Tucker Robbins

Bangle Coffee Table, Ebonized Blacknut

Unknown

Brancusi sculpted a form similar to this shape for The Beginning of the World. Used as a stool or side table, this cantilevered piece shows off it's expressive Acacia salvaged from the Philippines grain. A NEW COLLABORATION Tina West + Tucker Robbins...

Domestic use of rattan is as old as human inhabitation of tropical forests around the world. Used here by the Toraja women of Sulawesi, Indonesia originally to create fishing baskets...

Salvaged in the Philippines. This piece is Satinwood, a very dense wood that is extremely heavy. This piece is very old. A NEW COLLABORATION Tina West + Tucker Robbins...

Made from a reclaimed Sri Lankan Kumbuk log, the cross section slab reveals the heart of the tree. The growth rings expand outward from the center, each year of the life of the tree adding to its beauty. Every piece is entirely precious jewel. A NEW COLLABORATION Tina West + Tucker Robbins...

Hand carved in West Africa, using centuries old techniques, this stool is produced by the royal family of the Bamun tribe in Cameroon. Carved from the trunks of coffee shade trees wh...

ABOUT “There’s no color in my work,” says Shlafer, “I either burn it, bleach it, or leave it alone.” Shlafer’s sculptures are designed with rudimentary material such as pine, oak, and spruce salvaged as driftwood on the Eastern end of Long Island. The artist started this body of work during the pandemic after he stumbled upon the charming discoveries while traveling on foot by the coastline. Always a wayfarer at heart, he drew inspiration from his youth of traveling on a motorcycle through Southern Africa and seeing indigenous art made from ordinary earth objects within local villages. “Wishbone 1” a 5 Foot sculpture, charred white oak with a tinted aqua resin base that reflects an omen of resilience and hardiness in light of the hardships of the past pandemic year, In another “Tune” a bleached spruce fence post narrowed into a tuning fork shape with a slate base. It welcomes a ceremonial vibe. “At the end of the day, that’s the energy we all crave,” says Shlafer, “who doesn’t respond to that?” “Mushroom #3” a charred white oak sculpture that is versatile in design so it can act as an end table or a stool. It is masterfully crafted and brings to mind the redwood stools...

Each element measures 43.5h x 17w x 6.5d in LORI COZEN-GELLER grew up in Los Angeles, California and received her Bachelor of Arts degree from the University of Southern California....

Dimensions of each element: 15.75h x 7w x 3d in. Comprised of 7 elements. LORI COZEN-GELLER grew up in Los Angeles, California and received her Bachelor of Arts degree from the Univ...

Individual Dimensions: Parent element: 48h x 48w x 3d in Sub-element: 6.75h x 7.75w x 3d in edition 1/1 LORI COZEN-GELLER grew up in Los Angeles, California and received her Bachel...

This piece titled "Warmer" is an original artwork by Jason Andrew Turner made of acrylic and enamel on medium density fiberboard. This piece measures approximately 35"h x 48"w x 22"d...

Solid and veneered walnut, brass. Asher Israelow was born in New York City and graduated from the Rhode Island School of Design with degrees in fine arts and architecture. Back in New York, he currently works at the Brooklyn Navy Yard, designing buildings and building furniture. Drawing on his training as an architect and a love of lore, Asher designs work for the modern explorer. All the materials are ethically and locally sourced, building upon the importance of origins. Each piece narrates the story of its materials, with an honest approach to joinery and a touch of conceit. The studio produces all original and small batch pieces designed to last for generations. The work emphasizes a handcrafted and emergent vision of contemporary culture. This piece exemplifies the new age of brown furniture.

Pair of Fendi Casa Fleurette Coffee Nesting Tables, Bronze finish, Lacquer, by Thierry Lemaire, each marked Fendi, Lacquered. Metallic brass details fit inside the top in new Paliss...