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TEAK ROOT SIDE TABLE

Brandon Reese’s focus on experimentation and varying techniques relates to his belief that the best part of life is the process, “My art wears the fingerprints, cuts, dents and other...

PARFAITE RENCONTRE 8 by Pascal Pierme is a mahogany that measures 30.00 X 14.00 in and is priced at $6,250.00. French-born sculptor, Pascal Pierme is inspired by his surroundings. F...

Grimace by artist Jen Pack is a contemporary orange and red abstract wall sculpture made of fabric, wood, and thread that measures 34 x 31 and is priced at $12,000. The interweaving...

Escape From The Gray Hole by artist Jen Pack is a contemporary colorful fabric wall sculpture that measures 29 x 24 and is priced at $9,500. The interweaving of contrasts, oppositio...

Chochin by Morgan Robinson is a white contemporary abstract sculpture design made wenge and stacked laminated baltic birch and measures 18 x 28 and is priced at $5600 An artist from Stillwater, Oklahoma working primarily with wood and metal. I received my BFA in sculpture from the University of Central Oklahoma where I had the freedom to experiment with furniture as art. After finishing my bachelor’s degree, I went and worked as a custom cabinet maker for 5 years. The cabinetry helped refine wood working skills and techniques. I then took advantage of an opportunity to further my skills traveling to Japan and learning traditional methods of wood working used for centuries. Upon returning back to my home town here in Stillwater, I have set up my woodworking studio and am focusing on merging eastern philosophies of minimalism and sculptural form into a functional beautiful artistic statement to add to the quality of our daily lives. EXHIBITIONS 2009 Project Gallery, Stillwater, OK 2009 Town & Gown Theater, Stillwater, OK 2008 café & gallery Sora, Nara, Japan 2004 Oklahoma Visual Arts Coalition "Momentum”, Oklahoma City, OK 2003 Joseph's Gallery, Stillwater, OK 2002 leitmotif, Oklahoma City, OK 2002 Vertigo, Stillwater, OK ARTIST BIOGRAPHY What started as a childhood fascination with shapes and sizes has turned into an artistic endeavor for one Stillwater man who has discovered a unique way to use wine, wood, fire and glue to bring his sculptures and furniture creations to life. Morgan Robinson says he was always intrigued with the reflections he saw in the school bus windows as a child. “I wasn’t as interested in what was outside the window as I was in the images the sunlight was creating on the window,” Robinson said. That interest never waned. Indeed, it grew into a passion that would lead Robinson to Mexico and Japan seeking new ways to turn the images in his mind into the creations he would eventually show in art galleries in other countries and at home. Studio Artist Beginnings As a college student at the University of Central Oklahoma, Robinson studied jewelry making. He learned to work with metal designing and making small items such as pendants. He soon moved from jewelry to metal castings and decided to pursue metal as a medium for his art. Eager to discover new tools and techniques, he took a job at a foundry in Ponca City. “I was still trying to understand metal,” Robinson said. “I went to Mexico and worked in a foundry there when I was 21. I learned to use tools I would have never been exposed to here.” Soon he was casting tables...

French-born sculptor, Pascal Pierme is inspired by his surroundings. For the last 20 years, those surroundings have been Santa Fe, New Mexico. A lover of the outdoors, his work is di...

Marble and wood

Alabaster and wood

Sherry Owens Windows and Maidens #6, 2019 Bronze, patina, crepe myrtle, dye, milk paint, wax 11 x 14 3/4 x 11 3/4 inches For over 30 years, sculptor Sherry Owens has used the sinewy crepe myrtle tree to tell her story of the Texas landscape, death, renewal, beauty, and of today’s growing environmental concerns. Remnants of personal stories, visions and observations in nature are the driving forces in her work. She believes that what we see and do in our daily lives leaves a mark on our planet. It is the direct impact of human activities on the natural world, which is visualized in her artistic practice. She creates connections with nature using crepe myrtle trees found along the side of the road. Each stick is hand-carved and cut to fit, then laid in place and secured with a small myrtle peg. What takes precedence in the laborious process is the importance of detail and evidence of the artist’s hand and her interaction with the materials. Sherry Owens is a native Texan, currently living and working in Dallas, TX. She received a BFA from Southern Methodist University. Recent Texas solo exhibitions include The Grace Museum; Cris Worley Fine Arts; Martin Museum of Art; Art Museum of Southeast Texas; and a two-person site-specific installation at the Umlauf Sculpture Garden & Museum. She was also included in recent exhibitions at the Amon Carter Museum of American Art, TX and the Ogden Museum of Southern Art, LA. She has exhibited internationally in Austria, Denmark, Germany, Greece, India, Japan, Peru, and Turkey. Her work is currently on view in the Ground Zero 360 Remembrance Exhibition at the Museum of Biblical Art...

Sherry Owens Windows and Maidens #5, 2019 Bronze, patina, crepe myrtle, dye, milk paint, wax 9 1/4 x 14 1/4 x 9 inches For over 30 years, sculptor Sherry Owens has used the sinewy crepe myrtle tree to tell her story of the Texas landscape, death, renewal, beauty, and of today’s growing environmental concerns. Remnants of personal stories, visions and observations in nature are the driving forces in her work. She believes that what we see and do in our daily lives leaves a mark on our planet. It is the direct impact of human activities on the natural world, which is visualized in her artistic practice. She creates connections with nature using crepe myrtle trees found along the side of the road. Each stick is hand-carved and cut to fit, then laid in place and secured with a small myrtle peg. What takes precedence in the laborious process is the importance of detail and evidence of the artist’s hand and her interaction with the materials. Sherry Owens is a native Texan, currently living and working in Dallas, TX. She received a BFA from Southern Methodist University. Recent Texas solo exhibitions include The Grace Museum; Cris Worley Fine Arts; Martin Museum of Art; Art Museum of Southeast Texas; and a two-person site-specific installation at the Umlauf Sculpture Garden & Museum. She was also included in recent exhibitions at the Amon Carter Museum of American Art, TX and the Ogden Museum of Southern Art, LA. She has exhibited internationally in Austria, Denmark, Germany, Greece, India, Japan, Peru, and Turkey. Her work is currently on view in the Ground Zero 360 Remembrance Exhibition at the Museum of Biblical Art...

Sherry Owens Grandfather's Land, 2021 Bronze, patina, crepe myrtle, paint, wax 30 x 46 x 18 inches For over 30 years, sculptor Sherry Owens has used the sinewy crepe myrtle tree to tell her story of the Texas landscape, death, renewal, beauty, and of today’s growing environmental concerns. Remnants of personal stories, visions and observations in nature are the driving forces in her work. She believes that what we see and do in our daily lives leaves a mark on our planet. It is the direct impact of human activities on the natural world, which is visualized in her artistic practice. She creates connections with nature using crepe myrtle trees found along the side of the road. Each stick is hand-carved and cut to fit, then laid in place and secured with a small myrtle peg. What takes precedence in the laborious process is the importance of detail and evidence of the artist’s hand and her interaction with the materials. Sherry Owens is a native Texan, currently living and working in Dallas, TX. She received a BFA from Southern Methodist University. Recent Texas solo exhibitions include The Grace Museum; Cris Worley Fine Arts; Martin Museum of Art; Art Museum of Southeast Texas; and a two-person site-specific installation at the Umlauf Sculpture Garden & Museum. She was also included in recent exhibitions at the Amon Carter Museum of American Art, TX and the Ogden Museum of Southern Art, LA. She has exhibited internationally in Austria, Denmark, Germany, Greece, India, Japan, Peru, and Turkey. Her work is currently on view in the Ground Zero 360 Remembrance Exhibition at the Museum of Biblical Art...

Sherry Owens Reawakening the Spirit, 2019 Crepe myrtle, steel, milk paint, dye, oil, wax 108 1/2 x 36 x 31 inches For over 30 years, sculptor Sherry Owens has used the sinewy crepe myrtle tree to tell her story of the Texas landscape, death, renewal, beauty, and of today’s growing environmental concerns. Remnants of personal stories, visions and observations in nature are the driving forces in her work. She believes that what we see and do in our daily lives leaves a mark on our planet. It is the direct impact of human activities on the natural world, which is visualized in her artistic practice. She creates connections with nature using crepe myrtle trees found along the side of the road. Each stick is hand-carved and cut to fit, then laid in place and secured with a small myrtle peg. What takes precedence in the laborious process is the importance of detail and evidence of the artist’s hand and her interaction with the materials. Sherry Owens is a native Texan, currently living and working in Dallas, TX. She received a BFA from Southern Methodist University. Recent Texas solo exhibitions include The Grace Museum; Cris Worley Fine Arts; Martin Museum of Art; Art Museum of Southeast Texas; and a two-person site-specific installation at the Umlauf Sculpture Garden & Museum. She was also included in recent exhibitions at the Amon Carter Museum of American Art, TX and the Ogden Museum of Southern Art, LA. She has exhibited internationally in Austria, Denmark, Germany, Greece, India, Japan, Peru, and Turkey. Her work is currently on view in the Ground Zero 360 Remembrance Exhibition at the Museum of Biblical Art...