Ai Weiwei

Artist's Hand, Sculpture, Urethane Resin, Contemporary by Ai Weiwei

2017

Piggy Bank, 2017 Grayson Perry Painted and glazed ceramic multiple With the artist's logo on the underside Published by the Serpentine Gallery, London Within the original grey cardb...

Stink, 2023 David Shrigley Ceramic multiple Signed on an accompanying COA Numbered from the edition of 75 Multiple: 16.5 × 12 × 12 cm (6.5 × 4.7 × 4.7 in) Accompanied by a certific...

Standing Arms Crossed, 2000 Julian Opie Paint and vinyl on wood, black on white sculpture Signed in pen on underside From the edition of three, each a unique colour variant Sculptur...

Walking in the City. 6, 2012 Julian Opie Sculpture screenprinted on spray-painted Axson shaped block Signed and numbered from the edition of 25 on the base in black ink Printed by Advanced Graphics...

Amelia, 2019 Julian Opie Polished acrylic on corian base Signed and inscribed 'A.P.' on underside One of five artist’s proofs aside from the numbered edition of 25 Multiple: 20 × 10...

Jeremy, 2019 Julian Opie Polished acrylic on corian base Signed and inscribed 'A.P.' on underside One of five artist’s proofs aside from the numbered edition of 25 Multiple: 22.5 × ...

Dana Bloom's Measurement features a gilded human figure that challenges the viewers' perception of presence and absence, while exuding a dreamlike, timeless...

In his recent works sculptor Nicholas Crombach uses the markers of tradition to critique social rituals. Through the employment of the mythology and the rich visual culture of the hunt, Crombach assembles works which revel in contradiction. He has created a series of unexpected juxtapositions that examine the cultural significance and the complex issues percolating around hunting and sporting traditions in the 21st century. For this exhibition, Crombach riffs off the myth of Diana and Actaeon, which provides a poignant framework for his theme. In the original story, Actaeon, the hunter and grandson of King Cadmus, is in the forest with his dogs, when he spies Artemis (Diana) in her bath attended by her nymphs. Diana was the goddess of the hunt, but when the mortal Actaeon sees her, her nymphs try to cover her modesty. She splashes him with water, turning him from a mortal man into a stag, who flees into the forest only to be hunted down and killed by his own dogs. The hunter becomes the hunted. Crombach’s Fetch (2018) refers to the mythology of Diana and Actaeon as he transforms the lofty and classical story of metamorphoses into a game of fetch in the local park, constructed on a grand scale. In Fetch (2018), Crombach creates a hybrid between the art historical imagery from paintings of hounds hunting stags with the flashy colours and synthetic materials of modern day dog chew toys. The sculpture is displayed alongside a variety of chew toys that act as an index for the sculptures interpretation, some transformed into porcelain that has been marked with the aristocratic hunting motifs found on antique English pottery. Here, the assembly of works create a conversation on the blurred boundaries between: histories of domestication, the working relationships we have with animals, contemporary issues of hunting as “play”, tradition and survival. A second major new sculpture “End of the Chase” is a collapsed version of a Victorian period rocking horse housed in London’s V&A Museum Of Childhood. The sculpture responds to the 2014 hunting act that passed in Britain which in turn attempts to obliterate the tradition of hunting with hounds, most commonly associated with the fox hunt...

Reinforced polymer (FV) and acrylic polyurethane. Edition 2 of 9

Nicholas Crombach has a BFA from OCAD University with a major in Sculpture and Installation. In 2016-17 he participated in a year-long studio residency at The Florence Trust in Londo...

Nicholas Crombach has a BFA from OCAD University with a major in Sculpture and Installation. In 2016-17 he participated in a year-long studio residency at The Florence Trust in Londo...

Nicholas Crombach has a BFA from OCAD University with a major in Sculpture and Installation. In 2016-17 he participated in a year-long studio residency at The Florence Trust in Londo...