Enid Bell

Basketballers

1940

ULISES JIMENEZ "BAJISTA" METAL, SIGNED COSTA RICA, 2023 32.25 INCHES Ulises Jiménez Obregón was born in La Mansion de Nicoya, Costa Rica, in November 1953. He studied Plas...

JOAN STRAUSS CAROL "THE SCREAM" WOOD, SIGNED, TITLED CALIFORNIA, DATED 1984 1575 X 19 INCHES Joan Strauss Carl 1926-2021 Joan Strauss Carl was...

ITZHAK SANKOWSKY "MODERNIST FACE" WOOD, SIGNED ROMANIAN-AMERICAN, C.1940 24.5 INCHES Itzhak Sankowsky was born in 1908 in Romania. He lived and was active in Philadelphia, Penn...

LORRIE GOULET "STANDING NUDE" WOOD, SIGNED AMERICAN, DATED 1963 52 INCHES Lorrie Goulet Born 1925 Biography from David Findlay Jr. Gallery "Geometry and Flesh: The Sculpture a...

ROBERTO LISANO "HOMBRE" WOOD, SIGNED COSTA RICA, DATED 1995 13 X 11.5 INCHES Roberto Lisano Born 1951 Lizano in the work of the significance of the matter is ess...

ULISES JIMENEZ "GUITARIST" WOOD, SIGNED COSTA RICA, C.2005 40 INCHES Ulises Jiménez Obregón was born in La Mansion de Nicoya, Costa Rica, in November 1953. He studied Pl...

Cubist style abstract mixed-media sculpture titled 'Blue Tone Tower' was created using various materials including wood, papier-mache, and paint by Bill Low ...

This painted wood assemblage sculpture by Italo Scanga, epitomizes the characteristics of his oeuvre. Polychrome head portrait bust. This was signed on a brass or bronze plaque but that has gone missing. It is unsigned. I believe there might be a studio stamp on the bottom. Italo Scanga (June 6, 1932 - July 7, 2001), an Italian-born American artist, was known for his sculptures, prints and, paintings, mostly created from found objects. In his youth in Calabria, Italy he worked as a cabinetmaker's apprentice and studies sculpture with a man who carved statues of saints. Italo Scanga was an innovative neo Dada, neo-Expressionist, and neo-Cubist multimedia artist who made assemblage, collage, sculptures of ordinary objects and created prints, glass, and ceramic works. Modern Italian abstract geometric folk art. Scanga's materials included natural objects like branches and seashells, as well as kitsch figurines, castoff musical instruments and decorative trinkets salvaged from flea markets and thrift shops. He combined these ingredients into free-standing assemblages, which he then painted. Although visually ebullient, the results sometimes referred to gruesome episodes from Greek mythology or the lives and deaths of martyred saints. He considered his artistic influences to be sweepingly pan-cultural, from African sculpture to Giorgio de Chirico. He often collaborated with the sculptor Dale Chihuly, who was a close friend. Constructed of wood and glass, found objects or fabric, his ensembles reflect a trio of activities—working, eating, and praying. These activities dominate the lives of those who live close to the land, but they are also activities that are idealized by many who contemplate, romantically, a simpler, bucolic life. Italo graduated from Michigan State University where he befriended fellow artists Richard Merkin and David Pease. He studied under Lindsey Decker who introduces him to welding and sculpture after his initial interest in photography. Also studies with Charles Pollock, the brother of Abstract Expressionist Jackson Pollock. His first teaching job was at University of Wisconsin (through 1964). where he met Harvey Littleton, a fellow instructor. He later moves to Providence, Rhode Island,I to teach at Rhode Island School of Design (RISD). Is colleagues with artists Richard Merkin and Hardu Keck. Starts a correspondence with HC Westermann. Spends summers teaching at Brown University; colleague of Hugh Townley. Moves to State College, PA, and teaches at Pennsylvania State University for one year. Meets artists Juris Ubans, Harry Anderson, Richard Frankel, and Richard Calabro, who remain friends throughout his career. 1967: David Pease helps him get a tenure track position at Tyler School of Art in Philadelphia, PA, . Artists he works closely with include Ernest Silva, Lee Jaffe, Donald Gill, and William Schwedler. Meets graduate student Dale Chihuly while lecturing at RISD and develops a lifelong friendship. 1969: One person exhibition, Baylor Art Gallery, Baylor University, Waco, TX. Works very closely with students Larry Becker and Heidi Nivling (who later run a gallery in Philadelphia, PA), and Harry Anderson. Welcomes many artists into his home including Donald Judd, Dan Flavin, Bruce Nauman (a former student), Vito Acconci, Ree Morton and Rafael Ferrer. 1973: "Saints Glass" at 112 Greene Street Gallery, NYC. Installation at the Institute of Contemporary Art at University of Pennsylvania, Philadelphia, PA. Meets Gordon Matta Clark and contributes to an artist cookbook. Goes to Pilchuck Glass School, Stanwood, WA, founded by Dale Chihuly, as a visiting artist. He continues to work there annually through 2001. Works over the years with Pilchuck artists Richard Royal, Seaver Leslie, Jamie Carpenter, Joey Kirkpatrick, Flora Mace, Robbie Miller, Billy Morris, Buster Simpson, Toots Zynsky, Howard Ben Tre...

JULIO GONZÁLEZ Spanish, 1876 - 1942 PETIT MASQUE DÉCOUPÉ MONTSERRAT signed "GONZALEZ" 5 of an edition of 9 Cire Perdue "C. VALSUANI" foundry seal bronze...

We are proud to present an original very early bronze, (1958) by American sculptor Robert Russin. Robert Russin began his career as a WPA sculptor, and received dozens of commission...

This listing is just for the sculpture. (the picture of the ad is for reference and is not included.) Marie Zoe Greene-Mercier was an artist, writer and arts activist who worked in t...

Medium: Bronze Edition 3/8 Jim Ritchie (1929-2017) born in Montreal, Canada, is known for his pastel drawings and bronze sculptures. He is stylistically linked with Cubism, Abstract figurative work, and modernism, and the human figure is the subject of much of his work. Ritchie had several exhibitions in Montreal before moving to the small town of Vence in Provence, where he lived and worked for over thirty years. The Adelson Galleries...