Chris Condon

Ardea

2017

"Spring Garden I - Japanese Magnolia" is a colorful naturalist landscape featuring hues of lime green, purple, pink, orange and yellow. This work is unframed. Carlyle is inspired by the works of Claude Monet, Edouard Vuillard, Henri Matisse, Walter Inglis Anderson, Charles Burchfield, Ellsworth Kelly, Alexander Calder and Mary Delany...

"Spring Hymn II" is a colorful naturalist landscape featuring hues of purple, pink, orange, blue and green. This work is framed in a brushed silver frame behind Plexiglas. "Spring Hymn II" can be grouped with "Spring Hymn I" and "Spring Hymn III" to form a triptych. Carlyle is inspired by the works of Claude Monet, Edouard Vuillard, Henri Matisse, Walter Inglis Anderson, Charles Burchfield, Ellsworth Kelly, Alexander Calder and Mary Delany...

"Spring Garden II - Quince" is a colorful naturalist landscape featuring hues of violet, silver, blue, citrine yellow and peach. This work is unframed. Carlyle is inspired by the works of Claude Monet, Edouard Vuillard, Henri Matisse, Walter Inglis Anderson, Charles Burchfield, Ellsworth Kelly, Alexander Calder and Mary Delany...

"Daffodils" is a colorful naturalist landscape featuring hues of bright yellow, lime green, baby blue and orange. This work is framed in a brushed silver frame behind Plexiglas. Carlyle is inspired by the works of Claude Monet, Edouard Vuillard, Henri Matisse, Walter Inglis Anderson, Charles Burchfield, Ellsworth Kelly, Alexander Calder and Mary Delany...

"Somewhere Between the Deep Blue Sea and the Edge of the Universe I" is a circular disc shaped wall sculpture featuring hues of blue, purple and gold. Corrina is inspired by the wo...

"Somewhere Between the Deep Blue Sea and the Edge of the Universe III" is a circular disc shaped wall sculpture featuring hues of blue, purple and gold. Corrina is inspired by the ...

Carmen Almon uses copper sheeting, brass tubing, steel wire and enamel paint to create exquisite botanical sculptures. She captures the fragility of a moment in time by interpreting ...

Carmen Almon uses copper sheeting, brass tubing, steel wire and enamel paint to create exquisite botanical sculptures. She captures the fragility of a moment in time by interpreting ...

Carmen Almon uses copper sheeting, brass tubing, steel wire and enamel paint to create exquisite botanical sculptures. She captures the fragility of a moment in time by interpreting ...

Carmen Almon uses copper sheeting, brass tubing, steel wire and enamel paint to create exquisite botanical sculptures. She captures the fragility of a moment in time by interpreting ...

Artist : Sam McPherson Title : Collection of 8 stones, wall installation Materials : Ceramic, porcelain on nail Date : 2019 Dimensions : 18"x 36"x 5" in. Description : Wall stones are designed to hang in multiple positions and can easily be rearranged or altered. The back of each stone as designs cut into it like the picture shown. The design on the back double as nail holes, so you can alter the position of the stone by selecting which space to hang on the nail. *** Designs will not always match the one shown, but are similar in concept. This arrangement includes 5 black porcelain stones, and 3 marbled stones. To discover the unseen hidden beneath or within an object inspires Sam McPherson to share her imagination and fascination of ‘what could be’. McPherson tries to use these ideas in her work to create something that requires the viewer to invest in the piece to see what it has to offer, to reward curiosity, and to those unwilling to stop and look closely to explore and discover, they may never know. Abstract, abstract art, contemporary art, ceramcs, porcelain, contemporary ceramics, mixed media, fibers, fiber arts, contemporary fine art, ceramic artists, sculptural ceramics, hand-build porcelain, crocheted, Betty Woodman, Toshiko Takaezu, Richard T. Notkin, Tony Marsh, Eva Hesse, Lee Bontecou, Judith Scott, wall sculpture, contemporary sculpture, minimalist sculpture, minimalism, Richard Serra, Rachel Whiteread, Ursula von...

Carmen Almon uses copper sheeting, brass tubing, steel wire and enamel paint to create exquisite botanical sculptures. She captures the fragility of a moment in time by interpreting particular plants based on her memories of them. “These botanical compositions seem to defy their sheet-metal origins to come alive. Branches bend, vines loop, leaves twist, and a few surprising bugs, from butterflies to beetles, drop in to colonize her plants.” Through her work, one is reminded of the beautifully illustrated botanical books of the 17th and 18th century – Linneaeus, Ehret, Redouté – which Carmen often refers to for inspiration. Each piece takes up to twelve weeks to complete, therefore, few are realized each year making them rare treasures. In reference to our human connection to flowers, Carmen states, “Romance, marriage, funerals. Subconsciously, they represent so many things, innocent beauty, courage in the face of obstacles and continuity in the cycle of life and death. When I work on a plant, I am often thinking of this.” Almon grew up in Barcelona and Washington DC and resides in New Orleans, Louisiana. Her works are exhibited at the Chinese Porcelain Gallery, NY; and Octavia Art Gallery...