Brian Giniewski

XL Kong Planter, Glazed Ceramic Bowl, Utilitarian Contemporary Design

2018

“My work reflects on experiences of transformation, alchemy and the sublime, manifesting in sculptures that undulate between soft and hard, alive and static, real and imagined. These works shape-shift, oscillating between abstraction, flora, fauna and mineral. This has the effect of compressing time, with elements frozen in mid-transformation. This dislocation reflects on mortality and ephemerality, exploring the space in between stages in our lives as well as embracing fantasies of alternative dimensions as a means of escapism.” - Artist Statement Sasha Koozel Reibstein...

Born in Detroit, Steven Montgomery’s work revels in a history of industry and aging as the artist uses porcelain to produce intricate mechanical forms with the appearance of metal. H...

José Sierra is a self-taught artist and ceramicist, born in Mérida, Venezuela in 1975. His work draws inspiration from his heritage, along with pre-Hispanic art, East Asian potter...

José Sierra is a self-taught artist and ceramicist, born in Mérida, Venezuela in 1975. His work draws inspiration from his heritage, along with pre-Hispanic art, East Asian pottery, and contemporary design. His work teems with super-saturated colors and conflicting textures populating asymmetrical forms reminiscent of microscopic life or grand mythological icons. “The images and memories of coffee mills, intensely colored mountains, dramatic landscapes, pre-Colombian art...

“My work reflects on experiences of transformation, alchemy and the sublime, manifesting in sculptures that undulate between soft and hard, alive and static, real and imagined. Thes...

Sam Chung lives and works in Tempe, AZ. He is a ceramic artist and Professor of Art at Arizona State University. As a second-generation Korean-American, he explores pottery that ref...

Ken Price California Cup (INV# NP5005) glazed earthenware cup: 4.19 x 6 x 3" handmade wooden box: 8 x 10.38 x 5.63" 1991 #18/25 signed, dated, and numbered provenance The Nevica Pro...

Ken Price Chet (INV# NP5004) glazed earthenware cup: 4 x 5.88 x 3" handmade wooden box: 8 x 1.38 x 5.63" 1991 #24/25 signed, dated, and numbered provenance The Nevica Project prove...

Unknown Artist Wall Sculpture with Golden Top (and opening) Porcelain, Glaze, Gold Luster Year: Unknown Size: 9.5x2.5x2in Ref.: 24802-1740 *could also be used a single stem wall-moun...

Artist : Stephanie Lanter Title : "Attached" Materials : Porcelain, glaze, stoneware, wire, thread Date : 2020 Dimensions : 20" x 9" x 8.5" Description : Manually slip-trailed sculpture...

Title : Covered Jar Materials : Terracotta, white gold luster Date : 2016 Dimensions : 18.5 x 8.5 x 8.5 inches Description : wheel thrown and altered terracotta, cone 04 oxidation, glazes and luster COA provided Mariko Brown Harkin about her work: "My fascination with pottery comes from my desire to make art and to produce something that is not only functional but visually appealing. Porcelain allows me stretch and shape the clay in any way I choose and offers a blank canvas for my floral imagery and luscious, rich glazes to blend. The forms I create are tight and precise with a sense of restricted volume. I use bands around the form to constrict specific areas of each piece, while at the same time creating space for the volume and fullness to escape. The bands create registers to frame my drawings and paintings of floral imagery. The way I combine surface and form is inspired by Ming Dynasty porcelain...

Materials : Terracotta, white gold luster Date : 2016 Dimensions : 16 x 8.5 x 8.5 inches Description : wheel thrown and altered terracotta, cone 04 oxidation, glazes and luster COA provided Mariko Brown Harkin about her work: "My fascination with pottery comes from my desire to make art and to produce something that is not only functional but visually appealing. Porcelain allows me stretch and shape the clay in any way I choose and offers a blank canvas for my floral imagery and luscious, rich glazes to blend. The forms I create are tight and precise with a sense of restricted volume. I use bands around the form to constrict specific areas of each piece, while at the same time creating space for the volume and fullness to escape. The bands create registers to frame my drawings and paintings of floral imagery. The way I combine surface and form is inspired by Ming Dynasty porcelain...