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Damien HirstOmnicef 300mg2014
2014
About the Item
- Creator:Damien Hirst (1965, British)
- Creation Year:2014
- Dimensions:Height: 11.82 in (30 cm)Diameter: 4.34 in (11 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:Seller: PSA 1005739)1stDibs: LU60131902793
Damien Hirst
British artist Damien Hirst is widely considered the enfant terrible of contemporary art. He is the most prominent of the so-called Young British Artists, or YBAs, a group, largely composed of Hirst’s classmates at Goldsmiths, in London, that began exhibiting together in warehouses and factories after 1988 and is known for the use of unconventional materials and “shock tactics.”
In the 1990s, Hirst said, “I can’t wait to get into a position to make really bad art and get away with it.” And indeed, he is notorious for piquing critics and baffling the public with such pieces as his signature glass vitrines containing dead sheep or sharks in formaldehyde, and his diamond-encrusted skull, For the Love of God.
Working primarily in sculpture, Hirst takes after French modernist master Marcel Duchamp in his use of ready-made objects and materials, which he combines to ironic effect. He often creates in series, as with The Cure (Violet) and The Cure (Turquoise), both from 2014, which are among several pill paintings referencing Andy Warhol’s embrace of mass production. Belonging to his ongoing series of “spot” paintings, begun in the 1980s, the 2005 piece Xylene Cyanol Dye Solution is striking for its machinelike, industrial uniformity and almost childlike simplicity, a seeming rebuke to the idea of the artist-as-genius.
In addition to making art, Hirst has launched stores that sell editioned works (Other Criteria), a restaurant (Pharmacy2) and even his own London museum (Newport Street Gallery).
Find Damien Hirst paintings, prints and other works on 1stDibs.
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- Sudafed PE SinusBy Damien HirstLocated in Boston, MAArtist: Hirst, Damien Title: Sudafed PE Sinus Series: Schizophrenogenesis Date: 2014 Medium: Polyurethane resin with ink pigment Unframed Dimensions: 11.81" x 5.11" Signature:...Category
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- Sudafed PEBy Damien HirstLocated in Boston, MAArtist: Hirst, Damien Title: Sudafed PE Sinus Series: Schizophrenogenesis Date: 2014 Medium: Polyurethane resin with ink pigment Unframed Dimensions: 11.81" x 5.11" Signature:...Category
2010s Young British Artists (YBA) Sculptures
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- BlobBy Dan LamLocated in Hollywood, FLArtist: Dan Lam Title: Blob Size: 33 x 29.5 x 7.5 Medium: Mixed Media made from polyurethane foam, resin, acrylic & vinyl Edition: Original Year: 2018 Notes: Signed by the a...Category
2010s Contemporary Mixed Media
MaterialsResin, Foam, Mixed Media, Acrylic, Vinyl, Polyurethane
$5,500 - Dana Bloom, Measurement, Currently presented at the Tel Aviv BiennaleLocated in Tel Aviv, ILDana Bloom's Measurement features a gilded human figure that challenges the viewers' perception of presence and absence, while exuding a dreamlike, timeless...Category
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- FetchLocated in Montreal, QuebecIn his recent works sculptor Nicholas Crombach uses the markers of tradition to critique social rituals. Through the employment of the mythology and the rich visual culture of the hunt, Crombach assembles works which revel in contradiction. He has created a series of unexpected juxtapositions that examine the cultural significance and the complex issues percolating around hunting and sporting traditions in the 21st century. For this exhibition, Crombach riffs off the myth of Diana and Actaeon, which provides a poignant framework for his theme. In the original story, Actaeon, the hunter and grandson of King Cadmus, is in the forest with his dogs, when he spies Artemis (Diana) in her bath attended by her nymphs. Diana was the goddess of the hunt, but when the mortal Actaeon sees her, her nymphs try to cover her modesty. She splashes him with water, turning him from a mortal man into a stag, who flees into the forest only to be hunted down and killed by his own dogs. The hunter becomes the hunted. Crombach’s Fetch (2018) refers to the mythology of Diana and Actaeon as he transforms the lofty and classical story of metamorphoses into a game of fetch in the local park, constructed on a grand scale. In Fetch (2018), Crombach creates a hybrid between the art historical imagery from paintings of hounds hunting stags with the flashy colours and synthetic materials of modern day dog chew toys. The sculpture is displayed alongside a variety of chew toys that act as an index for the sculptures interpretation, some transformed into porcelain that has been marked with the aristocratic hunting motifs found on antique English pottery. Here, the assembly of works create a conversation on the blurred boundaries between: histories of domestication, the working relationships we have with animals, contemporary issues of hunting as “play”, tradition and survival. A second major new sculpture “End of the Chase” is a collapsed version of a Victorian period rocking horse housed in London’s V&A Museum Of Childhood. The sculpture responds to the 2014 hunting act that passed in Britain which in turn attempts to obliterate the tradition of hunting with hounds, most commonly associated with the fox hunt...Category
2010s Contemporary Figurative Sculptures
MaterialsAcrylic, Polyurethane, Nylon, Resin
$28,000