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Modern Colorful Cubist Face Sculpture Inspired by Joan Miro

1960's

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  • Modern Abstract Cast Stone Female Bust Portrait Sculpture of Julie Burrows
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    Modern abstract cast stone portrait bust sculpture by Houston, Texas artist David Adickes. The work is modeled after Adickes' friend Julie Burrows and features sharp facial features ...
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  • Distorted Figurative Figure
    By Jose Zacarias
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    Cool grey figurative sculpture of a female figure. Sculpture has concave areas where the limbs would extend from the body. The sculpture sits on a base that appears to be a leg. Jose...
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  • Abstract Figurative Marble Scuplture Signed Mario C: G:
    Located in Houston, TX
    Abstract figurative grey marble sculpture that incorporates a variety of human appendages (nose, feet, and fingers). The base is signed "MARIO C ...
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    20th Century Abstract Abstract Sculptures

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    Marble

  • “Mother and Child” Biomorphic Modern Abstract Sculpture of Embracing Figures
    Located in Houston, TX
    Biomorphic abstract sculpture by Canadian artist John McKinnon. The work features a mother figure holding her child in a loving embrace. Inspired by other modern artists such as Henr...
    Category

    1980s Abstract Figurative Sculptures

    Materials

    Alabaster, Marble

  • Two Embracing Figures
    By Jose Zacarias
    Located in Houston, TX
    Light brown colored sculpture of two abstract figures embarrassing each other in an intimate manner. Marble has veins of darker brown tones with hints of cool grey colors. Artist s...
    Category

    1980s Contemporary Figurative Sculptures

    Materials

    Marble

  • Seated Woman Stone Sculpture
    Located in Houston, TX
    Sculpture of a seated women with her hands on her knees. Sculpture has various natural colors that branch through the stone. Artist signed the sculpture on the back right thigh. Luiz...
    Category

    1980s Contemporary Figurative Sculptures

    Materials

    Stone

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  • Abstract Geometric Cubist Painted Wood Sculpture Head Italian Neo Figurative Art
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    This painted wood assemblage sculpture by Italo Scanga, epitomizes the characteristics of his oeuvre. Polychrome head portrait bust. This was signed on a brass or bronze plaque but that has gone missing. It is unsigned. I believe there might be a studio stamp on the bottom. Italo Scanga (June 6, 1932 - July 7, 2001), an Italian-born American artist, was known for his sculptures, prints and, paintings, mostly created from found objects. In his youth in Calabria, Italy he worked as a cabinetmaker's apprentice and studies sculpture with a man who carved statues of saints. Italo Scanga was an innovative neo Dada, neo-Expressionist, and neo-Cubist multimedia artist who made assemblage, collage, sculptures of ordinary objects and created prints, glass, and ceramic works. Modern Italian abstract geometric folk art. Scanga's materials included natural objects like branches and seashells, as well as kitsch figurines, castoff musical instruments and decorative trinkets salvaged from flea markets and thrift shops. He combined these ingredients into free-standing assemblages, which he then painted. Although visually ebullient, the results sometimes referred to gruesome episodes from Greek mythology or the lives and deaths of martyred saints. He considered his artistic influences to be sweepingly pan-cultural, from African sculpture to Giorgio de Chirico. He often collaborated with the sculptor Dale Chihuly, who was a close friend. Constructed of wood and glass, found objects or fabric, his ensembles reflect a trio of activities—working, eating, and praying. These activities dominate the lives of those who live close to the land, but they are also activities that are idealized by many who contemplate, romantically, a simpler, bucolic life. Italo graduated from Michigan State University where he befriended fellow artists Richard Merkin and David Pease. He studied under Lindsey Decker who introduces him to welding and sculpture after his initial interest in photography. Also studies with Charles Pollock, the brother of Abstract Expressionist Jackson Pollock. His first teaching job was at University of Wisconsin (through 1964). where he met Harvey Littleton, a fellow instructor. He later moves to Providence, Rhode Island,I to teach at Rhode Island School of Design (RISD). Is colleagues with artists Richard Merkin and Hardu Keck. Starts a correspondence with HC Westermann. Spends summers teaching at Brown University; colleague of Hugh Townley. Moves to State College, PA, and teaches at Pennsylvania State University for one year. Meets artists Juris Ubans, Harry Anderson, Richard Frankel, and Richard Calabro, who remain friends throughout his career. 1967: David Pease helps him get a tenure track position at Tyler School of Art in Philadelphia, PA, . Artists he works closely with include Ernest Silva, Lee Jaffe, Donald Gill, and William Schwedler. Meets graduate student Dale Chihuly while lecturing at RISD and develops a lifelong friendship. 1969: One person exhibition, Baylor Art Gallery, Baylor University, Waco, TX. Works very closely with students Larry Becker and Heidi Nivling (who later run a gallery in Philadelphia, PA), and Harry Anderson. Welcomes many artists into his home including Donald Judd, Dan Flavin, Bruce Nauman (a former student), Vito Acconci, Ree Morton and Rafael Ferrer. 1973: "Saints Glass" at 112 Greene Street Gallery, NYC. Installation at the Institute of Contemporary Art at University of Pennsylvania, Philadelphia, PA. Meets Gordon Matta Clark and contributes to an artist cookbook. Goes to Pilchuck Glass School, Stanwood, WA, founded by Dale Chihuly, as a visiting artist. He continues to work there annually through 2001. Works over the years with Pilchuck artists Richard Royal, Seaver Leslie, Jamie Carpenter, Joey Kirkpatrick, Flora Mace, Robbie Miller, Billy Morris, Buster Simpson, Toots Zynsky, Howard Ben Tre...
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