008), executed, circa 1960-1965. Titled "Reed." Unsigned, with a certificate of authentici...

Jasmin Anoschkin (Finnish, b. 1980) is a multi-disisplinary artist whose practice includes ceramic and wood sculpture, paintings and works on paper, a...

Bodil Manz (Danish, b. 1943) is a ceramicist known for her predominant use of ultra-thin, translucent eggshell porcelain to create distinctive cylindrical forms, anchored by bold, geometric abstractions in a style evocative of Russian Suprematism. Much in the way Morandi approached a still life or Albers the square, her engagement with the cylinder form ad infinitum is study in the master’s ability to extract sublime nuance from the seemingly quotidien. In her own words – “Focusing and concentrating on a single object such as a sphere, a square, a cylinder, a cup, fundamentally something quite ordinary, the stuff of everyday life, [seems] indeed almost banal. But during the process we discovered fresh aspects, and suddenly ‘the ordinary’ became a new experience. Bodil Manz’s work is included in many important museum collections including: the Museum of Modern Art New York, Victoria and Albert in London, the Los Angeles County Museum of Art, the Musée de Sèvres...

Bodil Manz (Danish, b. 1943) is a ceramicist known for her predominant use of ultra-thin, translucent eggshell porcelain to create distinctive cylindrical forms, anchored by bold, geometric abstractions in a style evocative of Russian Suprematism. Much in the way Morandi approached a still life or Albers the square, her engagement with the cylinder form ad infinitum is study in the master’s ability to extract sublime nuance from the seemingly quotidien. In her own words – “Focusing and concentrating on a single object such as a sphere, a square, a cylinder, a cup, fundamentally something quite ordinary, the stuff of everyday life, [seems] indeed almost banal. But during the process we discovered fresh aspects, and suddenly ‘the ordinary’ became a new experience. Bodil Manz’s work is included in many important museum collections including: the Museum of Modern Art New York, Victoria and Albert in London, the Los Angeles County Museum of Art, the Musée de Sèvres...

This Brutalist wall sculpture was made in 1970 by assembling and folding patinated and hammered copper and brass sheets mounted on plywood. Stephen Chun...

Lovelace’s Tribute 2018 sung by Christina Tsers This installation is in honor of Ada Lovelace, generally recognized as the first computer programmer. Lovelace was the daughter of ...

This piece titled "Begin to Bloom" is an original artwork by April Field made of 98 ft of sterling silver wire, freshwater pearls, and lacquer. This piece measures 11"h x 7"w x 1.75"...

Refleksy (Reflexes), flax (linen) and wool, 50" x 48" x 2", 1973. This warm, vivid Mid-Century tapestry, Refleksy (1973) is by Polish textile artist, ...

Adela Akers (b. 1933, Santiago de Compostela, Spain) is a Spanish-born textile and fiber artist. She is Professor Emeritus (1972 to 1995) at the Tyler Scho...

Broken White Band with Pink, Linen, wool, and cotton, 32" x 32" (2008). This two-tone contemporary abstract woven tapestry and textile wall sculpture is by UK-based textile artist, Sara Brennan...